Monday 24 January 2022

"On Track...STATUS QUO: The Frantic Four Years" by RICHARD JAMES - 1968 to 1984 Studio Album and Single Reviews (December 2021 UK Sonicbond Publishing Paperback Book) - A Review by Mark Barry...



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"...Whatever You Want..."
 
The problem with fans is that they're fans. And if you're an old mucksavage like me (soon to be a pensioner with a hairstyle that should know better) - you look back on really great Seventies Rock Bands with such rose-tinted hues that it's hard to separate out the Weetabix from the Crapabites.
 
I've enjoyed the Led Zeppelin and Electric Light Orchestra books in this on-going "On Track..." series from Sonicbond Publishing of the UK precisely because they've been written by people who love and know their chosen poison and can relay that with good writing. These books also dig in where it matters – the actual songs, the albums, the music – even if that critique is not all milk and cookies.
 
Richard James is the same when it comes to the England's Mighty Status Quo. But James' problem is that he's honest about the song-quality of their output after the March 1977 "Live" Double (which defined them like Lizzy's stunning "Live And Dangerous" did in 1978) - it went downhill or even off a cliff edge. Truth is that most of us Punk/New Wave embracers had moved on and would never come back. Also, because this paperback series concentrates on 'studio' sets, the "Live" double of March 1977 that went to No. 3 in the UK LP charts is 'not' reviewed here. That alone kind of negates their impact in their natural arena - a place they were king. With Quo, it was always about how good they were on stage (saw them in Dublin - fabulous stuff) when all that riffage came to life. So the book loses out a little on that. Let's get to what is good...
 
I suspect like most Seventies Quo fans, I'm a "Ma Kelly's Greasy Spoon" starter in 1970 with crackers like "Shy Fly", "Junior's Wailing" and the cool chugging boogie single "In My Chair" through to 1976's "Blue For You" with the full length album version of "Mystery Song". What a tune - a rocker that like the best of 1976 and 1977 Thin Lizzy - it could awaken a dead man and make a preacher lay his good book on the pew for a moment and get, well, "Down Down - Deeper And Down".
 
Across the 142 A5-pages of this 31 December 2021 paperback (published 25 February 2022 in the USA) - "On Track... STATUS QUO: The Frantic Four Years" by RICHARD JAMES also supplies 16-pages of colour photos. There are period live shots from each of their decades (including the reunion tour), Album Sleeves, the four principal culprits - Francis Rossi (Lead Guitar), Rick Parfitt (Lead Guitar), Alan Lancaster (Bass) and John Coghlan (Drums) with their two long-time song collaborators and part-time/full-time fifth and sixth band members - Bob Young (Harmonica) and Andy Bown (Keyboards).
 
I loved albums like 1971's "Dog of Two Head" on Pye Records with classics like "Gerdundula" and "Railroad" through to 1972's Vertigo Records debut LP "Piledriver" with that great attacking stance cover and tunes like "Don't Waste My Time", their blistering cover version of The Doors "Roadhouse Blues" and sleepers like "O Baby" and the slow blues of "Unspoken Words". Worst sleeve design in the world didn't stop 1973's "Hello" going to No. 1 - something that 1975's "On The Level" did followed by 1976's Levi-Jeans covered "Blue For You" (were you a Wranglers kid or a Levis one?). In fact if you look in the Guinness Book of Chart Hits - the three-chord wonder boys have clocked up a huge page and half of entries from 1968 to the present day - over 50 years of defying their detractors.
 
James is aware that Status Quo and their same-song rawk elicits ridicule in some circles, but is smart enough to dismiss that as unwarranted snobbery and instead concentrates on the tunes within those confines. He will rightly highlight for instance "Lonely Man" on 1974's "Quo", "Long Legged Linda" on 1978's "If You Can't Stand The Heat" and even find something in "Ol' Rag Blues" on the piddle poor "Back To Back" album of 1983.
 
Changes in musical direction, the relentless grind of touring demands and a copious amount of chemical intake eventually took its toll and they imploded after poor albums like "Never Too Late" and "1.9.8.2." - a record with even worse artwork than "Hello". His track-analysis ends at their workmanlike cover version of that Dion & The Belmonts classic "The Wanderer" in 1984. Quo reformed in 1986 and a variant of that old school sound/band existed until 'The Frantic Four's Final Fling Tour' in 2014. Frontman and all-round handsome guy Richard Parfitt sadly left us Christmas 2016 and Bassist Lancaster passed in 2021 (then living in Australia).
 
Status Quo have sold over 110-million records (probably three times that if truth be told when it comes to used vinyl), been inducted into all manner of Halls of Fame – Rossi and Parfitt were given the Royal OBE nod for Contributions to Music and Charitable Work and the band was the perfect raucous act to open the monumental 'Live Aid' Concert in July 1985 with John Fogerty's "Rockin' All Over The World". That show reminded everybody of what they had missed and gave the group a whole new lease of life.
 
