Showing posts with label Edsel Records. Show all posts
Showing posts with label Edsel Records. Show all posts

Thursday, 15 December 2016

"In Philadelphia/Don't Knock My Love" by WILSON PICKETT (2016 Edsel CD Remasters Plus 17 Bonuses - Vol. 5 of 5) - A Review by Mark Barry...





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This release features the 1970 US LP "Wilson Pickett In Philadelphia"

"...Fire And Water..." 

England's Edsel Records are no strangers to Soul-reissues. Across the decades they've touched on major retrospectives for Philadelphia International (O'Jays, Billy Paul, Harold Melvin & The Blue Notes), Holland-Dozier-Holland's HDH Label and Invictus Records (Chairmen Of The Board, Freda Payne and The Glass House) as well as anthologies for Ann Peebles, The Chi-Lites and Al Green covering their Hi Records label output.

For 2016 - our Demon Group heroes are tackling the whole of Wilson Pickett's ten-album stay between 1964 and 1972 at the legendary Atlantic Records. This fifth and final '2on1' set issued 26 November 2016 in the UK (see full list below) deals with his ninth and tenth studio LPs from 1970 and 1971 and comes bolstered up with a huge seventeen Bonus Tracks on 2CDs.

Across these five digipak-releases (three come with extras – the 1st, 4th and 5th) - you also get exclusive single mixes and many unreleased tracks formerly only available on 2009's "Funky Midnight Mover..." – a 6CD mail-order set from Rhino Handmade – an item that is now long deleted and extremely pricey into the bargain. The booklets also feature new liner notes from noted Soul writer and uber-fan Tony Rounce.

Here are the details for Alabama's finest Midnight Mover...

UK released 26 November 2016 (2 December 2016 in the USA) – "In Philadelphia/Don't Knock My Love" by WILSON PICKETT on Edsel EDSK 7122 (Barcode 740155711238) offers 2LPs Remastered onto 2CDs plus Seventeen Bonus Tracks and plays out as follows:

Disc 1 (63:52 minutes):
1. Run Joey Run
2. Help The Needy
3. Come Right Here 
4. Bumble Bee (Sting Me)
5. Don't Let The Green Grass Fool You
6. Get Me Back On Time, Engine Number Nine [Side 2]
7. Days Go By 
8. International Playboy
9. Ain’t No Doubt About It
Tracks 1 to 9 are his 9th studio album "Wilson Pickett In Philadelphia" - released September 1970 in the USA on Atlantic SD 8270 (Stereo Only) and April 1971 in the UK (with the same tracks) as "Engine No. 9" on Atlantic 2400 026 (Stereo Only).

BONUS TRACKS:
10. International Playboy (Remix) 
Track 10 is the A-side of Atlantic 45-2961 – a US 7" single from 1973
11. Pray For The Rain
12. Let It Come Naturally 
Tracks 11 and 12 are from "Funky Midnight Mover: The Atlantic Studio Recordings (1962-1978)" released 2009 in the USA on Rhino Handmade RHM2 07753
13. Funky Broadway (Live In Ghana)
14. Land Of 1000 Dances (Live in Ghana) 
Tracks 13 and 14 are from the Various Artists LP "Soul To Soul – Music from The Original Soundtrack Recorded Live In Ghana, West Africa" on Atlantic SD 7207 
15. Un' Avventura 
Track 15 is the A-side of a 1969 Italian-only 7" single on Atlantic ATL NP 03097
16. Heaven
17. Can't Stop A Man In Love
Tracks 16 and 17 are from "Funky Midnight Mover: The Atlantic Studio Recordings (1962-1978)" released 2009 in the USA on Rhino Handmade RHM2 07753
18. One Step Away 
19. Funk Factory 
Tracks 18 and 19 are the A&B-sides of a 1972 US 7” single on Atlantic 45-2878

Disc 2 (68:44 minutes):
1. Fire And Water
2. (Your Love Has Brought Me) A Mighty Long Way 
3. Covering The Same Old Ground 
4. Don't Knock My Love (Part 1)
5. Don't Knock My Love (Part 2)
6. Call My Name, I’ll Be There 
7. Hot Love
8. Not Enough Love To Satisfy 
9. You Can't Judge A Book By Its Cover 
10. Pledging My Love
11. Mama Told Me Not To Come
12. Woman Let Me Be Down Home 
Tracks 1 to 12 are his 10th studio album "Don't Knock My Love" - released December 1971 in the USA on Atlantic SD 8300 and January 1972 in the UK on Atlantic K 40319. 

