Saturday 31 March 2018

"It Shall Be: The Ode & Epic Recordings 1968-1972" by SPIRIT (March 2018 Esoteric Recordings 5CD Box Set - Ben Wiseman Remasters) - A Review by Mark Barry...







This Review Along With 100s Of Others Is Available in my
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THERE'S SOMETHING ABOUT 1970... - Exceptional CD Remasters  
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"...Dream Within A Dream..."

Featuring the album "Twelve Dreams Of Dr. Sardonicus" from 1970

Now here's something a bit tasty. Five studio albums in Stereo including their debut in Mono for the first time, a rare Mono Soundtrack from 1969 to Jacques Demy's film "Model Shop" that few remember (it starred Anouk Aimee and Gary Lockwood, was about Los Angeles and remained unreleased musically until Sundazed reissued it in early 2005), the original Stereo Mix of the second album, all the straggler outtakes and session pieces from the 1991 "Time Circle..." 2CD retrospective and the Bonus Cuts from the 1996 Bob Irwin/Vic Anesini Remasters of the albums, Single Sides and more (check out those eye-popping total playing times on CD1 and 2). 108-Tracks across 5CDs. It shall be indeed.

And I love that Randy California story of how he met Jimi Hendrix at the back of a Village Record Shop in New York when he was only 15 (Manny's Music on West 48th Street) just before the God of Guitar was about do his first gig. The two bonded on first eye contact and Randy played with Jimi for 3 months at $7 a night whereupon as legend would have it - it was Hendrix who famously renamed him Randy California as there was someone else in the band called Randy Texas (young Randy thereafter forever waving goodbye to his real surname of Wolfe). Hendrix was then discovered by the savvy Chas Chandler, brought to England to become a star - but Randy was too young to travel and had to stay in the USA to finish his schooling. The band Spirit is full of such stories – great music, great ideals but perhaps not the greatest of luck commercially. A dream within a dream - It certainly was.

There's a mountain of detail to wade through - so let's have at the five and seven dreams...

UK released Friday, 18 March 2018 - "It Shall Be: The Ode & Epic Recordings 1968-1972" by SPIRIT on Esoteric Recordings ECLEC 52619 (Barcode 5013929471948) is a 5CD 108-Track Clamshell Box Set of New Remasters that plays out as follows:

Disc 1 (79:44 minutes):
1. Fresh Garbage [Side 1]
2. Uncle jack
3. Mechanical World
4. Taurus
5. Girl In Your Eye
6.  Straight Arrow
7. Topanga Windows [Side 2]
8. Gramophone Man
9. Water Woman
10. The Great Canyon Fire in General
11. Elijah
Tracks 1 to 11 are their debut album "Spirit" in 'STEREO' - released January 1968 in the USA on Ode Records Z12 44004 and June 1968 in the UK on CBS Records S 63278. Produced by LOU ADLER - it peaked at No. 31 in the US LP charts (didn't chart UK). NOTE: the previously unreleased on CD 'MONO' mix of the album (Ode Records Z12 44003 and CBS Records 63278) is presented on CD4 for the first time - along with other outtakes from the 1967 sessions that appeared on Spirit compilations.

12. I Got A Line On You [Side 1]
13. It Shall Be
14. Poor Richard
15. Silky Sam
16. The Drunkard
17. Darlin' If
18. It's All The Same [Side 2]
19. Jewish
20. Dream Within A Dream
21. She Smiled
22. Aren't You Glad
Tracks 12 to 22 are their 2nd studio album "The Family That Plays Together" - released December 1968 in the USA on Ode Records Z12 44014 in Stereo (only) and June 1969 in the UK on CBS Records M 63523 in Mono and CBS Records S 63523 in Stereo - the ORIGINAL STEREO Mix is used here (outtakes from the album sessions appear on CD5). Produced by LOU ADLER - it peaked at No. 22 in the US LP charts (didn't chart UK).

Disc 2 (83:19 minutes):
1. The Moving Van
2. Mellow fellow
3. Now Or Anywhere
4. Fog
5. Green Gorilla
6. Model Shop I
7. Model Shop II
8. The Rehearsal Theme
9. Song For Lola
10. Eventide
11. Coral
12. Aren't You Glad
Tracks 1 to 12 were recorded in 1968 in-between the second and third album (in Mono) and used in the 1969 Jacques Remy film soundtrack to "Model Shop". The music including unreleased material (Tracks 2, 4 to 6 and 10 to 12) was finally issued February 2005 on Sundazed/Sony Music SC 6095 (Barcode 090771619723) as the 12-tracks presented above. 

13. Dark Eyed Woman [Side 1]
14. Apple Orchard
15. So Little Time To Fly
16. Ground Hog
17. Cold Wind
18. Policeman's Ball
19. Ice [Side 2]
20. Give A Life, Take A Life
21. I'm Truckin'
22. Clear
23. Caught
24. New Dope In Town
Tracks 13 to 24 are their 3rd studio album "Clear" - released July 1969 in the USA on Ode Records Z12 44016 in Stereo (only) and October 1969 in the UK on CBS Records S 63729 in Stereo. Produced by LOU ADDLER - it peaked at No. 55 in the US LP charts (didn't chart UK).

Disc 3 (77:30 minutes):
1. Prelude - Nothin' To Hide
2. Nature's Way
3. Animal Zoo
4. Love Has Found A Way
5. Why Can't I Be Free
6. Mr. Skin
7. Space Child [Side 2]
8. When I Touch You
9. Street Worm
10. Life Has Just Begun
11. Morning Will Come
12. Soldier
Tracks 1 to 12 are their 4th studio album "Twelve Dreams Of Dr. Sardonicus" - released November 1970 in the USA on Epic E 30267 and February 1971 in the UK on Epic S EPC 64191. Produced by DAVID BRIGGS - the album peaked at No. 63 on the US LP charts (didn't chart UK).

13. Rougher Road - Previously Unreleased "Twelve Dreams..." session outtake that first appeared on the November 1996 CD reissue as a Bonus

14. Chelsea Girls [Side 1]
15. Cadillac
16. Puesta Del Scam
17. Ripe And Ready
18. Darkness
19. Earth Shaker [Side 2]
20. Mellow Morning
21. Right On Time
22. Trancas Fog-Out
23. Witch
Tracks 14 to 23 are their 5th studio album "Feedback" - released March 1972 in the USA on Epic Records KE 31175 (Gatefold Sleeve) and June 1972 in the UK on Epic Records EPC 64507. Produced by DAVID BRIGGS - it peaked at No. 63 in the US LP charts (didn't chart UK)

Disc 4 (76:01 minutes):
1. Fresh Garbage [Side 1]
2. Uncle jack
3. Mechanical World
4. Taurus
5. Girl In Your Eye
6.  Straight Arrow
7. Topanga Windows [Side 2]
8. Gramophone Man
9. Water Woman
10. The Great Canyon Fire in General
11. Elijah
Tracks 1 to 11 are their debut album "Spirit" in 'MONO' - released January 1968 in the USA on Ode Records Z12 44003 and June 1968 in the UK on CBS Records 63278. Produced by LOU ADLER - it peaked at No. 31 in the US LP charts (didn't chart UK). NOTE: the STEREO mix of the album is presented on CD1 - the mono mix here for the first time.

