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"...It's Alright With Me..."
Recorded in and around the
beautiful at-one-with-nature Opaelua Lodge in Hawaii in May and June of 1970 -
Quicksilver Messenger Service's 4th album certainly looked the part with its
tasty Capitol Records gatefold cover and colour collage of the boys on the
inner gatefold giving in some live aloha homage to the Goddess Pele.
I’ve always thought
"Just For Love" to be bloody genius - but with the album’s
space-filling meandering instrumentals that seemed to be in search of a song
amidst the drugs and grass skirts – and those ever-so-slightly irritating
echoed vocals by someone clearly just about holding it together - not everyone
was so 'peaced out' when it was released. I've always thought "Just For
Love" a product of the times – something that must be taken on face value
(the Sixties still hanging on in a haze of mind altering substances). But me -
I adore that sloppy feel - like QMS has suddenly morphed into a melodic Crosby,
Stills, Nash & Young having way too much fun in the studio and not caring
about the placing of the microphones (juts play and feel it boys). Here is the
world's most reasonable non-druggy review...
UK released December 1992
(reissued many times since including the latest December 2008) - "Just For
Love" by QUICKSILVER MESSENGER SERVICE on Beat Goes On BGOCD 141 (Barcode
5017261201416) is a straightforward CD Remaster of the 9-track 1970 US LP and
plays out as follows (39:31 minutes):
1. Wolf Run (Part 1)
2. Just For Love (Part 1)
3. Cobra
4. The Hat
5. Freeway Flyer [Side 2]
6. Gone Again
7. Fresh Air
8. Just For Love (Part 2)
9. Wolf Run (Part 2)
Tracks 1 to 9 are their
fourth album "Just For Love" - released August 1970 in the USA on
Capitol SMAS-498 and November 1970 in the UK on Capitol EA-ST 498. Produced by
JOHN SELBY - it peaked at No. 27 in the USA (didn't chart UK)
For "Just For
Love" QUICKSILVER MESSENGER SERVICE was:
DINO VALENTI - Lead Vocals,
Guitar, Congas and Flute
GARY DUNCAN - Lead Electric
and Acoustic Guitars and Maracas
JOHN CIPOLLINA - Lead
Electric and Slide Guitar
DAVID FREIBERG - Bass
Guitar, Guitar and Vocals
GREGORY ELMORE - Drums and
Percussion
NICKY HOPKINS (Guest) -
Piano
The 8-page inlay doesn't
feature liners notes (bummer that) but it does reproduce that beautifully laid
out Capitol Records gatefold cover art of 1970. The colour-collage is spread
across the centre-pages whilst the 'world's most magical brat' and 'world's
most rhythmic mystic' annotation is reproduced on the other pages (Dan Healy is
the 'wired wizard' Engineer etc). Truth be told – BGO could do with upgrading
the presentation of this reissue – I for one think the music deserves such a
treat (big booklet, card slipcase etc).
It doesn't say which
engineer Remastered the album at Sound Engineering Technology in Cambridge in
1992 (sounds like Duncan Cowell?) – but they did a stomping good job. Always a
sloppy recording and perhaps not to everyone's taste – it's this very element
that I love most about "Just For Love" and that's been kept in tact
sweetly by this tasty transfer.
The re-introduction of the
volatile Valenti into the ranks along with the guitar magic of Cipollina (would
later form Copperhead) trading off against Gary Duncan while England's Nicky
Hopkins adds the whole sound stage a classiness on his old piano - added up to
a powerhouse unit.
A Flute and Tabla open Part
1 of the short instrumental "Wolf Run" – a sort of precursor to the
who-gives-a-monkeys stuff to come. Then Part 1 of the title track "Just
For Love" features Valenti who seems to wander up to and away from the
microphone as he warbles on about being "touched softly" and being
"free as the wind" (yeah baby). Huge drums introduce the wickedly
good slightly country-ish "Cobra" which sounds like Gram Parsons is
about to rock out – guitars flicking as a funky piano anchors proceedings. The
ten-minute Side1 finisher "The Hat" is the kind of Stephen
Stills-Band-Van Morrison acoustic-guitar sloppy work out that I adore. It's
loose and feels improvised for sure and of course it overstays its welcome in
places - but actually I quite like that and the band's chemistry is incredible
as Gary Duncan proves his 'world's most funky saint' moniker in the liner notes
while Valenti moans the vocals and Nicky Hopkins earns his stunning
piano-playing sessionman reputation.
"...Let's try one
more..." comes the count in for the band on the rollicking Side 2 opener
"Freeway Flyer" where QMS sound like a drugged out Band letting rip
on lyrics like 'dangerous stranger' rhyming with 'Psychedelic stranger'.
Freiberg and Elmore keep the Bass and Drums rhythm section tight yet loose as
Cipollina wigs out of Electric Guitar (I'm reminded of that in-house-jam feel
guitarists Danny Kirwan and Jeremy Spencer got to their "Kiln House"
LP for Fleetwood Mac also in 1970). That's followed by the lovely and very
Hawaiian-peaceful seven minutes of "Gone Again" - the strummed guitar
- the echoed vocals - the distant piano plinking as he sings "...my mind
gets lonely...my crazy heart starts to gambling..." - I've always thought
this one of this inexplicably gorgeous blissed out songs that feels right on a
Sunday morning coming down ("...letting go feels so groovy now...").
There’s an almost Beach Boys quality to the band’s harmony vocal work on the
‘have another hit’ of "Fresh Air" – and dig the stunning piano work
from Nicky Hopkins and Valenti’s impassioned ‘take me home with you’ vocals. It
ends on two short snippets – Valenti singing of masquerades and the end of
charades in the wildly echoed Part 2 of "Just For Love" while Part 2
of "Wolf Run" sounds cool and all hippyish if not a little pointless.
There are many (and will be
many) who think much of "Just For Love" is a band faffing about and
producing genius amidst the knob with perhaps too much emphasis on the whimsy.
But I for one dig it the most.
"...Whatever you're
doing...it's alright with me..." - Dino Valenti sings as the mighty
ten-minutes of "The Hat" starts to fade out. Amen to that man...
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