BONUS TRACKS:
13. Don't Knock My Love (Part 2) Single Version - 1972 US 7" single on Atlantic 45-2797, B-side
14. If You Need Me (Remake)
15. Don't Forget The Bridge
16. Rock Of Ages
17. Many Roads To Travel
18. Hope She'll Be Happier
19. Believe I'll Shout
Tracks 14 to 19 are from "Funky Midnight Mover: The Atlantic Studio Recordings (1962-1978)" released 2009 in the USA on Rhino Handmade RHM2 07753 - Track 15 mistaken credited as Atlantic 45-2909

Each of these five card digipaks comes in a gatefold with Volume 5 being the only double-disc issue. Like the four others it sports a comprehensive 16-page booklet in the left flap with new liner notes from legendary Soul writer TONY ROUNCE – a man whose name has graced literally hundreds of quality CD reissues. He goes into all the chart statistics for 1970 and 1971 - his Gamble & Huff project "In Philadelphia" with the second LP embracing Rock artists like Free and Randy Newman - the concert at Accra in Ghana that resulted in the "Soul To Soul" Soundtrack LP in 1972 (Atlantic SD 7207) – his progression to RCA Records and recording at Muscle Shoals and finally to Little Richard attending his funeral in 2006 paying homage in his sermon to one of the Soul greats. Mastered by PHIL KINRADE – the tracks are licensed from Warners and are therefore the US 1996 Rhino versions of old and those 2009 Rhino Handmade rarities – full and punchy Bill Inglot and Dan Hersch CD Remasters from original tapes.

The "Wilson Pickett In Philadelphia" LP (called "Engine No. 9" in the UK after the song became a hit) is dominated by two song writing forces – Kenneth Gamble and Leon Huff and a team of four other staff writers which included Bunny Sigler. Gamble & Huff threw three tunes into the ring – the opener "Run Joey Run", the two-parter single and hooky-as-Hell Bobby Eli guitar-fuzz of "Get Me Back On Time, Engine Number Nine" (a No. 3 R&B hit in October 1970 for Pickett on Atlantic 45-2765) and the final LP cut "Ain’t No Doubt About It" – a mid-tempo stroller with choppy keyboards and sweet brass accompaniment (could even have been another 45). Bunny Sigler had his hands in the melodrama of "Days Go By", the don’t worry baby pluck of "Come Right Here" (used as B-side to "International Playboy" in May 1973 on Atlantic 45-2961) and one the album’s genuine gems - "Don’t Let The Green Grass Fool You" – co-written with John Bellmon, Reginald Turner and Jerry Akines who also contributed "Bumble Bee (Sting Me)". The LP peaked at a respectable No. 12 on the US R&B charts with Atlantic in fact taking advantage of the hits on it and pumping out "The Best Of Wilson Pickett, Vol. II" in May 1971 – rewarded with an even higher No. 8 placing (the last time Pickett would break the Top 10). 

As you can imagine - the Bonus Tracks are a mixed bag of killer vs. throwaway. It’s not surprising that Atlantic returned to the catchy legend-in-my-own-time "International Playboy" song in 1973 with a remix where Wilson lists ladies in Rome and New Orleans all too willing to cook more than egg fu yung for the Wicked Alabama lad (one of the Bonus Tracks on CD1). It’s very cool to hear the band count-in "Pray For The Rain" (one of the 6CD Rhino Handmade outtakes) but the vocal never quite takes off – better is the six-minutes of "Heaven" – all strings and ‘reach out and touch me’ lyrics. Sung half in Italian and the rest in English "Un Avventura" is clearly dubbed off a disc and is a weird hybrid that’s interesting but not much else. "Can’t Stop A Man In Love" dates from 23 Feb 1972 and is excellent. But best is the non-album track "Funk Factory" that was paired with the ballad "One Step Away" on Atlantic 45-2878 – a No. 11 R&B hit in June 1972. "Funk Factory" is a truly great Pickett groove co-written by him with Brad Shapiro and Luther Dixon – ending Disc 1 on a bit of a high.

You would think with three singles off the "Don’t Knock My Love" LP – one of which was the huge title track and another US No. 1 R&B hit – that the album would have charted higher than No. 23 - but it didn’t - a sign of things to come. Like many of the smarter players of the day Wilson Pickett was quick to take on board Rock acts whose music had a swing and swagger suited to Soul - here he tackles Free by doing "Fire and Water" from their 1970 Island Records LP of the same name and Randy Newman's "Mama Told Me (Not To Come)" which had become a No. 1 rock hit for Three Dog Night. He then mixed these with Brad Shapiro songs like "Call My Name, I'll Be There", "Hot Love" and the huge title track - a co-write on Part 1 with WP. There's even a hint of Area Code 615 and Paul Butterfield in the harmonica-driven "(Your Love Has Brought Me) A Mighty Long Way" - a fantastic brassy groover that follows perfectly after "Fire And Water" (a Jack Avery, Earl Simms and Carlton McWilliams song itself covered by Bonnie Bramlett in 1975 on her "It’s Time" LP on Capricorn Records). This sexy little beast then segues into a set of strings that introduce the ballad "Covering The Same Old Ground" - a George Jackson song Atlantic used as the B-side to the November 1972 US single for "Mama Told Me (Not To Come)". The audio on this is gorgeous - full of warmth and even though the strings and girls threaten to drown the whole thing on occasion - Wilson howls his heart out and saves the day. 