12. Veruska
13. Free Spirit
14. If I Had A Woman
15. Elijah (Alternate Take)
Tracks 12 to 15 were first released as Bonus Tracks in 1996 on the CD Remaster/Reissue of "Spirit" - Epic/Legacy 485175 2 (Barcode 5099748517524)

16. I Got A Line On You ("Time Circle" Mix)
17. It Shall Be ("Time Circle" Mix)
18. Poor Richard ("Time Circle" Mix)
19. Silky Sam ("Time Circle" Mix)
Tracks 16 to 19 first appeared on the 1991 2CD retrospective "Time Circle (1968-1972)" on Epic/Legacy 471268 2 (Barcode 5099747126826)

Disc 5 (70:19 minutes):
1. Scherozode ("Time Circle" Mix)
2. All The Same ("Time Circle" Mix)
3. A Dream With A Dream ("Time Circle" Mix)
4. Aren't You Glad ("Time Circle" Mix)
5. Eventide ("Time Circle" Mix)
6. Model Shop Theme ("Time Circle" Mix)
7. Green Gorilla ("Time Circle" Mix)
8. Rehearsal Theme ("Time Circle" Mix)
Tracks 1 to 8 from the 1991 "Time Circle (1968-1972)" 2CD Retrospective

9. Fog
10. So Little To Say
11. Mellow Fellow
12. Now Or Anywhere
13. Space Chile
Tracks 9 to 13 recorded for "The Family That Plays Together" Sessions in 1968 - released as Bonus Tracks on the 1996 reissue CD of that album on Ode/Epic/Legacy 485174 2 (Barcode 5099748517425)

14. Fuller Brush Man
15. Coral
Tracks 14 and 15 recorded for "Clear" Sessions in 1969 - released as 2 of the 4 Bonus Tracks on the 1996 reissue CD of that album on Ode/Epic/Legacy 484416 2 (Barcode 5099748441621)

16. 1984
17. Sweet Stella Baby
Tracks 16 and 17 were the A&B-sides of a non-album US 7"single released December 1969 on Ode Records ZS7 128. Also released 2 of the 4 Bonus Tracks on the 1996 reissue CD of that album on Ode/Epic/Legacy 484416 2 (Barcode 5099748441621)

18. Animal Zoo (Mono Single Version)
19. Red Light Roll On (Mono Single Version)
Tracks 18 and 19 are the A&B-sides of a non-album US 7" single released July 1970 on Epic Records 5-10648. Also released as two of the four Bonus Tracks on the 1996 reissue CD of "Twelve Dreams Of Dr. Sardonicus" on Epic/Legacy 485173 2 (Barcode 5099748517326)

20. Morning Will Come (Alternate Mono Mix)
Track 20 released as one of the four Bonus Tracks on the 1996 reissue CD of "Twelve Dreams Of Dr. Sardonicus" on Epic/Legacy 485173 2 (Barcode 5099748517326). NOTE: the fourth Bonus track from the "Twelve Dreams Of Dr. Sardonicus" CD reissue was "Rougher Road" and is Track 13 on Disc 3.

SPIRIT was (all albums except "Feedback"):
RANDY CALIFORNIA - Guitars
JOHN LOCKE - Keyboards
MARK ANDES - Bass & Vocals
JAY FERGUSON - Vocals & Percussion
ED CASSIDY - Drums and Percussion

"Feedback" album only:
JOHN LOCKE - Keyboards
ED CASSIDY - Drums & Percussion
AL STAEHELY - Lead Vocals and Bass
J. CHRISTIAN STAEHLEY - Guitar & Vocals

While the 20-page booklet is pretty enough and has MALCOLM DOME liner notes - period photos and so forth (the "Model Shop" film poster, sleeve repros etc) - it actually feels rather slight somehow given that there's six albums worth of material here. The LPs are discussed but none of the extras - the five singular card sleeves might have served the set better if they used the five studio albums as artwork so we don't find ourselves missing the mighty "Twelve Dreams..." or "Feedback" in their Gatefold Sleeves. On the rear of each card there are band photos, the CDs are picture discs too and the booklet's last page uses the rear sleeve of the "Clear" LP as its artwork.

But that aside - I'm digging the new BEN WISEMAN Remasters - tapes licensed from Sony Products. I had the Vic Anesini/Bob Irwin versions from 1996 - two Audio Engineers I love - and I'd have to say that here even though the difference is slight - I'm noticing it in the bottom end. Those Marty Paich arranged strings on the instrumental "Taurus" on the debut are wonderful  (hello Jimmy - got an acoustic guitar opener sequence you need) and the ah-ha-ha opening of "Mr. Skin" on "Twelve Dreams..." as well as the fade-out echoed brass is as good as the Mobile Fidelity CD I had decades ago. I'd still prefer the Stereo Mix to the Mono when it comes to the treated Sitars on the debut's wicked and cool "The Girl In Your Eye". And the whole recorded shebang is here too. Let's get to the space children...

Famously "Fresh Garbage" from the wonderfully confident self-titled debut was on the early playlists of the newly formed Led Zeppelin while the Acoustic guitar notes in the instrumental "Taurus" bear an uncanny resemblance to the opening acoustic-guitar passage in "Stairway To Heaven". And given their Houses of the Unholy penchant for nicking other people's tunes on all of the first four albums - this similarity landed them in court in 2004 over copyright infringement (Zep won - much to Randy's decades-long chagrin). There's a wonderful rolling Byrds feel to "Straight Arrow" while Randy gets to stretch out Bloomfield-style on "Topanga Windows". Tracks like "Gramophone Man" and "Water Woman" would have enamoured them to Jefferson Airplane fans and you have to love those counterpoint vocals. Both "The Great Canyon" and "Elijah" show experimentation and how good a songwriter Jay Ferguson was - the latter being one of those cool so-60ts instrumentals that's part Rock, part Jazz-Fusion and very 'Spirit' in its eleven-minute's long 'we don't care if it isn't commercial' structure. Great audio too...