Status Quo are held in affection for a reason and it's nice for old codgers like me to read track-by-track reminiscences of those songs we tapped feet to - those gorgeous Vertigo Records gatefold sleeves we held under our arms with pride. It isn't perfect, but then neither were they!
 
Time for me to get my head down, push aside the Zimmer Frame and give it some boogie with a tennis-racket. God bless ye boys and Rock In Peace...

Thursday 20 January 2022

"Feel Flows: The Sunflower & Surf's Up Sessions 1969-1971" by THE BEACH BOYS – August 1970 US LP "Sunflower" and August 1971 US LP "Surf's Up" and 34 Unreleased Tracks (27 August 2021 UK/EU UME/Capitol/Brother 2CD Compilation of New Remasters – Mark Linnett and Alan Boyd Remasters) - A Review by Mark Barry...







This Review and 315 More Like It 
Are Available in my e-Book...

ALL THINGS MUST PASS
1970

Your All-Genres Guide To
Exceptional CD Reissues and Remasters 
Classic Albums, 45-Singles, Compilations 
ALL GENRES
Over 2,300 E-Pages of Reviews from the discs themselves
(No Cut and Paste Crap)

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"...Touching Your Heart..."
 
Although it's now over 21 years ago, most Beach Boys fans who wanted these cool early 70ts albums plumbed for the Capitol/Brother Reissue that Remastered both LPs onto 1CD released back in July 2000 in the USA (August 2000 in the UK). I've had that 70:22 minutes and its chunky 22-page booklet in pride of 'B' place on my shelves for over two decades now as I say.
 
So even with the promise of 56-Tracks across 2CDs as stated on the shrink-wrap sticker - 34 of which are unreleased - I have to admit (and to my amazement), that I'm a tad underwhelmed by this new 2021 "Feel Flows: The Sunflower & Surf's Up Sessions 1969-1971" compilation. I should explain why.
 
The 103-Track 5CD Super Deluxe Box Set (also issued 27 August 2021) is a beast and a true beauty - book to die for etc. Unfortunately, the standard issue (which I’m reviewing) or just plain 'Deluxe Version' as some are calling it - is no such thing. You get a rather crappy gatefold card sleeve with a 20-page booklet in one of the two slots. The first half is taken up with just listing the tracks, while the remainder of that lesser booklet sports new liner notes from Original/Subsequent Engineers and Producers ALAN BOYD and MARK LINNETT on the new transfers and tape library discoveries (Linnet has a 30-year association with The Beach Boys and was behind "The Smile Sessions" "Pet Sounds" etc - is also a 3-times Grammy Winner). There is some discography material on the inner gatefold by HOWIE EDELSEN and a potted history of the period - especially their absence from the charts for nearly three years (something they dominated with ease for nearly all of the 60ts). But in truth - visually, when the wrap is off, this 2CD set feels and looks wimpy compared to its predecessor of two decades back. Still, there is at least the music, new and old, and all of it sparkling like never before. To the boards...
 
UK released 27 August 2021 - "Feel Flows: The Sunflower & Surf's Up Sessions 1969-1971" by THE BEACH BOYS on UME/Capitol/Brother 00602508790584 (Barcode 602508790584) is a 56-Track 2CD Compilation that offers both the 1970 Album "Sunflower" with 18 Previously Unreleased Bonus Tracks and the 1971 Album "Surf's Up" with 16 Previously Unreleased Bonus Tracks
 
The Album Remasters are New 2019 Versions and the CDs play out as follows:
 
Disc One (78:32 minutes):
SUNFLOWER Original Album (2019 Remaster)
1. Slip On Through
2. This Whole World
3. Add Some Music To Your Day
4. Got To Know The Woman
5. Deirdre
6. It's About Time
7. Tears In The Morning [Side 2]
8. All I Wanna Do
9. Forever
10. Our Sweet Love
11. At My Window
12. Cool, Cool Water
Tracks 1 to 12 are the album "Sunflower" - released 31 August 1970 in the USA on Brother Records/Reprise RS 6382 and November 1970 in the UK on Stateside SSL 8251.
 