Edsel's decision to not separate the segue continues with the two-part title track which applies also to the lesser and ever so slightly hammy "Call My Name, I'll Be There". Another of the album's cool cuts is the fuzzed-up guitar of "You Can't Judge A Book By Its Cover" - a song with a Stevie Wonder writing credit. The Johnny Ace standard "Pledging My Love" was the B-side to "Fire And Water" which made R&B No. 2 in January 1972 on Atlantic 45-2852. It ends on another B-side with the funky potential of being an A - "Woman Let Me Be Down Home" which Atlantic used as the flipside to "Call My Name, I’ll Be There" on Atlantic 45-2824 in August 1971. Wilson lists off his country-boy complaints – his woman constantly telling him what to do, say and wear (oh dear). 

Collectors are going to love the sheer in-yer-face fuzzed-up funkiness of "Don’t Knock My Love, Pt. 2" in Mono (one of the Bonus Tracks) coming on like a mash-up between a James Brown/Chi-Lites/Sly Stone instrumental – what a Funky Winner! Of the 1971 and 1972 unreleased recordings – and even though the vocal is not quite right - I like the mellow cover of Bill Withers track "Hope She’ll Be Happier" where the highly-polished acoustic guitars and piano make it feel more Carole King "Tapestry" than "Don’t Knock My Love". And the Wilson-penned Jesus song "Rock Of Ages" (another Bonus) is akin to Aretha's passion on the landmark "Amazing Grace" double. 

The original Rhino CDs have been deleted for years and the Rhino Handmade set hard to find and liable to make your bang manager nervous – so this pairing of Pickett’s lesser-heard career is a very welcome reissue indeed. From here he would go on to limited success with RCA... 

"...Start It off!" - Pickett roars to the band as they kick in with the righteous-groove of "Believe I'll Shout" – a holy-roller funk work out with a driving organ backbeat. 

Not everything on these two CDs is unmitigated genius by any stretch – but there are so many great moments like the above that I'm digging it big time. I suggest you dig in too and enjoy the illicit fruit of the wicked man's labours...

Titles in this 26 Nov 2016 Edsel CD Reissue Series for WILSON PICKETT are:

1. In The Midnight Hour/The Exciting Midnight Mover
(1966 and 1967 Stereo 1st and 2nd LPs plus Three Bonus Tracks
Edsel EDSA 3059 - Barcode 740155505936)

2. The Wicked Pickett/The Sound Of Wilson Pickett
(1966 and 1967 Stereo/Mono 3rd and 4th LPs – no bonus tracks
Edsel EDSA 3060 - Barcode 740155506032)

3. I’m In Love/The Midnight Mover
(1968 for both his 5th and 6th LPs – no bonus tracks
Edsel EDSA 3061 - Barcode 740155506131)

4. Hey Jude/Right On
(1969 and 1970 Stereo 7th & 8th LPs with Three Bonus Tracks
Edsel EDSA 3062 - Barcode 740155506230)

5. In Philadelphia/Don’t Knock My Love
(1970 and 1972 9th & 10th Stereo LPs with Seventeen Bonus Tracks
Edsel EDSK 7112 - Barcode 740155711238)

Edsel have also touched on PERCY SLEDGE in this series and his stay at Atlantic Records (three digipak CD reissues):

1. When A Man Loves A Woman/Warm & Tender Soul
(1966 and 1967 Stereo 1st & 2nd LPs plus Four Bonus Tracks
Edsel EDSA 3063 - Barcode 740155506339)

2. The Percy Sledge Way/Take Time To Know Her
(1967 and 1968 Stereo 3rd & 4th LPs with Eight Bonus Tracks
Edsel EDSK 7116 - Barcode 740155711634)

3. My Special Prayer/Singles And Rarities
(1970 fifth and final Atlantic LP - along with a compilation of 27 Bonus Tracks
Edsel EDSK 7113 - Barcode 740155711337)

Sunday, 11 December 2016

"Hey Jude/Right On" by WILSON PICKETT (2016 Edsel CD Remasters with Bonus Tracks - Vol. 4 of 5) - A Review by Mark Barry...




This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
SOUL, FUNK and JAZZ FUSION On CD - Exception Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-depth Reviews From Discs 


Features the 1970 LP "Right On" 

"...Funky Way..."

England's Edsel Records are no strangers to Soul-reissues. Across the decades they've touched on major retrospectives for Philadelphia International (O'Jays, Billy Paul, Harold Melvin & The Blue Notes), Holland-Dozier-Holland's HDH Label and Invictus Records (Chairmen Of The Board, Freda Payne and The Glass House) as well as anthologies for Ann Peebles, The Chi-Lites and Al Green covering their Hi Records label output.

For 2016 - our Demon Group heroes are tackling the whole of Wilson Pickett's ten-album stay between 1964 and 1972 at the legendary Atlantic Records. This fourth of five '2on1' sets issued 26 November 2016 in the UK (see full list below) deals with his seventh and eight studio LPs from 1969 and 1970 and comes bolstered up with three Bonus Tracks and a near 79-minute playing time.

Across these five digipak-releases (three come with extras – the 1st, 4th and 5th) - you also get exclusive single mixes and many unreleased tracks formerly only available on 2009's "Funky Midnight Mover..." – a 6CD mail-order set from Rhino Handmade – an item that is now long deleted and extremely pricey into the bargain. The booklets also feature new liner notes from noted Soul writer and uber-fan Tony Rounce.