Sexily Hitsville and cool into the bargain - "I Got A Line" opened the second album and their singles account proper. Feeling like Spirit had suddenly arrived - Randy California's Motown-Rock-Soul song hit No. 25 in the States on Ode ZS7 115 (the album's "She Smiled" was the flipside – a pretty flowers-in-her-hair ballad over on Side 2). The record just gets better with "It Shall Be" a co-write between Randy and Keyboardist John Locke - one of my favourites of their early tracks (Marty Paich arranged the Horns but we still don't know whose playing the flute). Jay Ferguson's "Poor Richard" runs into his "Silky Sam" - a talkative nutter and a travelling salesman immortalised in each song. I love the string arrangements on "The Drunkard" (a drunk missing his daughter's message) while the Randy California penned "Darlin' If" has more to do with Buffalo Springfield than Spirit. Things go to grungy boogie with Randy and Ed Cassidy's "All The Same" while the weirdly wonderful "Jewish" is a Psalm put to Space Rock (dig those twinned guitars). But my fave-crave is "Dream Within A Dream" - a Jay Ferguson song – slipping off his mortal coil for trippy Californian Rock and enjoying the process of both. "The Family That Plays Together" ends with Ferguson's equally ambitious "Aren't You Glad" - five and half minutes of slow piano and guitar rock - the kind of tune that has an epic feel as those strings come floating in and Randy let’s rip on that 48th Street guitar.

The Mono Audio gives the short but hugely interesting instrumentals on "Model Body" a very focused urgency. "The Moving Van" and "Mellow Fellow" feel like Spirit have merged with The Doors and gone off on an early Santana experimental guitar trip - whilst the guitar chug of "Green Gorilla" (one of the few tunes with some singing) is way cooler than it had any right to be. The near six-minutes of "Song For Lola" is a blast - a mixture of echoed Bass lines, shimmering vibes, empty spaces and plaintive-gumshoe piano notes - like its Syd Barrett's Pink Floyd searching for a tune. Hell even the five and a half-minute demo of "Aren't You Glad" is truly excellent as a Bonus - tremendous guitar soloing over a slinky keyboard refrain. Many people rate 1969's rocking "Clear" as placement number two behind "Twelve Dreams..." (I think they’re equal) and on hearing tracks like the superb "Dark Eyed Woman" and the sexy "So Little Time To Fly" – both show how much the guitar prowess had come on. "Ground Hog" sounds amazing as it opens – those flicked Bass notes to the left and the layered vocals to the right. Ferguson could surprise with the tender and lonesome-lovers vibe to "Cold Wind" – the same with the hugely evocative instrumentals "Clear" followed by Locke’s piano-lounge-room-sexy "Caught" both feeling like something off of a particularly effective John Barry soundtrack. "Give A Life, Take A Life" is fantastic 60ts Rock-Pop – a rare co-write between Producer Lou Adler and Randy California.

For me "Twelve Dreams Of Dr. Sardonicus" has always been their zenith. "Prelude - Nothin' To Hide" is a wickedly good opener showcasing the Bluesy slide guitar of Randy California arising out of an Acoustic beginning. Its 3:43 minutes is full of clever chords, vocal layering and that unexpected slide break (funky) - it's lyrics about being "married to the same bride" sounding racy without knowing why. The acoustic balladry of "Nature's Way" comes as a melodic calmer after all the preceding speaker-to-speaker riffage. "Nature's Way" is a short but gorgeous song and one I return to again and again. It's followed by the album's lead off single "Animal Zoo" - the 7" Mono Single Mix of which is a Bonus Track. You can hear why Epic picked it's upbeat rhythms as an album taster - that hooky beat, the Bass break and Keyboard interlude making it more musically interesting that most anything else on the scene at the time. And as they sing "...much too fat...and a little too long..." during the sound-effect fade out in their best Todd Rundgren mad hatter voices - it had a 'Spirit' sound.

"Love Has Found A Way" floats in with speeded up guitar sounds floating over clever melodic vocal lines - sort of Frank Zappa with a melody at its vibe core. The one-minute and acoustic "Why Can't I Be Free" feels like a beautiful plea for peace of mind as it swirls around in a haze of marijuana. But then we get Side 1's other masterpiece - the brill "Mr. Skin" - it's fantastic choppy beat benefitting from Brass Arrangements done by David Blumberg. Epic in Britain gave it a belated 7" single release in February 1973 with "Nature's Way" on the B-side (Epic S EPC 7082).

Side 2 opens with probably my fave instrumental by them – the trippy brilliance of “Space Child” – a piano floater with superb sound scapes and ideas. We then get wickedly good speaker-to-speaker guitar in the driving "When I Touch You" - a Jay Ferguson song that already has Jo Jo Gunne in it - the band he would form after Spirit with Mark Andes and his brother Matthew. "Street Worm" could easily be "Stand Up" or "Benefit" Jethro Tull - a very catchy Guitar/Piano duo back up Ferguson's wailing about 'not making any deal' with the man. Things go seriously melodic with the beautifully produced "Life Has Just Begun" - an acoustic builder where all their voices are featured to great effect (wonderful remaster). The album goes into its only Rock 'n' Roll boogie in the shape of "Morning Will Come" (lyrics from it title this review) cleverly offset by the faded-in Elton John-type piano of "Soldier" - a serious song giving huge power by the pipe organ Producer David Briggs recorded for the finisher. It rounds off an album that just grows and grows with each listen...

I had expected the Bonus Tracks to be throwaway - but if anything the Previously Unreleased Byrds-sounding "Rougher Road" is a bit of a gem. The single mix of "Animal Zoo" has a visceral punch in Mono - not so sure about the Alternate Mono Mix of "Morning Will Come" which I think loses its power compared to the finished Stereo LP cut. The 'tapes rolling - this is Take No. 1' dialogue at the beginning of the non-album B-side "Red Light Roll On" only adds to its excellence (shame there appears to be no Stereo variant of this wicked groover). The extras elsewhere are all good too.

Ok you could argue that the weak "Feedback" album lets the side down (four stars for that alone) and others have moaned about the card sleeve presentation (I think they are fine). But whatever way you look at it – Esoteric Recordings have stumped up yet another goody here. And if ever a band deserved reappraisal – there surely SPIRIT shall be that band...

"Get Down/Live Catfish featuring Bob Hodge" by CATFISH (December 2017 Beat Goes On Reissue - 2LPs onto 2CDs (No Extras) - Andrew Thompson Remasters) - A Review by Mark Barry...





This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
THERE'S SOMETHING ABOUT 1970... - Exceptional CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
(No Cut and Paste Crap)


"...All Your Sweet Loving..."