SUNFLOWER Bonus Tracks (Previously Unreleased):
13. Loop De Loop (1969 Mix)
14. San Miguel (2020 Mix)
15. Susie Cincinnati (2020 Mix)
16. Good Time (2019 Mix)
17. I Just Got My Pay (2019 Mix)
18. Two Can Play (2019 Mix)
19. I'm Goin' Your Way (Alternate Mix)
20. Where Is She (2019 Mix)
21. Break Away (Backing Vocals Excerpt)
22. Our Sweet Love (String Section)
23. This Whole World (Alternate Ending)
24. Soulful Old Man Sunshine (2019 Mix)
25. All I Wanna Do (a Cappella)
26. Back Home (Alternate Version)
27. When Girls Get Together (2019 Mix)
28. Cotton Fields (The Cotton Song) (2012 Stereo Mix)
29. This Whole World (Live 1988)
30. Sunflower Promo 1
 
 
Disc Two (78:59 minutes):
SURF'S UP Original Album (2019 Master)
1. Don't Go Near The Water [Side 1]
2. Long Promised Road
3. Take A Load Off Your Feet
4. Disney Girls (1957)
5. Student Demonstration Time
6. Feel Flows [Side 2]
7. Lookin' At Tomorrow (A Welfare Song)
8. A Day In The Life Of A Tree
9. 'Til I Die
10. Surf's Up
Tracks 1 to 10 are their album "Surf's Up" - released 30 August 1971 in the USA on Brother/Reprise RS 6453 and November 1971 in the UK on Stateside SSL 10313.
 
SURF'S UP Bonus Tracks (Previously Unreleased):
11. It's A New Day
12. Big Sur
13. (Wouldn't It Be Nice To) Live Again (2019 Mix)
14. 4th Of July (2019 Mix)
15. Lady (Fallin' In Love) (1970 Stereo Mix)
16. Behold The Night
17. Medley: All Of My Love/Ecology
18. Sweet And Bitter
19. My Solution
20. Awake
21. Disney Girls (Live 1982)
22. Surf's Up (Live 1979)
23. You Need A Mess Of Help To Stand Alone (Track & Backing Vocals)
24. Feel Flows (Backing Vocals Excerpt)
25. Disney Girls (Backing Vocals Excerpt)
26. Surf's Up Promo
 
 
The Audio it has to be said is a bit of a mixed blessing - the extra clarity has brought out quite a bit of that tape hiss behind those layers of vocals and you can really hear it in-between those musical gaps. But when it does work like on the gorgeous "Deirdre" or "Disney Girls (1957)", it's so damn sweet. I suppose you could argue that placing 17-seconds on CD1 and calling it a 'Previously Unreleased" song ("Break Away") and following that with a 'push-the-boat-out' one-whole minute of 'String Section' for "Our Sweet Love" is a bit of a stretch on two fronts.
 
One anomaly in the booklet calls Track 17 on CD2 as a Medley with "Happy Birthday" and "God Only Knows" as the duo of tracks when the back of the gatefold card sleeve gets its right – it's actually "All Of My Love" and "Ecology" – and for me it's one of a few unreleased dazzlers. Takes 1 and 2 of "Sweet And Bitter" with Mike on Lead Vocals are damn good too while the 3:43 minutes of "My Solution" complete with spoken and sung lines is just plain Beach Boys bonkers (easy on the mushrooms lads). The Final Take of the Floyd Tucker song "Awake" is so pretty (Brian on Lead) – an outtake that will thrill long-term BB fans.
 
But there is no doubt that when you re-hear Bruce Johnston's truly lovely "Tears In The Morning" that ends Side 1 of "Sunflower" that the band was at that moment swimming in melody and ideas. They were unfortunately saddled with that 60ts Surfin' Beach Boys image thing that did for them in the harder-hitting 70ts. I can remember huge numbers of people discovering these albums in retrospect and being impressed.
 
The 2CD Version of "Feel Flow: The Sunflower & Surf's Up Sessions 1969-1971" is a good reissue for me then, when I was hoping to be hopping up and down in hysterics. I'll just have to wait for the Big Daddy 'Super Deluxe Version' to drop in price and in the meantime, take a load off my feet with this...

"Ahead Rings Out/Getting To This: Deluxe Edition" by BLODWYN PIG – July 1969 UK Debut Album on Island Records in Stereo (December 1969 USA on A&M Records with Different Artwork and Tracks on Side 2) and April 1970 UK 2nd Album on Chrysalis Records (June 1970 USA) – Featuring Mick Abrahams [ex Jethro Tull], Jack Lancaster, Andy Pyle and Ron Berg (July 2018 UK Chrysalis 2CD Compilation with Eight Bonus Tracks of New Remasters – Two Previously Unreleased) - A Review by Mark Barry...





This Review and 315 More Like It 
Are Available in my e-Book...

ALL THINGS MUST PASS
1970

Your All-Genres Guide To
Exceptional CD Reissues and Remasters 
Classic Albums, 45-Singles, Compilations 
ALL GENRES
Over 2,350 E-Pages of Reviews from the discs themselves
(No Cut and Paste Crap)

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"...The Squirreling Must Go On..."
 
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Jethro Tull's first album "This Was" was released on the now legendary Island label in October of 1968 with Mick Abrahams on lead guitar. Dissatisfied with the result, Abrahams left and was replaced by the brilliant Martin Barrie. Abrahams then roped in Jack Lancaster on Sax, Flute & Violin, Andy Pyle on Bass and Ron Berg on Drums and formed the delightfully named and much revered BLODWYN PIG (Abrahams himself handling lead guitar, vocals and all the principal song writing).
 