Here are the details for Alabama's finest Midnight Mover...

UK released 26 November 2016 (2 December 2016 in the USA) – "Hey Jude/Right On" by WILSON PICKETT on Edsel EDSA 3062 (Barcode 740155506230) offers 2LPs Remastered onto 1CD plus Three Bonus Tracks and plays out as follows (78:52 minutes):

1. Save Me
2. Hey Jude
3. Back In Your Arms
4. Toe Hold
5. Night Owl
6. My Own Style Of Loving
7. A Man And A Half [Side 2]
8. Sit Down And Talk This Over
9. Search Your Heart
10. Born To Be Wild
11. People Make The World (What It Is)
Tracks 1 to 11 are his 7th studio album "Hey Jude" - released February 1969 in the USA on Atlantic SD 8215 (Stereo Only) and February 1969 in the UK on 588 170 (Stereo Only).

12. Groovy Little Woman
13. Funky Way
14. Sugar Sugar
15. Sweet Inspiration
16. This Old Town
17. You Keep Me Hangin' On
18. Lord Pity Us All [Side 2]
19. It's Still Good
20. Woman Likes To Hear That
21. She Said Yes
22. Hey Joe
23. Steal Away
Tracks 12 to 23 are his 8th studio album "Right On" - released March 1970 in the USA on Atlantic SD 8250 (Stereo Only) and April 1970 in the UK on Atlantic 2465 002 (Stereo Only).

BONUS TRACKS:
24. Mini Skirt Minnie (March 1969 US 7" single on Atlantic 45-2611 - non-album A-side – "Back In Your Arms" from the "Hey Jude" LP was the B)
25. Now You See You, Now You Don't (November 1969 US 7" single on Atlantic 45-2682, Non-album B-side to "You Keep Me Hangin' On")
26. Cole, Cooke And Redding (March 1970 US 7" single on Atlantic 45-2722 - non-album A-side - "Sugar Sugar" from the "Right On" LP was the B)

Each of these five card digipaks is a gatefold with Volume 3 sporting a comprehensive 16-page booklet in the left flap with new liner notes from legendary Soul writer TONY ROUNCE – a man whose name has graced literally hundreds of quality CD reissues. He goes into all the chart statistics for 1969 and 1970 - the Cold Grits backing band in Miami - and Gregg Allman is pictured smiling at a laughing Pickett on Page 14. They even reproduce the original Enoch Gregory original liner notes for 1969's "Hey Jude" LP – but I'd have to say though that the inner flap and the space beneath the see-through CD tray being 'blank' and the nondescript colouring of the CD itself let the visual side down somewhat (could have been filled out with pictures and black/red label memorabilia). At least the three non-album single sides are both cool and relevant bonuses. Mastered by PHIL KINRADE – the tracks are licensed from Warners and are therefore the 1995 Rhino versions of old – full and punchy Bill Inglot and Dan Hersch CD Remasters from original tapes.

With US R&B chart positions of No. 15 for the "Hey Jude" LP in February 1969 and No. 36 in March 1970 for "Right On" (it barely scraped 197 on the Rock charts) when all his other albums easily made Top Ten before - Pickett's chart light was fading at this stage of his career. Not for the want of good material though or lack of smart cover version choices. Atlantic tried George Jackson's wonderful "A Man A Half" as a 7" single in November 1968 (Atlantic 45-2575) with the future Bobby Womack-penned LP cut ""People Make The World (What It Is)" as its flipside and were rewarded with a modest No. 20 chart position. Realising the world-dominating power of The Beatles Apple Records stuff - Soul acts began falling over themselves to trump-up Soulful takes of there melodies. Some people love Pickett's take on the Apple single "Hey Jude" which Atlantic pushed out late December 1968 with another George Jackson LP song on its B-side "Search Your Heart" - I'm ambivalent towards it. I tried to love a 2016 Ace Records CD called "Let It Be: Black America Sings Lennon, McCartney & Harrison" but I found it only confirmed my long-held suspicion that Soul artists should avoid The Beatles like a plague. The American public however liked it - giving the long and funkified "Hey Jude" a No. 13 placing on the R&B charts.

Better is the forgotten ballad "Back In Your Arms" penned by a trio of Soul songwriting heroes - George Jackson, Raymond Moore and Melvin Leakes - a belter with guitars (Duane Allman), brass and a powerhouse 'wish I was back' vocal performance from the Wicked P. Isaac Hayes and David Porter put up the fabulous Funk of "Toe Hold" - the in-house band digging in (Barry Beckett on piano as Duane gets funky on his axe). Don Covay's "Night Owl" is a return to the 'looky here' blasters of 1966 and 1967 - a huge dancer with Wilson giving it lots of 'uh' grunts as the band grooves like a congregation possessed of the holy Funky spirit. Duane Allman's playing is very forward in the mix of "My Own Style Of Loving" where Wilson tells us that he can't be beat when he comes top lovin' (men come from miles around hoping to get a lesson). And like so many of the previous WP albums I've reviewed - the mighty presence of Bobby Womack enrich proceedings - here it's on the chugger "Sit Down And Talk This Over" and the final LP ballad "People Make The World (What It Is)".