Featuring the album "Catfish" from 1970 

Imagine singer Bob "The Bear" Hite of Canned Heat meets guitarist Leslie "The Mountain" West of Mountain at the 'Get High, Get Naked and Get Down Balls To The Wall Boogie Festival' of 1970 - and they have a love child. In their Festival Tent of Shared Greasy Oneness they stare down affectionately at the little critter writhing about with a cigarette in his mouth, a quiff on his head, lifetime membership cards for the Jerry Lee Lewis and Howlin’ Wolf fan clubs and a Fender Stratocaster surgically attached to his hands and think - I know - let's call him 'Catfish'...

Detroit's Catfish were a down and dirty Blues Boogie band out of the Motor City of extraordinary power (especially live as evidenced by the second platter on offer here). They managed only two albums on Epic Records (CBS Records in the UK and Europe) - one studio set "Get Down" from March 1970 and one live album made up of almost entirely new material not surprisingly called "Live Catfish..." in April 1971.

Somewhere in-between the musical markers of Canned Heat, Mitch Ryder and The Detroit Wheels and Mountain - their bluster and blunder approach wasn't all Shakespeare or even sophisticate Blues for sure - but it was real and at times joyous. And when their spiritual leader and principal songwriter BOB HODGE sang - he came over like the son of Otis Redding on a good day (maybe not as good as Eddie Hinton but close) - while his Catfish band regularly crushed it on the guitar and amped-up organ. These guys made a formidable 70ts Rock-Blues clamour.

There's a lot to like here and a 300-Pound Fat Mama to negotiate - so let's get to the Mississippi River and bathe...

UK released 15 December 2017 - "Get Down/Live Catfish featuring Bob Hodge" by CATFISH on Beat Goes On BGOCD 1308 (Barcode 5017261213082) offers 2LPs newly Remastered onto 2CDs (no extras) and plays out as follows:

Disc 1 (44:48 minutes):
1. Catfish [Side 1]
2. The Hawk
3. No Place To Hide
4. 300 Pound Fat Mama
5. Love Lights [Side 2]
6. Coffee Song
7. Tradition
8. Sundown Man
9. Reprise: Catfish/Get High, Get Naked, Get Down
Tracks 1 to 9 are their debut album "Get Down" - released March 1970 in the USA on Epic Records BN 26505 and April 1970 in the UK on CBS Records S 64006. Produced by KEN COOPER - It didn't chart in either country.

CATFISH was:
BOB HODGE - Lead Vocals and Guitar
MARK MANKO - Lead Guitar
HARRY PHILLIPS - Keyboards
RON COOKE - Bass
JIMMY OPTNER - Drums

Disc 2 (45:02 minutes):
1. Nowhere To Run [Side 1]
2. Money (That's What I Want)
3. 300 Pound Fat Mama
4. Mississippi River [Side 2]
5. Letter To Nixon
6. Whole Lotta Shakin' Goin' On
Tracks 1 to 6 are their second and last album "Live Catfish featuring Bob Hodge" - released April 1971 in the USA on Epic Records E 30361 and in the UK on CBS Records S 64408. Recorded at Eastowne Theatre in Detroit and Produced buy JOHN HILL - it failed to chart in either country.

CATFISH was:
BOB HODGE - Lead Vocals and Guitar
DALLAS HODGE - Lead Guitar
HARRY PHILLIPS - Keyboards
DENNIS CRANNER - Bass
JIM DEMERS - Drums

The 12-page inlay has the usual original album credits, some black and white photos of Bob and the Band and superb new liner notes from BGO regular JOHN O'REGAN. But the big news is a new ANDREW THOMPSON Remaster. The last time I heard "Get Down" it was on some muddy Special Products CD by Sony out of the States in the early Nineties as I recall - and for such a crudely recorded in-your-face record - left a little bit to be desired. Not exactly audiophile heaven, here the beef is back because each CD rooks. Tracks like the lengthy Blues chug of "300 Pound Fat Mama" has real power now.

The 9-track "Get Down" debut featured all original material - Bob Hodge penning "The Hawk", "300 Pound Fat Mama", "Love Lights", "Coffee Song" and "Sundown Man" whilst co-writing "No Place To Hide" and "Tradition" with Lead Guitarist Mark Manko. The other two are band compositions with someone called T. Carson. You might be fooled on hearing the opening "Catfish" that you somehow stumbled on some bad Country Rock album - a sort of poor man's Creedence - but things pick up with "The Hawk" and "No Place To Hide" - guitar boogies pieces ala Canned Heat. Call me the hawk - take care of business - Hodge roars - "No Place To Hide" featuring the piano and organ soulfulness of Harry Phillips. But Side 1 belongs to the 8-minute "300 Pound Fat Mama" where Hodge sounds like Albert King meets Little Milton as he 'yeahs all the way through this fabulous slow Blues work out. She goes down to Detroit on a Sunday afternoon - he tells us as dirty-sounding Steppenwolf-type guitars sneak past his 'love ya, love ya' chants. But hero of the hour is again Phillips who lays down some fabulous Barroom rolls on the old upright only to follow that with some cool Graham Bond organ licks - a bar-band in your living room (lyrics from the song title this review). There are even moments when he sings 'out on that corner, messing around' when he sounds like a demented Captain Beefheart digging deep into the Blues.

It's easy to hear why Epic tried a 3-minute edit of "Love Lights" as a precursor 7" single for the album in December 1969 (Epic 5-10568 with an edit of the album's "Tradition" on the flipside) - it feels like Joplin's Big Brother & The Holding Company only fronted by a man - Hodge giving it some 'yeah yeah yeah' as he just can't stand the pain and he gets down on his knees and he prays to a God that ain't listening. The short and funny sounding "Coffee Song" is the kind of witty-ditty that must have seemed like fun at the time but seems like a waste of space now. Better is the straight-up Ten Years After rolling and tumbling boogie-riffage of "Tradition" where Bob is going to Louisiana - gotta get there right away - there's a sweet little mama on the other side of the bay he tells us with some urgency (we understand William - we do). The album's raucous medley let's rip with guitars - Catfish going ape as they "Get High, Get Naked and Get Down".

Hearing the debut leaves you with a clear signal - these guys must have been a festival sensation 'live' - and they were. Supporting bands like Black Sabbath, Canned Heat and even Ted Nugent - "Live Catfish" finally realises the potential of the debut. Only "300 Pound Fat Mama" is highlighted from the first album (here turned into an absolutely barnstorming 14-minute Blues-Rock epic) - the other five are new and include two wildly revamped Blues Rock versions of Motown classics - Martha & The Vandella's "Nowhere To Run" and Barrett Strong's "Money (That's What I Want)". Over on Side 2 the Hodge-penned "Mississippi River" and a lengthy rant "Letter To Nixon" show both his love for the Blues and his generation’s rage at the murderous politics of the time ("I wrote Nixon - he didn't write back..."). It ends with a fast 'n' bulbous snort through Jerry Lee's "Whole Lotta Shakin' Goin' On" – party animal time.

