Showing posts with label Malcome Dome (Liner Notes). Show all posts
Showing posts with label Malcome Dome (Liner Notes). Show all posts

Saturday, 31 March 2018

"It Shall Be: The Ode & Epic Recordings 1968-1972" by SPIRIT (March 2018 Esoteric Recordings 5CD Box Set - Ben Wiseman Remasters) - A Review by Mark Barry...







This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
THERE'S SOMETHING ABOUT 1970... - Exceptional CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


"...Dream Within A Dream..."

Featuring the album "Twelve Dreams Of Dr. Sardonicus" from 1970

Now here's something a bit tasty. Five studio albums in Stereo including their debut in Mono for the first time, a rare Mono Soundtrack from 1969 to Jacques Demy's film "Model Shop" that few remember (it starred Anouk Aimee and Gary Lockwood, was about Los Angeles and remained unreleased musically until Sundazed reissued it in early 2005), the original Stereo Mix of the second album, all the straggler outtakes and session pieces from the 1991 "Time Circle..." 2CD retrospective and the Bonus Cuts from the 1996 Bob Irwin/Vic Anesini Remasters of the albums, Single Sides and more (check out those eye-popping total playing times on CD1 and 2). 108-Tracks across 5CDs. It shall be indeed.

And I love that Randy California story of how he met Jimi Hendrix at the back of a Village Record Shop in New York when he was only 15 (Manny's Music on West 48th Street) just before the God of Guitar was about do his first gig. The two bonded on first eye contact and Randy played with Jimi for 3 months at $7 a night whereupon as legend would have it - it was Hendrix who famously renamed him Randy California as there was someone else in the band called Randy Texas (young Randy thereafter forever waving goodbye to his real surname of Wolfe). Hendrix was then discovered by the savvy Chas Chandler, brought to England to become a star - but Randy was too young to travel and had to stay in the USA to finish his schooling. The band Spirit is full of such stories – great music, great ideals but perhaps not the greatest of luck commercially. A dream within a dream - It certainly was.

There's a mountain of detail to wade through - so let's have at the five and seven dreams...

UK released Friday, 18 March 2018 - "It Shall Be: The Ode & Epic Recordings 1968-1972" by SPIRIT on Esoteric Recordings ECLEC 52619 (Barcode 5013929471948) is a 5CD 108-Track Clamshell Box Set of New Remasters that plays out as follows:

Disc 1 (79:44 minutes):
1. Fresh Garbage [Side 1]
2. Uncle jack
3. Mechanical World
4. Taurus
5. Girl In Your Eye
6.  Straight Arrow
7. Topanga Windows [Side 2]
8. Gramophone Man
9. Water Woman
10. The Great Canyon Fire in General
11. Elijah
Tracks 1 to 11 are their debut album "Spirit" in 'STEREO' - released January 1968 in the USA on Ode Records Z12 44004 and June 1968 in the UK on CBS Records S 63278. Produced by LOU ADLER - it peaked at No. 31 in the US LP charts (didn't chart UK). NOTE: the previously unreleased on CD 'MONO' mix of the album (Ode Records Z12 44003 and CBS Records 63278) is presented on CD4 for the first time - along with other outtakes from the 1967 sessions that appeared on Spirit compilations.

12. I Got A Line On You [Side 1]
13. It Shall Be
14. Poor Richard
15. Silky Sam
16. The Drunkard
17. Darlin' If
18. It's All The Same [Side 2]
19. Jewish
20. Dream Within A Dream
21. She Smiled
22. Aren't You Glad
Tracks 12 to 22 are their 2nd studio album "The Family That Plays Together" - released December 1968 in the USA on Ode Records Z12 44014 in Stereo (only) and June 1969 in the UK on CBS Records M 63523 in Mono and CBS Records S 63523 in Stereo - the ORIGINAL STEREO Mix is used here (outtakes from the album sessions appear on CD5). Produced by LOU ADLER - it peaked at No. 22 in the US LP charts (didn't chart UK).

Disc 2 (83:19 minutes):
1. The Moving Van
2. Mellow fellow
3. Now Or Anywhere
4. Fog
5. Green Gorilla
6. Model Shop I
7. Model Shop II
8. The Rehearsal Theme
9. Song For Lola
10. Eventide
11. Coral
12. Aren't You Glad
Tracks 1 to 12 were recorded in 1968 in-between the second and third album (in Mono) and used in the 1969 Jacques Remy film soundtrack to "Model Shop". The music including unreleased material (Tracks 2, 4 to 6 and 10 to 12) was finally issued February 2005 on Sundazed/Sony Music SC 6095 (Barcode 090771619723) as the 12-tracks presented above. 

13. Dark Eyed Woman [Side 1]
14. Apple Orchard
15. So Little Time To Fly
16. Ground Hog
17. Cold Wind
18. Policeman's Ball
19. Ice [Side 2]
20. Give A Life, Take A Life
21. I'm Truckin'
22. Clear
23. Caught
24. New Dope In Town
Tracks 13 to 24 are their 3rd studio album "Clear" - released July 1969 in the USA on Ode Records Z12 44016 in Stereo (only) and October 1969 in the UK on CBS Records S 63729 in Stereo. Produced by LOU ADDLER - it peaked at No. 55 in the US LP charts (didn't chart UK).