By the time "Right On" was released in March 1970 - Soul had moved away from Pickett's high-octane dancers to a troubled social consciousness with a nasty backbeat - Motown's Norman Whitfield and James Brown singing about inner cities destroyed with Heroin, rat-infested buildings being burned down for insurances scams, young men faced with Vietnam or unemployment. So in some ways "Groovy Little Woman" and "Funky Way" would have suited 1966 and 1967 - but in early 1970 already sound ever so slightly dated and out of place. Jeff Barry and Andy Kim's "Sugar Sugar" doesn't help matters much either - bubblegum Soul. Far better is Dan Penn and Spooner Oldham's "Sweet Inspiration" and a song that's more closely associated with The Staple Singers - "This Old Town". A Wilson Pickett, Don Covay and William Stevenson co-write - "This Old Town" is the first time the album deals with the 'no faces' that separate the races and warns you don't have to rob and steal just to survive. Side 2 of "Right On" picks up with George Jackson’s good-advice parable "Woman Likes To Hear That" while the duo of covers are very, very good – Tim Rose's "Hey Joe" (Duane giving it a bit of Psych guitar) and the gospel 'God will make things alright' song "Steal Away" where his vocals are backed up by a foursome of righteous ladies that include Cissy Houston and Judy Clay.

The original Rhino CDs have been deleted for years – so this pairing of Pickett’s lesser-heard career is a very welcome reissue indeed.

"...I like it..." - Pickett sings on the chugging guitar Funk of "It's Still Good" - twinkling off-mike as his cooler-than-cool musical ensemble churns out yet another wicked Soul groove he can wrap his extraordinary voice around. I like it indeed. Dig in and enjoy...

PS: Titles in this 26 Nov 2016 Edsel CD Reissue Series for WILSON PICKETT are:

1. In The Midnight Hour/The Exciting Midnight Mover
(1966 and 1967 Stereo 1st and 2nd LPs plus Three Bonus Tracks
Edsel EDSA 3059 - Barcode 740155505936)

2. The Wicked Pickett/The Sound Of Wilson Pickett
(1966 and 1967 Stereo/Mono 3rd and 4th LPs – no bonus tracks
Edsel EDSA 3060 - Barcode 740155506032)

3. I’m In Love/The Midnight Mover
(1968 for both his 5th and 6th LPs – no bonus tracks
Edsel EDSA 3061 - Barcode 740155506131)

4. Hey Jude/Right On
(1969 and 1970 Stereo 7th & 8th LPs with Three Bonus Tracks
Edsel EDSA 3062 - Barcode 740155506230)

5. In Philadelphia/Don’t Knock My Love
(1970 and 1972 9th & 10th Stereo LPs with Seventeen Bonus Tracks
Edsel EDSK 7112 - Barcode 740155711238)

Edsel have also touched on PERCY SLEDGE in this series and his stay at Atlantic Records (three digipak CD reissues):

1. When A Man Loves A Woman/Warm & Tender Soul
(1966 and 1967 Stereo 1st & 2nd LPs plus Four Bonus Tracks
Edsel EDSA 3063 - Barcode 740155506339)

2. The Percy Sledge Way/Take Time To Know Her
(1967 and 1968 Stereo 3rd & 4th LPs with Eight Bonus Tracks
Edsel EDSK 7116 - Barcode 740155711634)

3. My Special Prayer/Singles And Rarities
(1970 fifth and final Atlantic LP - along with a compilation of 27 Bonus Tracks
Edsel EDSK 7113 - Barcode 740155711337)

Friday, 31 July 2015

"Labi Siffre" by LABI SIFFRE (2015 Edsel Expanded CD Reissue – Phil Kinrade Remasters) - A Review by Mark Barry...





"…Make My Day…"

Labi Siffre's self-titled debut album "Labi Siffre" was released in the UK on the Pye International label (NSPL 28135) in the summer of 1970 (probably July). But even though both it and the follow up album "The Singer And The Song" from July 1971 made waves ("Singer" even grazed the charts at 47 for one week) – it would not be until October 1972's "Crying Laughing Loving Lying" LP which contained the two huge hits "It Must Be Love" and the album title track – that Siffre finally impacted the English LP and single charts in any real way and arrived as a revered singer-songwriter. That's not to say that his debut is meritless – very, very far from it. In fact when I re-listen to "The Singer And The Song" from 1971 (also in this CD reissue series) – I'm struck by how much stronger the debut is in its melodies and it had obvious winners that should have made a dent on Top Of The Pops and him an early star...