In the middle of 1969, they popped into Morden Studios in Willesden in London and with Producer Andy Johns (brother of the famous Glyn Johns) promptly produced their much-loved debut "Ahead Rings Out", released late July 1969 on Island Records (December 1969 on A&M Records in the USA with a different Track List on Side 2 and a slightly altered cover). The "Blods" or The "Pig" as they're affectionately known over here in Blighty, made only two albums before Abrahams finally went solo - the second being on the then emerging Chrysalis Records - "Getting To This".
 
Which brings by a circuitous route to this fantastic 2CD firecracker of a compilation from July 2018 that lumps both their album releases together and throws in 8 Bonus Tracks – 4 to each CD with 1 track on each disc being Previously Unreleased. There is much Blodness to squirrel away at, so once more my porky friends to The Pig sporting a pair of Headphones and The Girl with a Bra made of eyes...
 
UK released, Friday 27 July 2018 - "Ahead Rings Out/Getting To This: Deluxe Edition" by BLODWYN PIG on Chrysalis CRCX 1087 (Barcode 5060516091423) is a 2CD Expanded Edition Compilation of their first two albums from 1969 ("Ahead Rings Out") and 1970 )"Getting To This") that plays out as follows:
 
CD1 "Ahead Rings Out" (58:21 minutes):
1. It's Only Love [Side 1]
2. Dear Jill
3. Sing Me A Song That I Know
4. The Modern Alchemist
5. Up And Coming [Side 2]
6. Leave It With Me
7. Change Song
8. Backwash
9. Ain't Ya Comin' Home, Babe?
Tracks 1 to 9 are their debut album "Ahead Rings Out" – released late July 1969 in the UK on Island Records ILPS 9101 (Stereo Only). Produced by ANDY JOHNS – peaked at No. 9 in the UK and No. 149 in the USA.
 
The equivalent American album went out in December 1969 on A&M SP-4210 on their famous Tan label, but with a different track line up on Side 2. It dropped two of the British LP tracks in favour of two others. To sequence the US debut LP for "Ahead Rings Out" from this CD, use the following tracks:
 
Side 1: It's Only Love (1), Dear Jill (2), Sing Me A Song That I Know (3), The Modern Alchemist (4)
Side 2: See My Way (3 on CD2), Summer Day (12), Change Song (7), Backwash (8), Ain't Ya Comin' Home, Babe? (9)
Note: "See My Way" was first released in the UK on their 2nd album "Getting To This" in April 1970 (see CD2)
 
BONUS TRACKS:
10. Sweet Caroline (16 May 1969 UK 45-single on Island WIP 6059, Non-LP B-side of "Dear Jill" – also their first recording)
11. Walk On The Water
12. Summer Day (Tracks 12 and 11 are the Non-LP A&B-sides of a UK 45-single released September 1969 on Island WIP 6069 – Note running order)
13. McGregor Muckabout (PREVIOUSLY UNRELEASED Outtake)
 
CD2 "Getting To This" (54:17 minutes):
1. Drive Me [Side 1]
2. Variations On Nainos
3. See My Way
4. Long Bomb Blues
5. The Squirreling Must Go On
6. San Francisco Sketches [Side 2]
(a) Beach Scape
(b) Fisherman's Wharf
(c) Telegraph Hill
(d) Close The Door, I'm Falling Out Of The Room
7. Worry
8. Toys
9. To Rassman
10. Send Your Son To Die
Tracks 1 to 10 are their second and last studio album "Getting To This" –released April 1970 in the UK on Chrysalis ILPS 9122 and June 1970 in the USA on A&M SP-4243 (same tracks). Produced by ANDY JOHNS – it peaked at No. 96 on the US Billboard Rock LP charts.
 
BONUS TRACKS:
11. Same Old Story
12. Slow Down
Tracks 11 and 12 are the A&B-sides of a Non-LP 45-single released 30 January 1970 in the UK on Chrysalis WIP 6078
13. Meanie Mornay (outtake, first issued June 2006 by EMI on their Remaster of "Ahead Rings Out"- EMI 357 6852 (Barcode 094635768527))
14. One Thing Leads To Another ("Getting To This" LP Outtake, PREVIOUSLY UNRELEASED)
 



 
PACKAGING: Inside a card wrap with a four-way fold-out digipak interior, the 2006 booklet of old has been replaced with a double-sided foldout sheet sporting new 2018 ruminations by Mick Abrahams – ever witty, humble and very informative (oddly he deals only with the debut and not the second LP). The UK artwork of the original two albums is faithfully reproduced across the inner flaps, colour pictures of the band from the same featured beneath each respective see-through CD tray, track lists on the flaps etc. But those tasty European picture sleeves of rare 7" singles in the 2006 issue are gone and there is no mention of the US album with its different Track list on Side 2 and slightly altered artwork. Each CD has cool BP logos too – the smoking pig for Ahead and a Draw By Numbers Pig for Getting - a nice touch. My issue of the 2CD set is a corrected version (some original copies had track errors). To the reissue and the music...
 