Disc 3 (77:30 minutes):
1. Prelude - Nothin' To Hide
2. Nature's Way
3. Animal Zoo
4. Love Has Found A Way
5. Why Can't I Be Free
6. Mr. Skin
7. Space Child [Side 2]
8. When I Touch You
9. Street Worm
10. Life Has Just Begun
11. Morning Will Come
12. Soldier
Tracks 1 to 12 are their 4th studio album "Twelve Dreams Of Dr. Sardonicus" - released November 1970 in the USA on Epic E 30267 and February 1971 in the UK on Epic S EPC 64191. Produced by DAVID BRIGGS - the album peaked at No. 63 on the US LP charts (didn't chart UK).

13. Rougher Road - Previously Unreleased "Twelve Dreams..." session outtake that first appeared on the November 1996 CD reissue as a Bonus

14. Chelsea Girls [Side 1]
15. Cadillac
16. Puesta Del Scam
17. Ripe And Ready
18. Darkness
19. Earth Shaker [Side 2]
20. Mellow Morning
21. Right On Time
22. Trancas Fog-Out
23. Witch
Tracks 14 to 23 are their 5th studio album "Feedback" - released March 1972 in the USA on Epic Records KE 31175 (Gatefold Sleeve) and June 1972 in the UK on Epic Records EPC 64507. Produced by DAVID BRIGGS - it peaked at No. 63 in the US LP charts (didn't chart UK)

Disc 4 (76:01 minutes):
1. Fresh Garbage [Side 1]
2. Uncle jack
3. Mechanical World
4. Taurus
5. Girl In Your Eye
6.  Straight Arrow
7. Topanga Windows [Side 2]
8. Gramophone Man
9. Water Woman
10. The Great Canyon Fire in General
11. Elijah
Tracks 1 to 11 are their debut album "Spirit" in 'MONO' - released January 1968 in the USA on Ode Records Z12 44003 and June 1968 in the UK on CBS Records 63278. Produced by LOU ADLER - it peaked at No. 31 in the US LP charts (didn't chart UK). NOTE: the STEREO mix of the album is presented on CD1 - the mono mix here for the first time.

12. Veruska
13. Free Spirit
14. If I Had A Woman
15. Elijah (Alternate Take)
Tracks 12 to 15 were first released as Bonus Tracks in 1996 on the CD Remaster/Reissue of "Spirit" - Epic/Legacy 485175 2 (Barcode 5099748517524)

16. I Got A Line On You ("Time Circle" Mix)
17. It Shall Be ("Time Circle" Mix)
18. Poor Richard ("Time Circle" Mix)
19. Silky Sam ("Time Circle" Mix)
Tracks 16 to 19 first appeared on the 1991 2CD retrospective "Time Circle (1968-1972)" on Epic/Legacy 471268 2 (Barcode 5099747126826)

Disc 5 (70:19 minutes):
1. Scherozode ("Time Circle" Mix)
2. All The Same ("Time Circle" Mix)
3. A Dream With A Dream ("Time Circle" Mix)
4. Aren't You Glad ("Time Circle" Mix)
5. Eventide ("Time Circle" Mix)
6. Model Shop Theme ("Time Circle" Mix)
7. Green Gorilla ("Time Circle" Mix)
8. Rehearsal Theme ("Time Circle" Mix)
Tracks 1 to 8 from the 1991 "Time Circle (1968-1972)" 2CD Retrospective

9. Fog
10. So Little To Say
11. Mellow Fellow
12. Now Or Anywhere
13. Space Chile
Tracks 9 to 13 recorded for "The Family That Plays Together" Sessions in 1968 - released as Bonus Tracks on the 1996 reissue CD of that album on Ode/Epic/Legacy 485174 2 (Barcode 5099748517425)

14. Fuller Brush Man
15. Coral
Tracks 14 and 15 recorded for "Clear" Sessions in 1969 - released as 2 of the 4 Bonus Tracks on the 1996 reissue CD of that album on Ode/Epic/Legacy 484416 2 (Barcode 5099748441621)

16. 1984
17. Sweet Stella Baby
Tracks 16 and 17 were the A&B-sides of a non-album US 7"single released December 1969 on Ode Records ZS7 128. Also released 2 of the 4 Bonus Tracks on the 1996 reissue CD of that album on Ode/Epic/Legacy 484416 2 (Barcode 5099748441621)

18. Animal Zoo (Mono Single Version)
19. Red Light Roll On (Mono Single Version)
Tracks 18 and 19 are the A&B-sides of a non-album US 7" single released July 1970 on Epic Records 5-10648. Also released as two of the four Bonus Tracks on the 1996 reissue CD of "Twelve Dreams Of Dr. Sardonicus" on Epic/Legacy 485173 2 (Barcode 5099748517326)

20. Morning Will Come (Alternate Mono Mix)
Track 20 released as one of the four Bonus Tracks on the 1996 reissue CD of "Twelve Dreams Of Dr. Sardonicus" on Epic/Legacy 485173 2 (Barcode 5099748517326). NOTE: the fourth Bonus track from the "Twelve Dreams Of Dr. Sardonicus" CD reissue was "Rougher Road" and is Track 13 on Disc 3.