This UK released Friday 31 July 2015 Edsel CD reissue on EDSA 5039 (Barcode 740155503932) is essentially a re-run of the June 2006 EMI CD remaster that’s been deleted for years now. It even has the same six bonus tracks and runs to exactly the same playing time of 55:46 minutes. What is upgraded is the 12-page booklet of old into a new impressive 32-page version inside a rather lovely digipak. It offers  – there are full lyrics (including the bonus track), a colour photo of Siffre playing live and a new ALAN ROBINSON interview with Siffre in 2015. PHIL KINRADE at Alchemy Mastering has transferred the fabulous Audio remastering done by EMI in 2006 and the results are stupendous – each track beautifully clear, muscular and a real revelation. Here are the debut details…

1. Too Late
2. Words
3. Something On My Mind
4. Maybe Tomorrow
5. You And I Should Be Together
6. I Don’t Know What's Happened To The Kids Today
7. I Love You [Side 2]
8. Make My Day
9. A Little More Line
10. Maybe
11. River
12. Love Song For Someone
Tracks 1 to 12 are his debut album "Labi Siffre" - released July 1970 in the UK on Pye Records NSPL 28135 (no USA issue).

BONUS TRACK:
13. Why Did You Go, Why Did You Leave Me? – the non-album B-side to "Crying, Laughing, Loving, Lying" released March 1972 as a UK 7" single on Pye International 7N.25576
14. I Just Couldn’t Live Without Her – first issued as a Previously Unreleased outtake on the June 2006 EMI CD remaster
15. Last Night Tonight – the non-album B-side to "Give Love" released January 1973 in the UK on Pye International 7N.25602
16. Maybe When We Dance - first issued as a Previously Unreleased outtake on the June 2006 EMI CD remaster
17. Ask Me To Stay - first issued as a Previously Unreleased outtake on the June 2006 EMI CD remaster
18. Here We Are – the non-album B-side to the stand alone 7" single "Watch Me" released July 1972 on Pye International 7N.25586

The original vinyl LP was a single matt sleeve with the lyrics filling the entire back cover. Unfortunately this new CD reissue repeats the lack of musician credits on the LP (doesn’t say who played what) but the booklet is a massive improvement over the 2006 CD (the disc itself is light blue in colour to reflect the original UK Pye Record label - a nice touch). There’s a photo of EMI Tape Boxes on Page 2, lyrics from Page 4 to 18 (including the bonus material) and a new interview from Pages 20 to 30. Siffre opens up about his childhood, his struggles as a black gay singer trying to get his material listened to and the recording process which seemed to be largely out of his inexperienced hands. It’s a fascinating read and illuminating. But the best news was and is the fabulous remaster – gorgeous audio on the mainly acoustic tracks – all of it beautifully realised. This CD sounds glorious and the album is far better than I remember it – possibly even a bit of a lost classic...

In the spring and summer of 1970 – Pye Records was more familiar to the British public through Petula Clark and Max Bygraves - rather than The Kinks, Man and Status Quo. So a young black singer with Folk-Soul affections hardly got a look in. Born in London in 1945 to a Belgian/Barbadian mum and Nigerian father, Labi had his demos sent to a music publisher in late 1969 – which resulted in a publishing contract. His style for the first 5 albums he did on Pye is more singer-songwriter than Soulster - though the tracks themselves are often very soulful in their nature - sort of a 'Bill Withers meets Gilbert O'Sullivan' vibe. Many were just Labi, Acoustic Guitar and his high falsetto voice. He's often lumped in with the Easy Listening genre here in the UK that frankly does his superb song-writing talents a huge disservice. And like Gilbert O'Sullivan – Siffre is another 'soft' songwriter of the Seventies not given nearly enough credit for his brilliance in penning a truly touching tune, but beloved still by fans and those who like their singers to be on the side of Gordon Lightfoot and James Taylor.

10 tracks on the debut are Siffre originals with the other two being inspired cover version choices – "Words" by The Bee Gees and Harry Nilsson's "Maybe" – both of which Siffre emphatically makes his own. Of his own compositions the brilliance and acoustic simplicity of "Maybe Tomorrow" and "Too Late" stand out immediately (both on Side 1). Flutes, Piano and Electric Guitars mix well on "You And I Should Be Together" initially - but then Producer, Arranger and Conductor Ian Green kind of overdoes it with the strings (trying too hard to impress). The falsely acidic "I Don't Know What's Happened To The Kids Today" is done in the voice of an old man riling at the young (..."I can't say that I fought for kids like you in the war..." Over on Side 2 standouts are "Make My Day", the lovely Nilsson ballad "Maybe" and the warm finisher "Love Song For Someone" with complimentary string arrangements. Kenny Young's American group Moonshine had a go at covering Siffre's "A Little More Line" on RCA Victor 1954 in 1970 calling it "Just A Little More Line" (it was reissued in September 1973 on RCA 2408). And in Germany Polydor put out Siffre's original as "A Little More Line" in December 1970 on Polydor 2001 065 with the gorgeous "Words" as its flipside (its rare 7" picture sleeve is shown on Page 9). Pye released just one single off the album in the UK by pairing "Too Late" with "Make My Day" in July 1970 on Pye International 7N.25528 but it failed to do any business which is a shame because the whole album is far more cohesive than its patchy follow up "The Singer And The Song".