The 2006 remaster by Peter Mew was glorious (done at Abbey Road) and it doesn't ever say who Remastered this version, but again, it has huge sound and clarity without ever being overbearing - just in your face and rocking like a madman.
 
If I were to categorize how they sound, it would be early Tull but with a jazzier feel provided by Lancaster's superb sax playing. As a gangly teenager in Dublin, I was suckered into buying the album by the bluesy feel of their initial single "Dear Jill", but that song doesn't actually reflect what most of the album sounds like - rocking Tull with a jazz tint. I was a bit disappointed at first, but on replays their unique sound grew on me - to a point where I wore the record out - and would replace it sporadically through the years with VG copies - just to have a copy to play. Further Slow Blues Rock comes in the shape of "Up And Coming", but mostly the album is defined by Flute, Saxophone and Guitar – the punchy instrumental "Leave It To Me" sounding so Tull, while "The Modern Alchemist" goes very Prog in its wild soloing passages. The hilarious "Leave It To Me" gives us a dialogue in mock Cockney as our hero dedicates his song to all his mates in Wormwood Scrubs and his sister in prison too for nicking handbags – but not to worry cause he's a millionaire now from singing the Blues (the Remaster is clear as a bell). Same stunning clarity opens the Flute, Acoustic Guitar and Water sounds of the 52-second "Backwash" before the Blods launch into a seriously heavy piece of Tull-type riffage with "Ain't Ya Comin' Home, Babe?" A great Rock album and number two is a corker too...
 
Album two "Getting To This" opens with "Drive Me" – a Rock and Brass rollicking tune with a push that gas and put your foot down demand from Abrahams. The audio is fabulous for this blinding little bit of fun and for those of us who have had the ancient BGOCD 81 from 1990 as a go-to CD – the full-bodied power of the Remaster is going to shock. With track 2 "Variations Of Nainos", it's like we're listening to a different band as we go back to the very Jethro Tull Flute and Rock rhythm – bloody good though and that slinky Abrahams guitar solo still thrills and those treated dribbling vocals.
 
Surely one of the fan faves has to be "See My Way" which could so easily have been on Tull's "Stand Up" or the Blods debut "Ahead Rings Out" (both 1969) – Guitar and Flute giving it some welly and the Remaster lending that guitar and rapid drums break a real kickass power. I have always longed for "Long Bomb Blues" to be longer than one minute and eight seconds – this fabulous acoustic Blues telling a witty tale of cops and beers and a missus giving him a bunch of fives for being a naughty boy. Side 1 ends with a proper 4:22 minute Rock whigout instrumental - "The Squirreling Must Go On" roaring out of your speakers with multiple guitars soloing without apology – fantastic stuff (even those fading in and out guitar parts towards the end sound more meaty).
 
Side 2 of "Getting To This" opens with a four-parter called "San Francisco Sketches" penned by Jack Lancaster regaling the band's adventures Stateside. The ocean washing up on shore with a Flute and Acoustic guitar ushers in "Beach Scape" (a) only to go into a Bass and Guitar driving rhythm for "Fisherman's Wharf" (b) – very Tull, very Blodwyn Pig. Adam Pyle gives us the excellent rocker "Worry" – a stop-your-moaning plea. My other favourite cut is "Toys" – a co-write between Mick Abrahams and Andy Pyle – an acoustic hymn to beloved childhood things. The Remaster is beautiful on this – those slide acoustic pings rattling around your speakers like a memory you’re fond of. The LP then falls off a rock big time with the terrible Reggae Rasta pastiche "To Rassman" by Ron Berg – must have seemed like fun at the time but now sounds decidedly clunky and even mildly offensive. But all is retrieved with the 4:26 minutes of "Send Your Son To Die" – the band's conscience disgusted by that war over there far away that made sense to no-one.
 
BONUSES: They made three 45s in the UK leading off with the Bluesy "Dear Jill" and five of their Non-LP sides are all here (as listed above). I have always thought they were as good as the album tracks if not better. Abrahams talks of rehearsing "Summer Day" backstage at the Isle Of Wight Festival and because it went down a storm on stage, it was recorded for their 2nd album, but ended up being a 7" single B-side. "Slow Down" is a Saxophone Rock Out of a Larry Williams cover version (not unlike John Lennon and his "Rock N' Roll" album in 1975, the Blods having fun. "Meanie Mornay" - a fantastic inclusion – first showed as a Bonus Track on the single CD Remaster for "Ahead Rings Out" in June 2006 (a Peter Mew Remaster). And on top of that, we get two new outtakes for 2018 – the very silly and dismissible heavy bonds "McGregor Muckabout" and the far better "One Thing Leads To Another".
 