SPIRIT was (all albums except "Feedback"):
RANDY CALIFORNIA - Guitars
JOHN LOCKE - Keyboards
MARK ANDES - Bass & Vocals
JAY FERGUSON - Vocals & Percussion
ED CASSIDY - Drums and Percussion

"Feedback" album only:
JOHN LOCKE - Keyboards
ED CASSIDY - Drums & Percussion
AL STAEHELY - Lead Vocals and Bass
J. CHRISTIAN STAEHLEY - Guitar & Vocals

While the 20-page booklet is pretty enough and has MALCOLM DOME liner notes - period photos and so forth (the "Model Shop" film poster, sleeve repros etc) - it actually feels rather slight somehow given that there's six albums worth of material here. The LPs are discussed but none of the extras - the five singular card sleeves might have served the set better if they used the five studio albums as artwork so we don't find ourselves missing the mighty "Twelve Dreams..." or "Feedback" in their Gatefold Sleeves. On the rear of each card there are band photos, the CDs are picture discs too and the booklet's last page uses the rear sleeve of the "Clear" LP as its artwork.

But that aside - I'm digging the new BEN WISEMAN Remasters - tapes licensed from Sony Products. I had the Vic Anesini/Bob Irwin versions from 1996 - two Audio Engineers I love - and I'd have to say that here even though the difference is slight - I'm noticing it in the bottom end. Those Marty Paich arranged strings on the instrumental "Taurus" on the debut are wonderful  (hello Jimmy - got an acoustic guitar opener sequence you need) and the ah-ha-ha opening of "Mr. Skin" on "Twelve Dreams..." as well as the fade-out echoed brass is as good as the Mobile Fidelity CD I had decades ago. I'd still prefer the Stereo Mix to the Mono when it comes to the treated Sitars on the debut's wicked and cool "The Girl In Your Eye". And the whole recorded shebang is here too. Let's get to the space children...

Famously "Fresh Garbage" from the wonderfully confident self-titled debut was on the early playlists of the newly formed Led Zeppelin while the Acoustic guitar notes in the instrumental "Taurus" bear an uncanny resemblance to the opening acoustic-guitar passage in "Stairway To Heaven". And given their Houses of the Unholy penchant for nicking other people's tunes on all of the first four albums - this similarity landed them in court in 2004 over copyright infringement (Zep won - much to Randy's decades-long chagrin). There's a wonderful rolling Byrds feel to "Straight Arrow" while Randy gets to stretch out Bloomfield-style on "Topanga Windows". Tracks like "Gramophone Man" and "Water Woman" would have enamoured them to Jefferson Airplane fans and you have to love those counterpoint vocals. Both "The Great Canyon" and "Elijah" show experimentation and how good a songwriter Jay Ferguson was - the latter being one of those cool so-60ts instrumentals that's part Rock, part Jazz-Fusion and very 'Spirit' in its eleven-minute's long 'we don't care if it isn't commercial' structure. Great audio too...

Sexily Hitsville and cool into the bargain - "I Got A Line" opened the second album and their singles account proper. Feeling like Spirit had suddenly arrived - Randy California's Motown-Rock-Soul song hit No. 25 in the States on Ode ZS7 115 (the album's "She Smiled" was the flipside – a pretty flowers-in-her-hair ballad over on Side 2). The record just gets better with "It Shall Be" a co-write between Randy and Keyboardist John Locke - one of my favourites of their early tracks (Marty Paich arranged the Horns but we still don't know whose playing the flute). Jay Ferguson's "Poor Richard" runs into his "Silky Sam" - a talkative nutter and a travelling salesman immortalised in each song. I love the string arrangements on "The Drunkard" (a drunk missing his daughter's message) while the Randy California penned "Darlin' If" has more to do with Buffalo Springfield than Spirit. Things go to grungy boogie with Randy and Ed Cassidy's "All The Same" while the weirdly wonderful "Jewish" is a Psalm put to Space Rock (dig those twinned guitars). But my fave-crave is "Dream Within A Dream" - a Jay Ferguson song – slipping off his mortal coil for trippy Californian Rock and enjoying the process of both. "The Family That Plays Together" ends with Ferguson's equally ambitious "Aren't You Glad" - five and half minutes of slow piano and guitar rock - the kind of tune that has an epic feel as those strings come floating in and Randy let’s rip on that 48th Street guitar.

The Mono Audio gives the short but hugely interesting instrumentals on "Model Body" a very focused urgency. "The Moving Van" and "Mellow Fellow" feel like Spirit have merged with The Doors and gone off on an early Santana experimental guitar trip - whilst the guitar chug of "Green Gorilla" (one of the few tunes with some singing) is way cooler than it had any right to be. The near six-minutes of "Song For Lola" is a blast - a mixture of echoed Bass lines, shimmering vibes, empty spaces and plaintive-gumshoe piano notes - like its Syd Barrett's Pink Floyd searching for a tune. Hell even the five and a half-minute demo of "Aren't You Glad" is truly excellent as a Bonus - tremendous guitar soloing over a slinky keyboard refrain. Many people rate 1969's rocking "Clear" as placement number two behind "Twelve Dreams..." (I think they’re equal) and on hearing tracks like the superb "Dark Eyed Woman" and the sexy "So Little Time To Fly" – both show how much the guitar prowess had come on. "Ground Hog" sounds amazing as it opens – those flicked Bass notes to the left and the layered vocals to the right. Ferguson could surprise with the tender and lonesome-lovers vibe to "Cold Wind" – the same with the hugely evocative instrumentals "Clear" followed by Locke’s piano-lounge-room-sexy "Caught" both feeling like something off of a particularly effective John Barry soundtrack. "Give A Life, Take A Life" is fantastic 60ts Rock-Pop – a rare co-write between Producer Lou Adler and Randy California.