The 6 bonus tracks consist of three rare non-album B-sides and three outtakes – the pretty ballad outtake "I Just Couldn't Live Without Her" being shockingly good while he goes piano on the equally impressive "Maybe When We Dance". The ukulele strum of "Ask Me To Stay" is like Joe Brown meets George Fornby – a very pretty ditty that would have made a great B-side.

Increasingly his songs are being name-checked and used by R'n'B soul boys of the last few years who have realised that Labi's songs offer a wealth of good source material - KAYNE WEST sampled "My Song" from "Crying Laughing Loving Lying" on his "I Wonder" track from 2007's "Graduation" - while both JAY-Z and EMINEM have famously sampled the stunning bass break that happens half way through "I Got The..." track on the "Remember My Song" LP from 1975. Siffre retired for a few years but then returned in 1987 with "(Something Inside) So Strong" on China Records - a magnificent Anti-Apartheid anthem - and as moving a song as you're ever likely to hear.

So there you have it. A largely forgotten album that shouldn’t be – a 70s gem that’s genuinely ripe for rediscovery methinks.

Well done to Edsel for getting these reissues out there once again and in such classy presentation too...

The 31 July 2015 EDSEL Expanded CD Remasters for Labi Siffre are:

1. Labi Siffre (1970)
Edsel EDSA 5039 (Barcode 740155503932) with 6 Bonus Tracks
2. The Singer And The Song (1971)
Edsel EDSA 5040 (Barcode 740155504038) with 8 Bonus Tracks
3. Crying Laughing Loving Lying (1972)
Edsel EDSA 5041 (Barcode 740155504137) with 8 Bonus Tracks
4. For The Children (1973)
Edsel EDSA 5042 (Barcode 740155504236) with 1 Bonus Track
5. The Last Songs (1998)
Edsel EDSA 5043 (Barcode 740155504335) no bonus tracks

His 5th album "Remember My Song" from March 1975 on EMI was reissued on CD in 2006 but for some undisclosed reason is not included in this 2015 reissue campaign.

There was one last album in the Seventies for EMI called "Happy?" released in November 1975 and its 10-tracks are available on CD albeit in a round about way. The EMI CD compilation called "The Music Of Labi Siffre" contains all but one song of the "Remember My Song" album and the full "Happy?" album (see separate review) – so you acquire that budget-priced CD to get the guts of both albums at a reasonable cost.


The 14 new tunes of "The Last Songs" was recorded live on Tour in 1998 and released on CD that year. It was reissued in 2006 and is once again in this 2015 Edsel campaign (no bonus tracks). It’s beautifully recorded and songs like "Sparrow In The Storm" and "Why Isn't Love Enough?" show Siffre has lost none of his singer-songwriter magic...

Monday, 14 April 2014

“John B. Sebastian/The Four Of Us/Tarzana Kid/Welcome Back & BBC In Concert 1970 DVD” by JOHN SEBASTIAN (2014 Edsel 2CD/1DVD Remaster) - A Review by Mark Barry…




"...Feel Like I Know You..."

This digipak book set contains the album "John B. Sebastian" released in 1970

"John B. Sebastian/The Four Of Us/Tarzana Kid/Welcome Back + BBC In Concert 1970" by JOHN SEBASTIAN was UK released February 2014 on Edsel EDSG 8039 (Barcode 740155803933). 

It's a 2CD + 1DVD triple featuring the four Reprise albums Sebastian made after he left The Lovin' Spoonful in 1968. The video side of things sports a Previously Unreleased Concert recorded for England’s BBC "In Concert" TV Program (broadcast 16 October 1970) that is approved by the artist himself and making its DVD debut here. Here are spoonfuls of loving details...

Disc 1 (75:57 minutes):
1. Red-Eye Express
2. She’s A Lady
3. What She Thinks About
4. Magical Connection
5. You’re A Big Boy Now
6. Rainbows All Over Your Blues
7. How Have You Been
8. Baby, Don’t Ya Get Crazy
9. The Room Nobody Lives In
10. Fa-fana-fa
11. I Had A Dream
Tracks 1 to 11 are his debut solo LP "John B. Sebastian" - release January 1970 in the USA on Reprise RS 6379 and April 1970 in the UK on Reprise RSLP 6379

12. Well Well Well
13. Black Snake Blues
14. I Don’t Want Nobody Else
15. Apple Hill
16. Black Satin Kid
17. We’ll See
18. Sweet Muse
19. The Four Of Us
Tracks 12 to 19 are his 2nd studio album "The Four Of Us" - released in the USA August 1971 on Reprise RS 2041 and Reprise K 44149 in the UK

Tracks 20 and 21 are "Give Us A Break" and "Music For People Who Don't Speak English" - released February 1972 - they are the non-album A&B sides of a USA 7" single on Reprise 1074

Disc 2 (63:25 minutes):
1. Sitting In Limbo
2. Friends Again
3. Dixie Chicken
4. Stories We Could Tell
5. Face Of Appalachia
6. Wild Wood Flower
7. Wild About My Lovin’
8. Singing The Blues
9. Sportin’ Life
10. Harpoon
Tracks 1 to 10 are his 3rd studio album "Tarzana Kid" - released in the USA September 1974 on Reprise MS 2187 and November 1974 in the UK on Bearsville K 54028