At a patience-testing 10:31 minutes, "McGregor Muckabout" appears to be the oldest outtake for the band and one Abrahams jokingly dismisses. One long ramble of voice madness, think the Goons and Hamish McMad and The Bonzo Dog Doo Dah Band let loose in a studio with a late 60ts Rock Band as backup (actually its very funny in places) and there is no explanation in the new notes accompanying the second. But after the nonsense of McGregor, "One Thing Leads To Another" is a good one – a 3:39 minute see all your problems, don't look for trouble tune with clever guitar mood-changes throughout. I know it isn’t quite there and you can feel why it was left in the can, but to me, it's shockingly good as well as showing how inventive the band was in their song constructions. With regard to the EXTRAS - bluntly (or Blodly as Mick might imbibe), I'd have to say that the bulk of the bonus tracks are just that - genuine bonuses - and for collectors, a thrill to hear after all these years languishing in obscurity.
 
Abrahams made 3 solo albums immediately after Blodwyn Pig folded - first up was "A Musical Evening With Mick Abrahams" on Chrysalis Records ILPS 9147, UK released 7 May 1971 (it is often just referred to as "Mick Abrahams" because of the label while "An Evening With Mick Abrahams" is on the front sleeve). He followed that solo debut with "At Last" by The Mick Abrahams Band in 1972 on Chrysalis CHR 1005 and finally "Have Fun Learning" The Guitar With Mick Abrahams" on the privately pressed SRT Productions SRT 73313 in the spring of 1975 (February/March). "Evening" and "At Last" are available on CD as are subsequent releases through the years. Of note to this re-issue is the excellent 2CD mini box set in 2004 which is called "All Said & Done" where he re-visits several tracks on "Ahead" with superb rocking results, including the great "Dear Jill".
 
Like Taste's "On The Boards" (1970), Free's "Fire And Water" (1970) and Fleetwood Mac's "Then Play On" (1969) - "Ahead Rings Out" is a classically great Rock album of the period with tints of blues and jazz thrown in for good measure. I only have to see the cover and I get mushy.
 
Coupled with the equally cool "Getting To This" from 1970 and those tasty Bonus Cuts covering both albums – this is a fab compilation for a band that are remembered with great affection for a reason...

"Mona Bone Jakon: 2CD Deluxe Edition" by CAT STEVENS – April 1970 UK Third Studio Album (and first) on Island Records (August 1970 USA on A&M Records) – Guests Include Alun Davies on Guitar, Peter Gabriel on Flute, Paul Samwell-Smith on Backing Vocals and Production with Del Newman String Arrangements (December 2020 UK Universal UMC/Cat-O-Log/Island Records 50th Anniversary Reissue 2CD Deluxe Edition with 10 Bonus Tracks – Geoff Pesche Remaster) - A Review by Mark Barry...





This Review and 315 More Like It 
Are Available in my e-Book...

ALL THINGS MUST PASS
1970

Your All-Genres Guide To
Exceptional CD Reissues and Remasters 
Classic Albums, 45-Singles, Compilations 
ALL GENRES
Over 2,350 E-Pages of Reviews from the discs themselves
(No Cut and Paste Crap)

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"...I Think See The Light..."
 
To date I've purchased two of these 50th Anniversary Reissues - "Mona Bone Jakon" and "Tea For The Tillerman" - both albums originally issued in 1970. 
 
They are part of an ongoing series of reissues entitled The Yusuf / Cat Stevens Cat-O-Log Collection
 
2021 has also seen September 1971's "Teaser And The Firecat", and 2022 will undoubtedly see September 1972's "Catch Bull At Four" also get a 50th Anniversary makeover, and in multiple formats too.
 
Only ever available as a bare-bones single CD remaster from 2000, this is the first time "Mona Bone Jakon" has been given a proper upgrade (see list of formats below). And like most purchasers/fans I've loved the fabulous new spangly-clean Geoff Pesche Remasters (done at Abbey Road in 2020), and the 2CD Hardback Book Digipaks are certainly presentation lookers. But there are frustrating clunkers across this 2CD set masquerading as 'Bonuses' and irritating omissions that really should have been on here (and this is before we get to the initial vs. now prices of the 'Super Deluxe Box Sets' which started out at £185+ and are now hard to sell at £78 and £75 respectively).
 
Anyway, let's deal with what we have to celebrate and moan about in equal measure...
 