For me "Twelve Dreams Of Dr. Sardonicus" has always been their zenith. "Prelude - Nothin' To Hide" is a wickedly good opener showcasing the Bluesy slide guitar of Randy California arising out of an Acoustic beginning. Its 3:43 minutes is full of clever chords, vocal layering and that unexpected slide break (funky) - it's lyrics about being "married to the same bride" sounding racy without knowing why. The acoustic balladry of "Nature's Way" comes as a melodic calmer after all the preceding speaker-to-speaker riffage. "Nature's Way" is a short but gorgeous song and one I return to again and again. It's followed by the album's lead off single "Animal Zoo" - the 7" Mono Single Mix of which is a Bonus Track. You can hear why Epic picked it's upbeat rhythms as an album taster - that hooky beat, the Bass break and Keyboard interlude making it more musically interesting that most anything else on the scene at the time. And as they sing "...much too fat...and a little too long..." during the sound-effect fade out in their best Todd Rundgren mad hatter voices - it had a 'Spirit' sound.

"Love Has Found A Way" floats in with speeded up guitar sounds floating over clever melodic vocal lines - sort of Frank Zappa with a melody at its vibe core. The one-minute and acoustic "Why Can't I Be Free" feels like a beautiful plea for peace of mind as it swirls around in a haze of marijuana. But then we get Side 1's other masterpiece - the brill "Mr. Skin" - it's fantastic choppy beat benefitting from Brass Arrangements done by David Blumberg. Epic in Britain gave it a belated 7" single release in February 1973 with "Nature's Way" on the B-side (Epic S EPC 7082).

Side 2 opens with probably my fave instrumental by them – the trippy brilliance of “Space Child” – a piano floater with superb sound scapes and ideas. We then get wickedly good speaker-to-speaker guitar in the driving "When I Touch You" - a Jay Ferguson song that already has Jo Jo Gunne in it - the band he would form after Spirit with Mark Andes and his brother Matthew. "Street Worm" could easily be "Stand Up" or "Benefit" Jethro Tull - a very catchy Guitar/Piano duo back up Ferguson's wailing about 'not making any deal' with the man. Things go seriously melodic with the beautifully produced "Life Has Just Begun" - an acoustic builder where all their voices are featured to great effect (wonderful remaster). The album goes into its only Rock 'n' Roll boogie in the shape of "Morning Will Come" (lyrics from it title this review) cleverly offset by the faded-in Elton John-type piano of "Soldier" - a serious song giving huge power by the pipe organ Producer David Briggs recorded for the finisher. It rounds off an album that just grows and grows with each listen...

I had expected the Bonus Tracks to be throwaway - but if anything the Previously Unreleased Byrds-sounding "Rougher Road" is a bit of a gem. The single mix of "Animal Zoo" has a visceral punch in Mono - not so sure about the Alternate Mono Mix of "Morning Will Come" which I think loses its power compared to the finished Stereo LP cut. The 'tapes rolling - this is Take No. 1' dialogue at the beginning of the non-album B-side "Red Light Roll On" only adds to its excellence (shame there appears to be no Stereo variant of this wicked groover). The extras elsewhere are all good too.

Ok you could argue that the weak "Feedback" album lets the side down (four stars for that alone) and others have moaned about the card sleeve presentation (I think they are fine). But whatever way you look at it – Esoteric Recordings have stumped up yet another goody here. And if ever a band deserved reappraisal – there surely SPIRIT shall be that band...

Wednesday, 14 June 2017

"Move Into The Light: The Complete Island Recordings 1969-1971" by QUINTESSENCE (April 2017 Esoteric Recordings 2CD Anthology - Paschal Byrne Remasters) - A Review by Mark Barry...









This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
THERE'S SOMETHING ABOUT 1970... - Exceptional CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)

                                        

Featuring the album "Quintessence" from 1970

"...Letters To Infinity..."

Time wounds all heals. Time will tell. It's time to stop talking about time.

In the late 60ts and early 70ts – in tandem with free festivals, coloured bread and promiscuous sex - Notting Hill Gate’s Quintessence were at the forefront of the Indian Eastern Mysticism craze that was sweeping the UK and everywhere else for that matter. Suddenly we were all idealistic hippies - obsessing over joss sticks, fat scented candles, tie-dye shirts, bellbottom pants, beads, bangles, peace-symbols and travels to Goa with a stick of gum in your jeans, a begging bowl in your hand, a flower in your hair and a seriously dopey smile on your face (shoes and bras optional).