CATFISH were rough and tumble and their down-home unsophisticated sound will not be for everyone - but for those who dig the sheer 'out there' and 'in your face' Blues Boogie of Canned Heat or Ten Years After - there is much to slaver over here. Well done to BGO of the UK for getting them out there at last and in decent sounding form too...

Monday 19 March 2018

"Let The Electric Children Play: The Underground Story Of Transatlantic Records 1968-1976" by VARIOUS ARTISTS (August 2017 Esoteric Recordings 3CD Box Set) - A Review by Mark Barry...





This Review Along With 100s Of Others Is Available in my
SOUNDS GOOD E-Book on all Amazon sites
THERE'S SOMETHING ABOUT 1970... - Exceptional CD Remasters  
Just Click Below To Purchase for £3.95
Thousands of E-Pages - All Details and In-Depth Reviews From Discs 
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"...Tear Down The Wall..."

Featuring albums by Stray, Jody Grind, Marsupilami, 
Peter Bardens of Camel and Mick Farren of The Deviants from 1970

For those of us who wouldn't know a Belgian 'Marsupilami' from a Mushrump 'Gryphon' or indeed a Marxist 'Humblebum'  - thank God there's Cherry Red Records of the UK and their Satanically loony as a Buckled-Pentangle label offshoot – Esoteric Recordings.

Men of twisty beards and impeccable taste, ladies of dangerously short skirts and Laura Ashley Saleswoman of the Year Awards and paisley-trousered accountants who really should stop doing Peruvian dancing dust in the bijou toilet area - have put together the 3CD Mini Box Set that is "Let The Electric Children Play: The Underground Story Of Transatlantic Records 1968-1976".

It's the kind of barmy musical journey that will have your partner wondering why she married you - and as she listens over Sunday's Brisket to The Deviants rabbiting on about a "Metamorphosis Explosion" or CMU waffling omnipotent about a "Song From The 4th Era" (what happened to the other three you ask) worry that maybe the mercury that's been in your teeth all these years really does need to finally come out. It's all a bit mad and very eccentric and fantastically tear-down-the-barriers adventurous stuff - if you feel my planetary drift man. Let's get to the English Underground before the Eurocrats in Brussels tell us it’s the wrong shape and colour...

UK released Friday, 25 August 2017 - "Let The Electric Children Play: The Underground Story Of Transatlantic Records 1968-1976" by VARIOUS ARTISTS on Esoteric Recordings ECLEC 32600 (Barcode 5013929470040) is a 39-Track 3CD Clamshell Box Set of Remasters that plays out as follows:

Disc 1 (77:31 minutes):
1. We Can Swing Together - ALAN HULL (non-album A-side of a December 1969 UK 7" single on Big Tree Records BIG 129, B-side is Track 8)
2. 11 B.S. - CIRCUS (from their 1969 UK debut LP "Circus" on Transatlantic Records TRA 207)
3. Midsummer Nights Happening - THE SALLYANGIE [with Mike & Sally Oldfield] (from their 1968 UK debut LP "Children Of The Sun" on Transatlantic Records TRA 176)
4. Light Flight - PENTANGLE (from their 1969 third UK LP "Basket Of Light" on Transatlantic Records TRA 205)
5. Billy The Monster - THE DEVIANTS (from their 1969 UK debut LP "The Deviants" on Transatlantic Records TRA 204)
6. Paint It Black - JODY GRIND (from their 1969 UK debut LP "One Step On" on Transatlantic Records TRA 210, a Rolling Stones cover)
7. Norwegian Wood - CIRCUS (from their 1969 UK debut LP "Circus" on Transatlantic Records TRA 207, a Beatles cover)
8. Obadiah's Grave - ALAN HULL (non-album B-side of a December 1969 UK 7" single on Big Tree Records BIG 129, A-side is Track 1)
9. Lucifer's Cage - GORDON GILTRAP (from his 1969 UK LP "Portrait" on Transatlantic Records TRA 202)
10. Once I Had A Sweetheart - PENTANGLE (from their 1969 third UK LP "Basket Of Light" on Transatlantic Records TRA 205)
11. Metamorphosis Explosion - THE DEVIANTS (from their 1969 UK debut LP "The Deviants" on Transatlantic Records TRA 204)
12. Saturday Roundabout Sunday - THE HUMBLEBUMS [Billy Connolly and Gerry Rafferty] (non-album A-side to a 1969 UK 7" single on BIG T Records BIG 122 (B-side was "Bed Of Mossy Green")
13. Makin' Time - LITTLE FREE ROCK (from their 1969 UK debut LP "Little Free Rock" on Transatlantic Records TRA 208)
14. Mona (A Fragment) - MICK FARREN [of The Deviants] (from his 1970 UK debut solo LP "Mona - The Carnivorous Circus" on Transatlantic Records TRA 212, a Bo Diddley cover)
15. Plastic Shit - JODY GRIND (from their 1970 UK 2nd LP "Far Canal" on Transatlantic Records TRA 221)

Disc 2 (78:34 minutes):
1. All In Your Mind - STRAY (from their 1970 UK debut LP "Stray" on Transatlantic Records TRA 216)
2. Born To Be Free - MARSUPILAMI (from their 1970 UK debut LP "Marsupilami" on Transatlantic Records TRA 213)
3. We've Had It - JODY GRIND (from their 1970 UK album "Far Canal" on Transatlantic Records TRA 221)
4. Mice And Rats In The Loft - JAN DUKES DE GREY (from their 1971 UK album "Mice And Rats In The Loft" on Transatlantic Records TRA 234)
5. Homage To The God Of Light - PETER BARDENS (from his 1970 UK album "The Answer" on Transatlantic Records TRA 222)
6. Around The World In 80 Days - STRAY (from their 1970 UK debut album "Stray" on Transatlantic Records TRA 216)
7. Mendle - MR. FOX (from their 1971 UK album "The Gypsy" on Transatlantic Records TRA 236)
8. Prelude To The Arena - MARSUPiLAMI (from their 1971 UK album "Arena" on Transatlantic Records TRA 230)
9. Don't Ever Give Up Trying - UNICORN (from their 1971 debut album "Uphill All The Way" on Transatlantic Records TRA 238)
10. Reflection - PENTANGLE (from their 1971 UK album "Reflection" on Transatlantic Records TRA 240)
11. Skin Valley Serenade - SKIN ALLEY (from their 1972 UK album "Two Quid Deal" on Transatlantic Records TRA 260)