UK released 4 December 2020 - "Mona Bone Jakon: 2CD Deluxe Edition" by CAT STEVENS on UMC/Cat-O-Log/Island 0602508395260 (Barcode 602508395260) is a 2CD Reissue and Remaster with 10 Bonus Tracks (on CD2) that plays out as follows: 
 
CD1 "Mona Bone Jakon, 2020 Remaster" (35:19 minutes):
1. Lady D'Arbanville [Side 1]
2. Maybe You're Right
3. Pop Star
4. I Think I See The Light
5. Trouble
6. Mona Bone Jakon [Side 2]
7. I Wish, I Wish
8. Katmandu
9. Time
10. Fill My Eyes
11. Lilywhite
Tracks 1 to 11 are his 3rd studio album "Mona Bone Jakon" - released April 1970 in the UK on Island ILPS 9118 and August 1970 in the USA on A&M Records SP-4260. Produced by PAUL SAMWELL-SMITH with all songs written by CAT STEVENS - it peaked at No.63 on UK LP charts in June 1970 (didn't chart USA).
 
CD2 "Mona Bone Jakon, Demos and Live Recordings" (31:59 minutes):
1. Maybe You're Right (Studio Demo)
2. I Think I See The Light (Studio Demo)
3. Trouble (Studio Demo)
4. I Wish I Wish (Studio Demo)
5. I Want Some Sun (Studio Demo)
6. Interview - BBC Live Recording 16 June 1970
7. Lady D'Arbanville - BBC Live Recording 16 June 1970
8. Katmandu - BBC Live Recording 16 June 1970
9. Time / Fill My Eyes  - Audience Recording Live at Plumpton Jazz & Blues Festival 8 Aug 1970
10. Maybe You're Right - Audience Recording Live at Plumpton Jazz & Blues Festival 8 Aug 1970
 
The hardback book with embossed front-cover artwork that precisely mimics the original British LPs that comes with these 2CD Deluxe Editions is gorgeous and of course the same generic artwork will make a row of titled spines stretching right up his last album on Island Records "Back To Earth" in December 1978. To date (January 2022), there have been three (see list below). Unfortunately once the shrink-wrap is torn open, the titled sticker has nowhere to go and worse, the credits page on the rear simply falls off (don't know why they can't simply paste these bloody things on).
 
But once inside, those minor niggles fade. There is a newly laid out 28-page booklet replacing the 12-page inlay of the old 2000 CD version. Anyone who had the original UK and US LPs on Island and A&M Records will remember fondly that the inner holding bags actually had the lyrics to the songs printed out in his handwriting on either side of the bag with little noodle drawings above some of the songs. The 2000 CD booklet repro'd that, but unfortunately this reissue ditches all such slavish devotion to detail in favour of a more elaborate presentation. In-between the period B&W/Colour photos and rare Euro Picture Sleeves, each song gets a detailed liner-notes history of its creation and the lyrics are typed next to them in a clear font. The period snaps are fab - publicity photos, live shots with Alun Davies on Guitar, a repro of the Harold And Maude film that Cat Stevens gave songs to and well as two pages at the rear showing the actual British Mastertapes. Genesis fans will know that an in-between albums 19-year-old Peter Gabriel played flute on "Katmandu" (not much of a contribution truth be told) and we get thankful reminiscence from him on it, but sadly no photos. A huge let down (as it is with all these 2CD sets) is that CD2 is merely listed by tracks in the booklet but has no discussion at all – the lazy approach. There is a sort of apology and acknowledgment that the Audience Tape sound on the two Plumpton Jazz & Blues Festival cuts is less than brill - even with Abbey Road audio restoration and remastering. I think they're a joke and CD2 filler of the worst order. But more of that later...
 
Ted Jensen - a long-standing Audio Engineer of WEA catalogue renown – mastered the 2000 single CD reissue series and lovely they were too. Here we get technology advanced by 20 years and GEOFF PESCHE at Abbey Road having another go round in 2020. These '50th Anniversary' Reissues are gorgeous and even though you can feel the crudity with which "Mona Bone Jakon" was recorded, the audio feels bigger and more spacious. The instruments are in your face and in a clarity-way you would actually want. Impressive...
 
MBJ opens with an obvious single, the lovely mid-paced "Lady D'Arbanville". Actually darker than its pleasant strum would initially suggest - the warmth of that acoustic soundstage is countered with cheery lines like "...in your grave you lie...I'll always be with you...this rose will never die..." A hurting smoocher follows - this time Cat leading with piano on "Maybe You're Right". It’s a rather stunning little song that sounds like it could easily have been on "Tea For A Tillerman". With it's strings and deep melody - I can't help thinking it would have made a great follow up 45 - but Island let "Lady D'Arbanville" be the only 7" single lifted from the album. The rather acidic "Pop Star" whines just a little too much and just seems strangely out of place (a B-side) - but at least as he sings "...going to the cold bank..." the acoustics are crystal (a great transfer this). Side 1 ends with "I Think I See The Light" - a slight return to the Pop sound of the Deram days - and the beautiful "Trouble" - a song that exudes a tangible hurt (superb remastered sound).
 