I suppose it is way too easy to slag off those doe-eyed days of mushroom madness (I was a fan myself and have the embarrassing tassel-shirt photos to prove it) - but in the blunt and brutal light of 2017 - musically not everything that emerged from marijuana clouds in Notting Hill Gate has weathered the decades that well. Having said that and despite as I say the absolutely dated nature of some of these recordings – if you crave lavish artwork, counter-culture ideas, meandering Sitars and Tablas and Tamboura notes all mixed up into a flute-driven ganga-soaked Shiva-Rock – then there is much to love and cherish on offer here. Hell there’s even a bit of Hawkwind drone madness in the guitar passages of album number two...

On top of that this surely has to be the most sumptuous and best-sounding 2CD anthology of the Quintessence legacy to date - brought to us with Hindu Love Oneness by those blissed-out but talented folks over at Cherry Red's Esoteric Recordings (stop smoking those chubby roll-your-owns boys). Time to sort out your Raja Rams from your Hare Hares. Here are the Swami details...

UK released 28 April 2017 (5 May 2017 in the USA) - "Move Into The Light: The Complete Island Recordings 1969-1971" by QUINTESSENCE on Esoteric Recordings ECLEC 22584 (Barcode 5013929468443) is a 2CD anthology of Remasters that plays out as follows:

Disc 1 (65:49 minutes):
1. Giants [Side 1]
2. Manco Capac
3. Body
4. Gange Mai
5. Chant  [Side 2]
6. Pearl And Bird
7. Notting Hill Gate
8. Midnight Mode
Tracks 1 to 8 are their debut album "In Blissful Company" - released November 1969 in the UK on Island ILPS 9110 Q (No US release). Produced by JOHN BARHAM - it didn't chart. The UK album was released in a gatefold 12-page-booklet sleeve (said to have been one of the most expensive made at the time) - all of which is reproduced in the CD booklet.

9. Move Into The Light
10. Notting Hill Gate
Tracks 10 and 9 are the non-album A&B-sides of a UK 7" single released October 1969 on Island WIP 6075

11. Jesus, Buddah, Moses, Guaranga
12. Sea Of Immortality
13. High On Mt. Kailash (Excerpt from Opera)
14. Burning Bush (Live)
15. Shiva's Chant
Tracks 11 to 15 are Side 1 of their second studio album "Quintessence" - released June 1970 in the UK on Island Records ILPS 9128 (no US Release). Produced by JOHN BARHAM - it peaked at No. 22 on the UK LP charts.

Disc 2 (69:23 minutes):
1. Prisms
2. Twilight Zones
3. Maha Mantra
4. Only Love
5. St. Pancras (Live)
6. Infinitum
Tracks 1 to 6 are Side 2 of their second studio album "Quintessence" - released June 1970 in the UK on Island Records ILPS 9128 (no US Release). Produced by JOHN BARHAM - it peaked at No. 22 on the UK LP charts.

7. Jesus, Buddah, Moses, Guaranga (Live)
Track 7 exclusive to the UK Island Records label sampler double-album "Bumpers" - released October 1970 on Island IDP 1.

8. Dive Deep [Side 1]
9. Dance For The One
10. Brahman
11. The Seer [Side 2]
12. Epitaph For Tomorrow
13. Sri Ram Chant
Tracks 8 to 13 are their 3rd studio album "Dive Deep" - released March 1971 in the UK on Island Records ILPS 9143. Produced by QUINTESSENCE except for "Brahman" by JOHN BARHAM - it peaked at No. 34.

The 24-page booklet is a feast for the eyes. Fans will know that as much as their sound - the sheer visual opulence of the Quintessence albums on Island were enough to get you interested. Esoteric have smartly repro'd the 12-page booklet of black and white photos that centred the inner gatefold sleeve of "In Blissful Company" - said at the time to be the most expensive sleeve ever made - certainly at the independent Island Records. The colour gatefold inner of "Quintessence" is here (candles, mirrors and long white gowns ahoy) as are superb new liner notes from noted writer MALCOLM DOME that include interviews with the key players - Shiva Shankar (Australian vocalist and flutist Phil Jones) and Maha Dev (Dave Codling on Guitar) with reminiscences from Jeremy 'Jake' Milton - formerly the drummer with Junior's Eyes.

But the big news is new 2017 Remasters from original tapes by PASCHAL BYRNE - a name that's been on a huge number of quality reissues - East Of Eden, Fairport Convention, Gordon Giltrap, John Kongos, Man, John Martyn, John Mayall, Mike Oldfield, Spooky Tooth, Taste, T. Rex and many more. There is huge presence on those live guitar-tracks like "Burning Bush" on the second LP and power on those droning sitar songs like "Midnight Mode" on the debut. The soft and quieter passages on the near eleven-minute "Dance For The One" from the third album are beautifully clear too. A nice job done overall...

