"C.C.S" by C.C.S [1st Album from 1970] (2009 Repertoire 'Expanded' CD Remaster Of Their 1st Album on RAK Records From 1970) - A Review by Mark Barry...

"…Spin Your Threads….Spider Of Forgetfulness…"

C.C.S. (short for COLLECTIVE CONSCIOUSNESS SOCIETY) made 3 studio albums and 7 singles for Mickie Most's RAK Records in the early Seventies, before the band finally split up in late 1973.  This fantastically clear-sounding Repertoire CD is the first of those three - their self-titled debut album remastered and supplemented with four relevant bonus tracks. The Digipak on this 'Expanded Edition' Reissue/Remaster CD mimics the album's original laminate gatefold artwork (a nice touch) and has an 8-page booklet with a CHRIS WELCH essay on the LP and the band's history. Here's a 'whole lotta love'...

Released April 2000 (reissued June 2002) - "C.C.S." by C.C.S on Repertoire REP 4851 (Barcode 4009910485125) plays out as follows (54:34 minutes):

1. Boom Boom

2. (I Can't Get No) Satisfaction

3. Waiting Song

4. Looking For Fun

5. Whole Lotta Love

6. Living In The Past [Side 2]

7. Sunrise

8. Dos Cantos

9. Wade In The Water

Tracks 1 to 9 are the debut album "C.C.S." by C.C.S. - originally released October 1970 on Rak Records SRAK 6751 in the UK and issued later as "Whole Lotta Love" in the USA on Rak 30559 in April 1971

BONUS TRACKS (Non-Album Singles):

10. Walking

11. Salome

Tracks 10 and 11 UK issued February 1971 on RAK Records RAK 109 as a stand-alone 7" single. "Walking" is a DONOVAN cover version while "Salome" is a John Cameron and Alexis Korner original.

12. Tap Turns On The Water

13. Save The World

Tracks 12 and 13 UK issued August 1971 on RAK Records RAK 119 as a stand-alone 7" single. Both songs are Korner/Cameron originals.

The huge ensemble group was the brain-child of British Blues Boom Godfather ALEXIS KORNER who along with Danish singer PETER THORUP and British arranger JOHN CAMERON pulled together the cream of brass/flute-playing session-men of the time and went after the BLOOD, SWEAT & TEARS market for funked-up rock. Mickie Most's timing couldn't have been better. Deciding right from the start to include cover versions ala B, S & T, they did a fantastic brassed-up take on Led Zeppelin's "Whole Lotta Love" that not only complimented the original, but also defined that "CCS" sound. So when the new BBC pop program "Top Of The Pops" needed a cool new theme song, they took this winner, dropped the flute intro and the vocal middle and end - and a theme song legend was born. Even now, I can remember vividly as a budding teenager watching Top Of The Pops on a Thursday night (for what seemed literally like years) and when that theme came on, a rush went through your veins! I dare say that experience was repeated all across the land and it's probably one of the reasons why CCS is held in such affection to this day. "Whole Lotta Love" came before "Walking" as their 1st 7" single issued in October 1970 on RAK 104 with their cover of John Lee Hooker's "Boom Boom" on the B-side (both tracks are on the debut LP).

But the best bit is the SOUND. Repertoire re-issues are always good in my book, but this licensed-from-EMI remaster is exceptional. I'd expected wads of hiss, but the transfers are very clean - and given the amount of brass coming at you, muscular to a point where you have to sometimes reach for the volume control! Plus what also impresses is that there are a lot of quiet patches in between all the musical bluster in the songs and they sound lovely too - a really great job done.

Musically the album itself has been a treasure trove to me - the structure of the songs being complicated and therefore bear repeated listening and discovery. While I'm not overly mad about Thorup's vocals to be truthful, the gravel voice-over wonder that was Alexis Korner's larynx will always send a chill up my spine. A sadly, sadly missed man and God bless him wherever he may be. Their stabs at covers of Jethro Tull's "Living In The Past", The Stones' "Satisfaction" and John Lee Hooker's magical stop-start "Boom Boom" all impress - as does the swagger of the Traditional "Wade In The Water". Originals like "Waiting Song" "Lookin' For Fun" and "Sunrise" are superb too. But I've always loved "Dos Cantos" - an 8-minutes passage of pure C.C.S. melodrama and fun (lyrics from it title this review) - Korner's lyrics and menacing voice rattling around the speakers like some uncle you both love and don't trust!

When C.C.S folded, both Korner and Thorup teamed up with King Crimson's BOZ BURRELL and IAN WALLACE to form SNAPE who issued some albums in Europe. But my heart is with the fab C.C.S. on RAK Records. I’m biased of course because I've loved their albums since I was knee-high and I can say with certainty that this re-issue and its great remaster is superlative and highly recommended to those who love their Seventies Rock with a bit of balls and a sense of humour…

PS:

For those who want more, their second album from 1972 also called "C.C.S." on the original vinyl (CCS II for CD purposes) is also available in this series - as is their 3rd and last album from 1973, "The Best Band In The Land". I've bought the other two also - and remastered with bonus tracks - they're the business too. I've also extensively reviewed Esoteric Recordings "Tap Turns On The Water: The C.C.S. Story" 2CD Anthology from 2013 which has equally stupendous audio quality...