Disc 3 (73:33 minutes):
1. Tear Down The Wall - PETER BARDENS (from his 1971 UK debut LP "Peter Bardens" on Transatlantic Records TRA 243)
2. Son Of The Father - STRAY (from their 1971 UK LP "Suicide" on Transatlantic Records TRA 233)
3. Don't Count Me Out - GERRY RAFFERTY (from his 1971 UK debut solo LP "Can I Have My Money Back" on Transatlantic Records TRA 241)
4. Rick's Seven - SKIN ALLEY (from their 1972 UK LP "Two Quid Deal" on Transatlantic Records TRA 260)
5. Song From The 4th Era - CMU
6. A Distant Thought, A Point Of Light - CMU (tracks 15 and 16 from their 1973 UK LP "Space Cabaret" on Transatlantic Records TRA 259)
7. The Ungodly - DECAMERON (from their 1975 UK LP "Third Light" on Transatlantic Records TRA 304)
8. Fair Fortune's Star - CAROLANNE PEGG [of Mr. Fox] (from her 1973 UK debut LP "Carolanne Pegg" on Transatlantic Records TRA 266)
9. Move It - STRAY (non-album version on the A-side of a 1973 UK 7" single on Transatlantic/Big T BIG 516 - B-side was "Crazy People")
10. Shelter - RENIA (from the 1973 UK LP "First Offenders" on Transatlantic Records TRA 261)
11. Opening Move - GRYPHON (from their 1974 3rd UK LP "Red Queen To Gryphon Three" on Transatlantic Records TRA 287)
12. Journey's End - DECAMERON (from their 1975 UK LP "Third Light" on Transatlantic Records TRA 304)
13. Criminal World - METRO [featuring Duncan Browne] (from their 1976 UK LP "Metro" on Transatlantic Records TRA 340)

The Mini LP Sized Clamshell Box contains a jam-packed 48-page booklet where compiler, co-ordinator and researcher MARK POWELL deals with each artist and band in alphabetical order (taking a leaf from the booklets within the Decca. Deram and Vertigo box sets from Universal). Paragraph after paragraph provides deep insider detail and all of it sided by stacks of repro'd memorabilia- album covers, UK, US and European Trade Adverts, concert tickets and even hand-written bills on headed Transatlantic Records paper. It's beautifully done and must have involved serious amounts of research hours (well done to all involved). Long-time label associate and Audio Engineer BEN WISEMAN has done the transfers - each Remaster full of air and muscle. The sources as you can imagine vary, but little of it feels underwhelming - stuff like the Hard Rock of Stray vs. the delicacy of Unicorn by way of the full-on Prog of Peter Bardens - it's all strong and most times belies the labels limited Production budgets. To the mixed-up confusion...

Disc 1 opens with Lindisfarne's Alan Hull issuing a solo 45 in 1969 on Transatlantic's 'Big T Records' - "We Can Swing Together" (the B-side is Track 8 on Disc 1 "Obadiah's Grave"). The lyrics are angry - the law breaking down doors, county judge sending the boys to jail, laughing as they walk towards the cell - all of it acting as a defiant-attitude opener. Just as you were about to get comfortable with all that witty Newcastle swinging from the rafters in natty pubs - in creeps Circus with six and a half minutes of the challenging "11 B.S." - a very Prog-Jazz instrumental featuring Mel Collins on Saxophone (he would shortly after depart for King Crimson). English countryside prettiness come sin the shape of the dreadfully twee yet sweet "Midsummer Right's Happening" by The Sallyangie - famous for housing Sally and Mike Oldfield - one of them dreaming of bells and ridges etc. Far better is the sexy swing of "Light Flight" from Pentangle followed neatly by two wild covers - Jody Grind going hell for leather at the Stones' "Paint It Black" - a version mad enough that surely Jagger would approve of it - and then Circus giving us seven minutes of Rubber Soul's "Norwegian Wood" like you've never heard it (fuzzed-up guitars ala Crimson saxophone) - nice. Other Disc 1 goodies include Gordon Giltrap's wonderful acoustic slasher "Lucifer's Cage" where he lays into what sounds like a twelve-string - virtuosity and Bert Jansch flourishes coming at you from every angle. Tim Hinkley of Jody Grind guests on "Makin' Time" by Little Free Rock - easily one of the weakest cuts here. Better is Mick Farren of The Deviants going at Bo Diddley's "Mona" in a suitable grungy shimmering guitar manner accompanied by clever Cello slashes ("hey Mona, let me run away and lie with you..."). It ends on the very Punky "Plastic Sh**" from Jody Grind where our boy goes all Stooges-angry on environmental destruction (wicked raw guitar). 

Disc 2 is the longest playing time of all three so Stray's "All In Your Mind" may run to over eight minutes - but don't let that fool you into thinking its some Prog-tastic minuet - it's a straight-up rawk tune with more than a few elements of Stooges Punk in its effected guitar solos - very impressive stuff. Things return to trippy on the excellent "Born To Be Free" by Marsupilami - great musical ideas abounding. Acoustic Guitars and English madrigal melody greet us on "We've Had It" - Holland's melodious instrumental beginning then becoming a sort of early Gryphon meets Genesis Prog Rock moment. "...Moonbeams danced on the night..." we're informed in a high-pitched voice during "Mice And Rats In The Loft" - Jan Dukes De Grey giving it some nine-minute guitar-and-drums wig out. Camel's Peter Bardens gets to show his inner doom on "Homage To The God Of Light" - another fast-paced Prog number where guitars vs. keyboards battle it out for thirteen and half minutes (Van Der Graaf Generator fans will eat this up). Things calm with Stray's mellow "Around The World In 80 Days" - together on our magic carpet ride. Other highlights include the melodic acoustic Folk-Rock of "Don’t You Ever Give Up Trying" by Unicorn – a proper-tunes band (like say Badfinger) admired by Pink Floyd’s Dave Gilmour who would go on to produce Unicorn’s next three albums - "Blue Pine Trees" in 1974 on Charisma and two on Harvest - 1976's "Too Many Crooks" and 1977's "One More Tomorrow". And don’t get me started on the genius of "Reflection" – the title track to their fifth and last album for Transatlantic Records where Pentangle use violins and Danny Thompson’s Double Bass in what could be described as a Prog Rock ethereal drifter (all eleven minutes-plus of it). Skin Alley tidy up Disc 2 with the very Jethro Tull flute-driven "Skin Valley Serenade".