Things don't have the most promising of starts with "Giants" - Shiva's voice as deadpan as it can get. But things improve with "Manco Capac" - a Bass and Flute opening clear as a bell as the singer goes on about spaces and spirits. The pace steps up into really interesting on "Body" - a trippy floating song that trashes about with guitars and flutes - shadows of "Nursery Cryme" Genesis in those strums. But I must admit my heart lies in Side 2's "Notting Hill Gate" - a catchy little sucker and a dead-ringer for a single (it turned up on the "Strangely Strange But Oddly Normal" 3CD Box Set from 2005 covering Island Records more eclectic years) - and the fabulous nine minutes of "Midnight Mode" where halfway through the song – it just goes into four minutes of Sitar-droning - the most brill trippy sound that you’ve ever heard - filling your living room like a Mobile Fidelity Sound Lab recording of a Buddhist monastery at lunchtime.

The songwriting seem to take a leap forward with the excellent "Quintessence" album of June 1970 - their first platter to chart in Blighty. "Sea Of Immortality" sounds huge but even better is the crickets/chant song that is "High On Mt. Kailash (Excerpt from Opera) - a swirling drone of Sitars and echoed voices singing in Indian - all of it sounding sexily mystical. The short but pretty "Shiva's Chant" is another winner - itself quickly followed by the echoed flutes of "Prisms" - a stunner for all those sampler fiends out there. "Twilight Zones" speaks of echoes and reflections in the cosmos while "Maha Mantra" is exactly what it sounds like – a live recorded of ‘Hare Hare Krishna’ chanting by devotees banging their Tablas and shaking their bells as they shuffle past the suits going into Oxford Street’s HMV to buy Britney Spears. Another highlight is the almost Gong guitars of "St. Pancras" recorded at the same March 1970 gig that gave up the live version of "Jesus, Buddah, Moses, Guaranga" on the "Bumpers" double-album label sampler. "Infinitum" ends the LP on layered voices giving it some serious '2001: A Space Odyssey' outtakes.

After the head-first dip into Eastern sounds on "Quintessence" - the acoustic "Dive Deep" takes you by surprise - a love so sweet - it will make us all high. Way better is what I think is their masterpiece - the complicated, layered and beautiful in parts "Dance For The One" - a song that captures all the best parts of the band. And the Remaster rocks. "Brahman" offers more audio delight - guitars strumming as the singer informs us of fathomless fountains and worlds within our reach. "Epitaph For Tomorrow" opens well but soon descends into eight-minutes of hippy-enlightenment that feels more Association pop than Quintessence insights. The eight minutes of "Sri Ram Chant" is fantastic - great sound - rich soundscapes - that unique swirl they got as the Vena and Tabla combined with voices singing Indian chants - calls for Universal love.

For sure Quintessence will not be for everyone and there are those who will snigger and poo-poo both them and the times they reflected. But as I said before - there is so much to love here and Esoteric Recordings are to be praised for having the Third Eye balls to put it out there - and in such style too.

Move into the light. I think I’ll move into my man cave with my good buddy - Shiva-Rock...
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Wednesday, 22 February 2017

"Rebirth" by BLONDE ON BLONDE (2017 Esoteric Recordings 'Expanded Edition' CD Reissue - Ben Wiseman Remaster) - A Review by Mark Barry...





This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
THERE'S SOMETHING ABOUT 1970... - Exceptional CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


"...A Chance To Be A Spirit..."

You wouldn't expect South Wales (Newport to be exact) to be a hotbed of Sixties and Seventies Prog - but BLONDE ON BLONDE and their four album catalogue would beg to differ. Their Pye Records debut LP "Contrasts" (NSPL 18288) hit the streets in 1969 - their career ending in acrimony, poor sales and an unreleased 1974 last album on Ember that even got to Test Pressing stages.

This superb 2017 CD reissue pair from England's Esoteric Recordings (part of Cherry Red) concentrates on their second and third platters - "Rebirth" from 1970 and it's follow-up "Reflections On A Life" in 1971 - both on Pye's budget label of the time - Ember Records. Each is an 'Expanded Edition' newly remastered from original Ember tapes. Here are the newborn details...

UK released 27 January 2017 (February 2017 in the USA) - "Rebirth" by BLONDE ON BLONDE on Esoteric Recordings ECLEC 2572 (Barcode 5013929467248) is an 'Expanded Edition' CD Reissue and Remaster with Three Bonus Tracks (Two Previously Unreleased) and plays out as follows (56:26 minutes):

1. Castles In The Sky
2. Broken Hours
3. Heart Without A Home
4. Time Is Passing
5. Circles
6. November [Side 2]
7. Colour Questions
8. You'll Never Know Me/Release
Tracks 1 to 8 are their 2nd studio album "Rebirth" (credited as "Re-birth" on the label) - released May 1970 in the UK on Ember Records NR 5049 (no US issue). Produced by the band - it failed to chart in the UK.