“Kooper Session: Al Kooper Introduces Shuggie Otis” by AL KOOPER and SHUGGIE OTIS (July 2007 Repertoire CD Remaster) - A Review by Mark Barry...

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"...Double Or Nothing..."

An impossibly cool album from the beginnings of 1970 (recorded in 1969) - and one that’s too bleeding difficult by far to find on original vinyl LP anyway – this fantastic CD reissue comes to our Bluesy rescue in 2014.

Originally released July 2007 (reissued 2014) - "Kooper Session: Al Kooper Introduces Shuggie Otis" by ALL KOOPER and SHUGGIE OTIS on Repertoire RES 2336 (Barcode 40009910233627) comes in natty CD card digipak repro sleeve and breaks down as follows (40:46 minutes):

THE SONGS (Side 1):

1. Bury My Body [Al Kooper song] - Al Kooper on Organ, Piano & Lead Vocals, Shuggie Otis On Guitar, The Harris Robinson Singers on Backing Vocals

2. Double Or Nothing [Instrumental cover of a Booker T. & The M.G.'s song from 1967] - Al Kooper on Organ, Mark "Moogy" Klingman on Piano, Shuggie Otis On Guitar

3. One Room Country Shack [Cover of a 1949 Blues song on Specialty Records by Mercy Dee Walton] - Al Kooper on Organ, Guitar & Lead Vocals, Shuggie Otis On Guitar

4. Lookin' For A Home [Cover of a 1961 Blues Song by 'Little Buster' Forehand]

THE BLUES (Side 2):

1. 12:15 Slow Goonbash Blues [Al Kooper & Shuggie Otis song] - Al Kooper on Organ and Piano, Mark "Moogy" Klingman on Piano, Shuggie Otis On Guitar

2. Shuggie's Old Time Dee-Di-Lee-Di-Leet-Deet Slide Boogie [Al Kooper & Shuggie Otis song] - Al Kooper on Piano, Shuggie Otis On Guitar

3. Shuggie's Shuffle [Al Kooper & Shuggie Otis song] - Al Kooper on Organ and Piano, Mark "Moogy" Klingman on Piano, Shuggie Otis On Guitar

Tracks 1 to 7 are the album "Kooper Session - Al Kooper Introduces Shuggie Otis" which was first released in January 1970 in the USA on Columbia Records CS-9951 and a few months later on CBS Records S 63979 in the UK.

"Kooper Session" featured a sensational new guitar prodigy called Johnny "Shuggie" Otis Jnr - son of the Fifties Rhythm 'n' Blues legend Johnny Otis - playing alongside Al Kooper and a group of complementary blues musicians (see credits above).

Capitalizing on his success with Stephen Stills, Mike Bloomfield and the first Blood, Sweat & Tears LP, Al Kooper was not only able to get the 15-year old Shuggie signed to a major label - he then produced and played on his debut album - and used his more famous name to get Shuggie noticed. Loose and even ramshackle in places, the record showcased the young wire-haired Californian guitar player and his extraordinarily accomplished playing. And it was hip and bluesy too...

The inner-flap of the digipak reproduces the Al Kooper liner notes on the rear of the original American album, while the 8-page booklet features in-the-studio photos of the session with new notes by respected UK music-writer CHRIS WELCH.

Side One was called "The Songs" and featured structured tunes - mostly blues covers - but Side Two called "The Blues" was instrumental loose jams (you can literally hear Shuggie say "...Take 1..." at the beginning of the superb instrumental "12:15 Slow Goonbash Blues"). Stu Woods from the group ARS NOVA played Bass, while Mark Klingman played organ and piano (would later become "Moogy" Klingman in TODD RUNDGREN'S UTOPIA) - but most of the time it was a duet guitar/vocal blues battle between Al Kooper and Shuggie Otis. The false 78" crackle added onto to National Steel Guitar blues of "Shuggie's Old Time..." may have seemed like a good idea at the time, but it sounds gimmicky now and gets in the way of hearing the great guitar chops on show...

It doesn't say who did the remaster, but the sound is superb - full and none too trebled to the nines for effect. One or two of the tracks on Side 1 are a little hissy but I suspect that reflects the loose nature of the original recordings. Stateside they even tried a 7" single edit of "Bury My Body" (lyrics above) with "One Room Country Shack" as its B-side - but it made little headway. The album was well received though and paved the way for his solo debut proper - 1970's superlative "Here Comes Shuggie Otis".

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"Kooper Session" is a good bluesy-based album and this reissue is a very reasonable way of getting a now hard-to-find vinyl album (especially in the UK)...