Disc 3 brings us from 1973 onwards and the production values increase even though Peter Barden's opener "Tear Down The Walls" flanges your speakers to a point where it grates the listen. Better is Stray's "Son Of The Father" which starts out like an anti-war chant but soon becomes enveloped in Mellotron and Guitars (yeah baby). Stepping out of his Humblebums duo - Gerry Rafferty shows an early sign of melody-writing brilliance in his "Don't Count Me Out" - a cut off his debut LP. Skin Alley gives us "Rick's Seven" sounding not unlike early Rush with a restrained Steve Marriott at the microphone. Contemporary Music Unit (CMU to you and I) are probably the most 'out there' melodic Prog outfit on here (which is saying something) and their brilliant and imaginative twofer "Song From The 4th Area" and "A Distant Thought, A Point Of Light" are full of bodies changing, astral travelling through the Universe and generally becoming one with galactic consciousness (as you do at the cosmetics counter in Boots on a Saturday). Folkies Decameron follow with "The Ungodly" – questioning authority types and ‘may God forgive them’ unholy decision-making. Carolanne Pegg of Mr. Fox gives us ten minutes of "Fair Fortune’s Star" – a master in the woods tale of woe and warning that feels like Fairport Convention giving it some "Tam Lyn". Another ten-minute extravaganza of playing virtuosity screams of out your speakers in gorgeous remastered form in the shape of Gryphon and one part of their four-piece Chess Suite "Red Queen To Gryphon Three" – very Greenslade meets Genesis meets – well Gryphon. It all ends on the odd Folk-Pop of Metro – a Duncan Browne band that is held in affection to this day – their Brian Protheroe Eighties sounding music defying its 1976 recording date.

What a ride – even though I'm fairly sure some will say of bands on here - what a pile of indulgent tut. But isn't that the point. "Let The Electric Children Play: The Underground Story Of Transatlantic Records 1968-1976" is aimed at those who want to explore – remember days when music like this could be recorded – when we actually did tear down the walls - when we reached for it and sometimes got 'there'.

"...Flowers...coming into bloom again...as lovers and as friends...there’s no reason now to be afraid..." – Decameron sing on the lovely "Journey's End". This stuff should be remembered and I for one will welcome Electric Play 2...

Saturday 17 March 2018

"Decade" by NEIL YOUNG (July 2017 Reprise Records 3LP Set Remastered onto 2CDs in Card Slv - John Nowland and Neil Young NYA Remasters) - A Review by Mark Barry...








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"...Both Feet On The Ground..."

Featuring tracks from the Neil Young album "After The Gold Rush" from 1970
And the Crosby, Stills, Nash and Young album "Deja Vu" from 1970
As well as a 1970 7" single "Ohio" by Crosby, Stills Nash and Young 

When I worked in the Rarities Dept. of Reckless Records in both Islington and Soho's Berwick Street - Neil Young's "Decade" was the kind of booty you hoped would be in a collection sold in across the counter. Once out in the racks - it had a shelf life of point six of a par-second or two electrons in a geo-dimensional quantum entanglement (whichever is quicker). And on hearing this 1977 triple-LP set transferred onto these shiny-new 2CD remasters in 2017 - it's easy to know why. What a winner...

"Decade" referred to 1966 to 1976 but was delayed because Young changed two songs and it eventually arrived in the autumn of 1977 as a 3LP set in an elaborate gatefold sleeve complete with inner flap and (barely legible) handwritten liner notes. While retrospectives and anthologies are passé nowadays - back in the kick-em-in-the-goolies one-chord wonder of Punk and New Wave's 1977 - a triple album roundup by an old fart might not have seemed to be the wisest move commercially. But Neil Young's combo of new versions, rarities (five unreleased), fan faves, latest stuff and clever sequencing made for more than an impressive listen (even the critics at the time thought so). I can remember £25 being the price for this set secondhand (when others barely pushed £15) long before such sums became commonplace. Expecting to fly indeed, let's get to the AADs...

UK released Friday, 21 July 2017 - "Decade" by NEIL YOUNG on Reprise 9362 49154-5 (Barcode 093624915454) offers a 35-Track 3LP set Remastered onto 2CDs (without extras) in a gatefold card sleeve with Insert and plays out as follows:

Disc 1 (74:24 minutes):
1. Down To The Wire - BUFFALO SPRINGFIELD (Previously Unreleased, features BF's Stephen Stills and Richie Furay with Dr. John as a Guest)
2. Burned - BUFFALO SPRINGFIELD (from their 1966 debut album "Buffalo Springfield")
3. Mr. Soul  - BUFFALO SPRINGFIELD (from their 1967 second album "Buffalo Springfield Again")
4. Broken Arrow - BUFFALO SPRINGFIELD (from their 1967 second album "Buffalo Springfield Again")
5. Expecting To Fly - BUFFALO SPRINGFIELD (from their 1967 second album "Buffalo Springfield Again", only Neil Young plays on this)
6. Sugar Mountain - NEIL YOUNG (non-album B-side to the 1969 7" single "The Loner", recorded Live at Canterbury House, Ann Arbor in Michigan)
Tracks 1 to 6 made up Side 1 of the original triple album

7. I Am A Child - BUFFALO SPRINGFIELD (from the 1968 third and final album "Last Time Around", features Neil Young and Dewey Martin only)
8. The Loner - NEIL YOUNG (from his debut 1968 solo album "Neil Young")
9. The Old Laughing Lady - NEIL YOUNG (from his debut 1968 solo album "Neil Young", full version at 5:58 minutes, previous 2Cd set used an edit)
10. Cinnamon Girl - NEIL YOUNG & CRAZY HORSE (from the 1969 album "Everyone Knows This Is Nowhere")
11. Down By The River - NEIL YOUNG & CRAZY HORSE (from the 1969 album "Everyone Knows This Is Nowhere", full 9:19 minutes version)
Tracks 7 to 11 are Side 2 of the 3LP set

12. Cowgirl In The Sand - NEIL YOUNG & CRAZY HORSE (from the 1969 album "Everyone Knows This Is Nowhere")
13. I Believe In You - NEIL YOUNG (from the 1970 album "After The Gold Rush")
14. After The Gold Rush - NEIL YOUNG (from the 1970 album "After The Gold Rush")
15. Southern Man - NEIL YOUNG (from the 1970 album "After The Gold Rush")
16. Helpless - CROSBY, STILLS, NASH & YOUNG (from the 1970 album "Deja Vu")
Tracks 12 to 16 are Side 3 of the 3LP set