BONUS TRACKS:
9. Circles (Single Version) - Non-Album Track, B-side to "Castles In The Sky", a UK 7" single released 24 April 1970 on Ember EMB S 279
10. Castles In The Sky (Alternate Version - Previously Unreleased)
11. Time Is Passing (Alternate Version - Previously Unreleased)

BLONDE ON BLONDE was:
DAVID THOMAS - Vocals
GARETH JOHNSON - Guitars
RICHARD JOHN - Bass
LESLIE HICKS - Drums

The 20-page booklet is a pleasingly thorough affair with new liner notes from noted writer MALCOLM DOME. He interviews founder members David Thomas and Gareth Johnson for the release who give witty and honest appraisals of what was good (got to support huge bands of the day - The Who, Genesis, Deep Purple, Wishbone Ash and Graham Bond - even opening ahead of a decimated Fleetwood Mac) - and the bad (record company disinterest - a Melody Maker review that killed momentum - songs foisted on them they detested like "Castles In The Sky". You also get the lovely Esa Besalel gatefold artwork (Edward St. Maur took the photos) fully reproduced including the wildly-excited liner notes from British Rock DJ Tommy Vance (ex BBC) and the USA's equivalent John Mendelsohn (contributed to Rolling Stone and Coast Magazine) - both extolling the album's nose-down Psych-Rock approach and delivery (no pretentious 200-piece Orchestra here pal). There are photos of the "Castles In The Sky" UK 7" single in its rare Ember Records label bag (a Demo version) and the even harder-to-find picture sleeve of it that came with certain copies is repro'd on Page 14 along with other black and whites. There's even a Tour poster from 24 and 25 August 1969 that features BOB alongside such notables as Fairport Convention, The Incredible String Band, Blossom Toes, Family, Traffic and The Bonzo Dog Doodah Band (what a line-up).

BEN WISEMAN – an Audio Engineer who has done loads of superlative work with Esoteric, Universal and many other labels over the years – has taken the Ember tapes and made a damn good fist of the distinctly lo-fi recordings. The shimmering cymbals lead-in – guitars and then voices – “Broken Hours” sounds damn good and with that Psych guitar kicking in – you can so hear why collectors rate their three albums so much. A quality job done on what must have been a difficult transfer...

The "Castles In The Sky" pop single written by Eve King (John King's wife) and Paul Smith (who had penned songs for Simon Dupree And The Big Sound before they later became Gentle Giant) is given short shift by band guitarist Gareth Johnson in the liner notes where he describes it as a 'terrible song' foisted on them by BBC Producer John King and not in keeping with the band's vision. Far better is the rollicking almost Hawkwind drone of "Heart Without A Home" where Johnson gets to wig out on his axes. Vocalist David Thomas gets all 'son leaving home - wanting to be free' on the very Moody Blues "Time Is Passing" - quite possibly another single on an album that doesn't have many. Side 1 ends in a Psych collector's dream - the 'silent world keeps turning around' of "Circles" where huge drums crash and a crudely recorded fuzzed-up guitar tries to get heard (dig that wild solo). I have to say I prefer the album mix of the song to the 45 version - more punch.

There's a rather naive sound to Side 2's opener "November" - Thomas' vocals all echoed for effect - the guitar ever so slightly crude in that homemade way that makes these kind of albums a thrill for collectors who like it unpolished - all feel and passion. The 12-minute racially right-on "Colour Questions" is the album's centrepiece - a sophisticated guitar rumble and rant that feels like "Coming Your Way" from Fleetwood Mac's "Then Play On" album from the year previous. Guitarist Johnson really gets to let rip on various devices - and you can 'feel' his enjoyment. It chops and changes into acoustic/vocal passages and back into wild Prog electric - a monster that would do heavy Van Der Graaf Generator fans a solid. The near 8-minute ballad "You'll Never Know Me/Release" is probably the most sophisticated song on the album - an impressive array of chunky piano chords and clever combo vocals.

"Rebirth" is very much of its time and those expecting Hard Rock or Van Morrison type musings should probably dabble elsewhere. But if you like your Psych with a bit of homemade British Prog thrown in - then this muscular-sounding CD reissue is the baby out the bathwater for you...

Sunday, 7 August 2016

"Mountains" by STEAMHAMMER [feat Martin Pugh and Kieran White later of Armageddon] (2016 Esoteric Recordings CD Remaster) - A Review by Mark Barry...






"...We Could Almost Touch The Sun..."

"Mountains"by STEAMHAMMER from November 1970

Two tours with Blues Legend Freddie King in 1968 and 1969 saw the nucleus of England's forgotten and overlooked STEAMHAMMER be given the grounding for two albums on CBS Records - their raucous Blues-Rock debut "Steamhammer" in early 1969 on CBS S 63611 (also known as "Reflections" because of the cover art) and "Steamhammer MKII" in late 1969 on CBS Records S 63694. But Steamhammer was better than just Blues-Rock and had melody makers at their core too. The first of those albums featured Acoustic Guitarist genius Martin Quittenton - who would be a quintessential part of Rodders band sound for five amazing Mercury Records LPs between 1969 and 1973 - "An Old Raincoat Won't Let You Down", "Gasoline Alley," Every Picture Tells A Story, "Never A Dull Moment" and Smiler" - as well as co-pen the monster hit "Maggie Mae" with Stewart in 1971.

But the British band's "Mountains" album from late 1970 saw original band member Martin Pugh return to the fold (he was on the first LP) as Lead Guitarist and along with founder member Kieran White (Vocalist and principal songwriter) - Steamhammer changed tack and went a bit more Prog Mellow with their third and what many feel is their best record. November 1970's "Mountains" was issued on the Charisma Records offshoot label B&C Records. Its gorgeous sticker-titled gatefold sleeve (the Chris Stepan artwork is now fully reproduced n the newly upgraded booklet) has been a notorious and sought-after vinyl rarity in the UK ever since - often exceeding its modest £50-ish price tag by three or four times that amount.