Side 2 opens with the short and echoed title track "Mona Bone Jakon" where he sings 'jack-on' and tells us 'it won't be lonely for long' - whatever that means. A pencilled face with a closed-up mouth stares down at the lyrics for "I Wish, I Wish" in the booklet (his own sketch) - a strange hybrid sound that's somewhere between Deram and Island - and dig that fabulous Acoustic Guitar solo (Alun Davies I'd swear). The catgut strings of a Spanish acoustic guitar squeak throughout "Katmandu" where we hear the occasional Flute flourishes of Genesis' Peter Gabriel making a few bob before stardom on Charisma Records. It's a tad hissy this track but the audio is magnificent – Pesche has wisely let it breath. At 1:26 minutes "Time" is short but wow what a gorgeous little melody - him on acoustic with the occasional piano note nipping in and out like a jet (treated production). It segues into the equally pretty "Fill My Eyes" - a song with a sweet chorus. It finishes on another LP highlight - the ballad "Lilywhite" - Newman's arrangement of those big strings and cello notes elevating the song into something special - especially in that gorgeous fade-out passage.
 
But the lovely new 2020 album audio is as nothing to the five Studio Demos that start CD2, that as far as I'm concerned actually outshine the finished versions on CD1. They are startling in their sonic clarity to say the bloody least – beautiful – acoustic guitar on "Maybe You're Right" and "I Wish I Wish" with pounding piano on "I Think I See The Light". His attack on these Studio Demos is palpable – like he's got something to prove after a yearlong illness with TB and with this stunning audio feel more 'alive' than the rather stilted finished cuts ended up sounding on the LP. The new outtake "I Want Some Sun" is beautifully recorded but awkward, not great either vocally or lyric-wise and easy to see why it remained in the can all these years.
 
As I say, fans are going to love those five Studio Demos. Unfortunately the dairy of them is quickly reduced to rubble by the crappy last five – one of which is a 1:11 second interview with the BBC explaining about Patti D'Arbanville, the actress he was dating at the time who featured in the Andy Warhol movie "Flesh" and whom "Lady D'Arbanville" is based upon. "Katmandu" follows, but both are hissy and only OK sonic-wise. The two Plumpton Jazz and Blues Festival offerings are awful (the poster is repro'd in the booklet) – unlistenable far-away crap. They shouldn't be here and 'historical importance' is a poor excuse. When I think of the Mona outtakes on the Cat Stevens Box Set like "I've Got A Thing About Seeing My Grandson Grow Old" or the lovely Harold And Maude tracks like "Don't Be Shy" and "If You Want To Sing Out Sing Out" – they would have been so much more appropriate and genuine 'bonuses'. As it is, it won't take fans long to work out that the good five could have been tagged onto the 1CD 50th Anniversary version - cheaper for us - less for the morally upright artist.
 
"Mona Bone Jakon" isn't as special as the "Tea For The Tillerman" and "Teaser And The Firecat" LPs that would follow and make his name. Instead it's a three-star effort that's getting to those two stabs of genuine five-star greatness. 
 
I've also watched this 2CD Deluxe Edition of "Mona Bone Jakon" fluctuate wildly in price ever since release, up to a point that as I write this in January 2022, it's less than eight quid new on Amazon with "Tillerman" clocking in at one point a few days ago at a staggering low price of £6.35 for the double!
 
So, to sum up - anywhere under a whinging ten-spot for the 2CD Deluxe Edition of "Mona Bone Jakon" and I say go for it my peeps of taste and cultural refinement, this being upgraded tears from a dustbin truly worth nabbing...
 
Titles in The Yusuf/Cat Stevens/Cat-O-Log Collection Series Of
50th Anniversary Reissues - Geoff Pesche Remasters at Abbey Road
 
1. Mona Bone Jakon (April 1970 UK Original LP)
All 50th Anniversary Formats UK/EU released 4 December 2020
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 0602508820298
2CD Deluxe Edition Version is 0602508395260
4CD/LP/12”/BLU RAY Super Deluxe Box Set Version is 0602508395178
VINYL LP Version is 0602508820304
 
2. Tea For The Tillerman (November 1970 UK Original LP)
All 50th Anniversary Formats UK/EU released 4 December 2020
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 06025088203598
2CD Deluxe Edition Version is 0602508395253
5CD/LP/12”/BLU RAY Super Deluxe Box Set Version is 0602508395086
VINYL LP Version is 0602508820311
 
3. Teaser And The Firecat (September 1971 UK Original LP)
All 50th Anniversary Formats UK/EU released 19 November 2021
On Universal UMC/Cat-O-Log Records/Island Records
Single CD Version is 0602435513188
2CD Deluxe Edition Version is 0602435513126
4CD/BLU RAY Super Deluxe Box Set Version is 00602435949628
VINYL LP Version is 0602435513218