Disc 2 (71:21 minutes):
1. Ohio - CROSBY, STILLS, NASH & YOUNG (non-album June 1970 7" single with "Find The Cost Of Freedom" on the B-side)
2. Soldier - NEIL YOUNG (from the 2LP 1972 Set "Journey Through The Past", an edit - see notes below)
3. Old Man - NEIL YOUNG (from the 1972 album "Harvest")
4. A Man Needs A Maid - NEIL YOUNG (from the 1972 album "Harvest")
5. Harvest - NEIL YOUNG (from the 1972 album "Harvest")
6. Stars Of Bethlehem - NEIL YOUNG (from the 1977 album "American Stars 'N' Bars - recorded 1974 - features Emmylou Harris)
Tracks 1 to 6 are Side 4 of the 3LP set

7. The Needle And The Damage Done - NEIL YOUNG (from the 1972 album "Harvest", recorded live)
8. Tonight's The Night (Part 1) - NEIL YOUNG (from the 1975 album "Tonight's The Night" - recorded in 1973 featuring Nils Lofgren)
9. Tired Eyes - NEIL YOUNG (from the 1975 album "Tonight's The Night" - recorded in 1973 featuring Nils Lofgren)
10. Walk On - NEIL YOUNG (from the 1974 album "On The Beach")
11. For The Turnstiles - NEIL YOUNG (from the 1974 album "On The Beach")
12. Winterlong - NEIL YOUNG (Previously Unreleased)
13. Deep Forbidden Lake - NEIL YOUNG (Previously Unreleased)
Tracks 7 to 13 are Side 5 of the 3LP set

14. Like A Hurricane - NEIL YOUNG & CRAZY HORSE (Previously Unreleased version)
15. Love Is Like A Rose - NEIL YOUNG (Previously Unreleased)
16. Cortez The Killer - NEIL YOUNG & CRAZY HORSE (from the 1975 album "Zuma")
17. Campaigner - NEIL YOUNG (Previously Unreleased)
18. Long May You Run - THE STILLS-YOUNG BAND (Previously Unreleased mix that features all of CSNY - the 1976 "Long May You Run" album version excluded David Crosby and Graham Nash on Vocals)
Tracks 14 to 18 are Side 6 of the 3LP set

By now everyone will know of Young's insistence on 'exact' replicas of the original packaging - but here the 2017 gatefold card sleeve and the gatefold insert maybe sweetly repro'd but are unreadable making them somewhat useless and irritating. This is absolutely one of those occasions where someone in NYA should have gone the extra mile and filled this with a separate booklet - a brilliant release that deserves it (way better than the single disc "Greatest Hits"). In fact - although these are part of the JOHN NOWLAND and NEIL YOUNG ARCHIVES (NYA) CD Remasters - it doesn't tell you that anywhere on the packaging - you're left to guess. What's not in doubt is the AUDIO - amazing on every song after 1969. Re-listening to the "American Stars 'N Bars", "Tonight's The Night" and "Zuma" tracks anew like this is hair-raising stuff - AAD baby. Let's get to the music...

While this set allowed fans and curious newcomers alike to re-appreciate forgotten songs like "Cinnamon Girl", "The Old Laughing Lady", "Cowgirl In The Sand" and "Down By The River" - it also reminded punters of his distinctive contributions to Buffalo Springfield and CSNY. His sequencing worked. The 'Neil Young' lone acoustic rendition of "Sugar Mountain" done live in Michigan (the non-album B-side of "The Loner" 45) ends Side 1 - but is followed perfectly by Buffalo Springfield's "I Am A Child" as it opens Side 2. You don't jump back - yet they match and suit. Things start to cook as he rocks it out with "The Loner" and the nine-minute wig-out "Down By The River" offered here in its full album version of 9:19 minutes and not the nine-minute edit used for the first 2CD reissue of "Decade" back in the Nineties. "Cowgirl In The Sand" sounds fantastic too - beautiful Bass clarity and those guitars chugging and soloing. But its songs like "The Old Laughing Lady" that remain so moving - a gorgeous melody and observation of life even if it is sad - "I Believe In You" is exactly the same. Although I find "Southern Man" overplayed - I'm always moved by his "Helpless" on CSNY's magisterial "Deja Vu".

Young wrote the 'four dead in' "Ohio" as a stand-alone 7" single for CSNY with the fabulous Stills composition "Find The Cost of Freedom" on the flipside. "Ohio" opens CD2 perfectly - their collective rage at Nixon and his Vietnam heavy-handedness screaming out of the lyrics (still such powerful stuff). A hissy but haunting “Soldier” follows it from the 1972 double-album "Journey Through The Past". Famously edited down to 2:27 minutes from the LP's 3:39 minutes - and given that their is space - it's odd that Young hasn't taken the chance to reinstate it fully here like he has done on those other unnecessary chopped-to-fit tracks? But I suspect he likes this version - maybe the "Jesus I saw you walking on the river...' edit is all the more powerful for being shorter. Certainly when the studio brilliance of "Old Man" kicks in - the contrast between it and "Old Man" is both stark and effective. Speaking of "Harvest" - the four from it featured on "Decade" only hammer home his brilliance at that time - each one sounding spectacularly good. Emmylou Harris guests as a second-vocalist on the lovely "Star Of Bethlehem" - forgotten on 1977's "American Stars 'N Bars".

The acoustic slightly stoned ramshackle miserable-git feel of 1975's "Tonight's The Night" was in fact recorded in 1973 (most of it in one day apparently but only released two years later). Featuring Grin's Nils Lofgren (Guitar and Lead Vocals on the title track), Crazy Horse's Ralph Molina and Billy Talbot alongside multi-instrumentalist sessionman Ben Keith - "Tonight's The Night" is all the more potent for its Ryan Adams sloppiness. Along with On The Beach's stayed-up-all-night "Walk On" (Neil rocks out) and the fabulous plucker "For The Turnstiles" (Ben Keith on Dobro with Neil on Banjo) - the combo of that early to mid Seventies material makes for a fabulous listen that still somehow feels new and fresh. Those are smartly followed by a previously unreleased double-whammy - an Americana Alt-country rocker called "Winterlong" and a beautiful Acoustic Guitar and Pedal Steel ballad called "Deep Forbidden Lake" - both cuts surely being the big prizes here and both sounding huge without being over-trebled for the sake of it. "...Even Richard Nixon's got soul..." Young sings on the campaigned-all-my-life towards-that-goal song "Campaigner" - another unreleased winner. It ends on the four boys harmonising on "Long May You Run" - beautifully rendered here.

"...We missed that deep ship on the long steep climb..." - Neil Young sings on "Long May You Run" with his old sparring partner Stephen Stills.

At a frankly paltry eight pre-Brexit quid on Amazon - don't miss out on this 2CD Reissue of new Remasters. It's a balls-to-the-wall mountain of goodies...a Harvest indeed...