And that's where this superlative little 2016 CD Reissue and Remaster by England's Esoteric Recordings (part of Cherry Red) comes storming in - a very welcome and timely reminder of a band and a record that shouldn't have been so marginalised at the time and deserves mucho reappraisal now. Let's get to the details for Mark III...

UK released Friday, 29 July 2016 (August 2016 in the USA) - "Mountains" by STEAMHAMMER on Esoteric Recordings ECLEC 2549 (Barcode 5013929464940) is a straightforward CD Remaster of the 8-Track 1970 LP and plays out as follows (41:07 minutes):

1. I Wouldn't Have Thought (Gopher's Song)
2. Levenia
3. Henry Lane
4. Walking Down The Road
5. Mountains
6. Leader Of The Ring [Side 2]
7. Riding on The L&N [Live At The Lyceum, London]
8. Hold That Train [Live At The Lyceum, London]
Tracks 1 to 8 are their 3rd studio album "Mountains" - released November 1970 in the UK on B&C Records CAS 1024 (no US issue). Produced by FRITZ FRYER and Engineered by MARTIN BIRCH - it failed to chart in the UK. The last two tracks were recorded live at The Lyceum in London (no dates provided). Principal vocalist and songwriter Kieran White penned all the songs except "I Wouldn’t Have Thought (Gopher’s Song)" which was co-written with Martin Pugh. "Riding on The L&N" is a live cover of Lionel Hampton’s old R&B classic while the whole band contributed songwriting credits to the second live track recorded at London’s Lyceum venue - "Hold That Train".

STEAMHAMMER was:
KIERAN WHITE - Lead Vocals, Harmonica, 2nd Acoustic And Electric Guitars
MARTIN PUGH - Lead Acoustic, Electric and Bottleneck Guitars
STEVE DAY - Bass, Organ and Vocals
MICK BRADLEY - Drums and Percussion

Keith Nelson guested on "Henry Lane" playing Banjo

The 16-page booklet restores the album’s gatefold sleeve artwork throughout whilst offering newcomers superb MALCOLM DOME liner notes (presentation conceived and carried out by Mark and Vicky Powell of Esoteric). Dome interviews Guitarist Martin Pugh and Engineer Geoff Calver (who did the two live tracks) and gives a potted history of the band and its line-up changes and 4-album history. But the big news over the 2000 Repertoire CD reissues is a new 24-Bit Digital Remaster of the original B&C mastertapes by BEN WISEMAN at Broadlake Studios in Hertfordshire in 2016. This CD sounds great – full of presence and warmth – tracks like "Levenia" full of life.

Viewed from a distance - "Mountains" is a curious album with its six new studio-cuts sat uncomfortably alongside two live songs bookending Side 2 that feel like the band of old. Most of "Mountains" has very little to do with the Blues Rock influenced debut LP and a lot more in common with Man or even Help Yourself – excepting as I said those last two. Songs like "Henry Lane" and the near six-minutes of the title track "Mountains" are wonderfully melodic – the guitar warmer – the harmony vocals sweeter – and dare we say it – at times gentle and even beautiful (lyrics from it title this review).

"Levenia" feels like MAN circa "Bananas" where Kieran White is shadowed on the vocal line by Martin Pugh’s electric guitar at every turn and then later by deft Acoustic work. The bass opening that explodes into guitar on "Walking Down The Road" feels like Juicy Lucy or even Audience – but just when you think you know where its going – the later half of the song goes all bongo-and-drums Funky like Osibisa on a roll.

Listening to the acoustic prettiness of "Leader Of The Ring" – as mellow as America or Donovan or even Duncan Browne - it’s impossible to think of Steamhammer as the band Status Quo covered when they did their Hard Rock version of "Junior’s Wailing" on their August 1970 LP "Ma Kelly’s Greasy Spoon" (they’d also do a live version of it on their 1975 "Status Quo EP"). Yet the very next track does just that – rocks like a mother – Steamhammer’s ten-minute live version of "Riding On The L&N" where the sophistication is gone and they sound like The Groundhogs enjoyed a thumping bass and wah-wah guitar boogie wigout. The shorter 5:45 minutes of "Hold That Train" is actually better – a great guitar-boogie that feels like Man at their live best. Damn shame they didn’t see fit to record it properly for the album but maybe there was a life in the live version they couldn’t get in the studio.

You can’t help but think in hindsight that Steamhammer made a stylistic mistake with those last two live tracks filling up much of Side 2 (though others swear they’re the best things about the LP). I can’t help but think that if they’d stuck to their artistic guns and produced two more studio-cuts of the same melodic diversity and beauty of the preceding six – we would be looking at a bona fide Prog Rock masterpiece - with "Mountains" held in awe instead of a curio people stumble on.

A split-up Steamhammer would later join ranks in 1974 with Keith Relf from The Yardbirds to form the hard-rocking Armageddon for one highly revered self-titled album on A&M Records in 1975 (AMLH 64513 is also reissued by Esoteric Recordings on ECLEC 2150 in 2009).

In the meantime we’ve "Mountains" to savour - and 46 years after the event – a hill worth re-climbing…