11. Hideaway
12. She’s Funny
13. You Go Your Way And I’ll Go Mine
14. Didn’t Wanna Have To Do It
15. One Step Forward, Two Steps Back
16. Welcome Back
17. I Needed Her Most When I Told Her To Go
18. A Song A Day In Nashville
19. Warm Baby
20. Let This Be Our Time To Get Along
Tracks 11 to 20 are his 4th studio album "Welcome Back" - released in the USA April 1976 on Reprise MS 2249 and Reprise K 54074 in the UK

DVD “In Concert: John Sebastian Sings John Sebastian”
1. Lovin’ You
2. You’re A Big Boy Now
3. She’s A Lady
4. Rain On The Roof
5. Daydream
6. Jug Band Music
7. Goin’ To German
8. Nashville Cats
9. Improvisation On Harmonica
10. Darling Be Home Soon

The presentation on this reissue is top-notch - a four-way foldout digipak with a chunky 36-page booklet featuring recording details, lyrics, photos, an essay on his career by noted writer PAUL MYERS, pictures of the original album labels and even personal photos supplied by Catherine Sebastian. PHIL RYNSTON at Tall Order has done the mastering and the sound is uniformly great throughout.

The first album sounds amazing if not stylistically mixed up and out of time (recorded in 1968 but released until early 1970). The clarity on tracks is thrilling - "What She Thinks About" with Harmony Vocals by Graham Nash and my personal favourite - the trippy acoustic "How Have You Been" with Paul Harris later of Manassas on Harmonium. "Baby Don't Ya Get Crazy" is awful (even if it features Stephen Stills on Lead Guitar) but "I Had A Dream" ends the platter on a swirling upbeat note.

I've always thought the 2nd album was a massive improvement over the first opening with the bluesy Josh White cover "Well, Well, Well" which would later become "In My Time Of Dying" at the hands of Led Zeppelin on 1975's "Physical Graffiti". It continues with Clifton Chenier's "Black Snake Blues" - again in slide guitar boogie mode. "I Don't Want Nobody Else" intros like an Eddie Hinton song and is pure Sebastian Lovin' Spoonful melody - great stuff. After the pretty ditty "Apple Hill" - it's back to rocking on "Black Satin Kid". The piano of "Sweet Muse" sounds so clear now as does the acoustic guitar on the finisher title track. It's also a genuine blast to hear the non-album single "Give Us A Break" after all these years on a scratchy 45 - and with its superb instrumental B-side "Music For People Who Don't Speak English" sounding not unlike a War outtake with Lee Oskar on Harmonica.

The "Tarzana Kid" album features a huge cast of guests and is the funkiest of the four - there's Russell DaShiell of The Don Harrison Band, Lowell George of Little Feat, Emmylou Harris, The Pointer Sisters, Ry Cooder, Phil Everly, Buddy Emmons on Pedal Steel and David Lindley on Fiddle. The lovely "Face Of Appalachia" is co-written with Lowell George and features his signature style of guitar playing - it's a nugget. The Traditional "Wild About My Lovin'" features a perfectly complimentary Ry Cooder giving it some cool Mandolin and Slide. And I've often put the Rock-Funky instrumental "Harpoon" on many a 70's FEST CD-R compilation (always has folks asking after it).

The opener for album number four "Hideaway" sounds like Dave Edmunds while the title track "Welcome Back" became an unlikely US number 1 on the back of a John Travolta TV program called Welcome Back, Kotter. It's all a bit poppy on "She's Funny" but gets better on "You Go Your Way And I'll Go Mine". He returns successfully to The Lovin' Spoonful's 1966 hit "Didn't Want To Have To Do It" by making it slower but still as lovely. The melody of "I Needed Her Most When I Told Her To Go" is so The Band - and in a good way.  Jeff Baxter plays Pedal Steel on the country "A Song A Day In Nashville" will tickle Gram Parsons fans. It ends nicely on the harmonica and strings of "Let This Be Our Time To Get Along" - as lovely a song as he's even penned.

But while the music may be 4 out of 5 - what gives this reissue that extra star is the real prize - the DVD. Stood alone in front of an appreciative and tiny British audience (maybe 30 people) - Sebastian is dressed in tie-dye shirt and trousers and enthusiastically works his way through new songs and a few Spoonful classics like "Rain On The Roof" and a storming version of "Daydream". He switches between acoustic, electric acoustic and electric lead - holding the stage easily and having great fun and banter with the crowd. He even puts in a fabulous Harmonica Solo towards the end and wraps it all up with a superlative rendition of the Spoonful's beautiful "Darling Be Home Soon". Defaulted to Full Aspect - the picture quality is great considering it's been in the can for 43 years. There's no extras on here - but man what a find - it's a real jewel in this reissue's crown.

It's not all genius by any means - there are clunkers on the CDs - and his mid Seventies voice was never the most emotive nor effective. But there is also so much to admire. This is impressive stuff - and you have to say that Edsel have done John Sebastian's musical legacy a solid with this superb release. Well done to all involved...

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E-Book Available To Buy on Amazon UK at the above link