"[ Five Years 1969-1973 ]" by DAVID BOWIE (2015 Parlophone 12CD Box Set - Ray Staff and John Webber Remasters) - A Review By Mark Barry...

"...Twig The Wonder Kid..."

This Box Set contains the album "The Man Who Sold The World" USA released in 1970

I suspect David Bowie fans will be elated and peeved at this release at one and the same time. I've lived with "Five Years" for a full day now and I must say immediately that the AUDIO absolutely rocks for starters - in fact it may even be a little 'too' clean for certain palettes. That good news aside - there's precious little by way of 'unreleased' or outtakes when there was room on both of the new "Re:Call" CD compilations for plenty of it - only 4 of the album titles are 2015 Remasters ("David Bowie", "The Man Who Sold The World", "Hunky Dory" and "Pinups") - most of the rest are from previous Anniversary Editions except the 2015 Remasters on the new "Re:Call" CD compilations (see list below) - and there are piffling packaging anomalies that are bugging the crap out of me. And that's before we talk about the hefty price tag that hurt my Debit Card this a.m. - way more than it should have done. There’s a Hell of a lot to get through so once more unto the Tin Cans...

UK and USA released Friday, 25 September 2015 - "[ Five Years 1969-1973 ]" by DAVID BOWIE on Parlophone DBX 1 (Barcode 0825646284085) is a 12CD Box Set with a 128-Page Hardback Book and pans out as follows (there is a Vinyl version, but no Auto-Rip or Download):

Disc 1, DBX1-1 - "David Bowie" [aka "Space Oddity"] 2015 REMASTER (46:18 minutes):

1. Space Oddity

2. Unwashed And Somewhat Slightly Dazed

3. Letter To Hermione

4. Cygnet Committee

5. Janine [Side 2]

6. An Occasional Dream

7. Wild Eyed Boy From Freecloud

8. God Knows I'm Good

9. Memory Of A Free Festival

Tracks 1 to 9 are the album "David Bowie" – released 14 November 1969 in the UK on Phillips SBL 7902 and in the USA as "Man Of Words/Man Of Music" on Mercury SR-61246 but with slightly altered artwork. It was reissued in the UK in November 1972 - again with altered artwork. Photos of the original US LP and the British repress are featured on Page 6 of the Hardback Book. Each of the CDs in this Box Set comes in a rounded protective plastic housed inside an exact repro of the British LP sleeve. "David Bowie" has a matt gatefold card sleeve and even sports a paper repro of the Inner Mercury Records protective LP Bag. The CD is a new 2015 Remaster.

Disc 2, DBX1-2 - "The Man Who Sold The World" 2015 REMASTER (41:16 minutes):

1. The Width Of A Circle

2. All The Madmen

3. Black Country Rock

4. After All

5. Running Gun Blues [Side 2]

6. Saviour Machine

7. She Shook Me Cold

8. The Man Who Sold The World

9. The Supermen

Tracks 1 to 9 are the album "The Man Who Sold The World" – released 4 November 1970 in the USA on Mercury SR 61325 and 10 April 1971 in the UK on Mercury 6338 041. The US, UK and GERMAN releases all famously sported different artwork. The single-sleeve British issue is housed in what's commonly known as the 'Dress Sleeve' - which is what the CD here uses (complete with its textured feel). The Cartoon Drawing of the US original and the 'Flying Bowie Face' artwork of the German LP are reproduced in the booklet - as is the British October 1972 UK LP reissue on RCA Victor LSP 4816 – again with different artwork (the black and white photo of Bowie kicking his leg in the air). The CD is a new 2015 Remaster.

Disc 3, DBX1-3  – "Hunky Dory" 2015 REMASTER – 38:37 minutes:

1. Changes

2. Oh! You Pretty Things

3. Eight Line Poem

4. Life On Mars?

5. Kooks

6. Quicksand

7. Fill Your Heart [Side 2]

8. Andy Warhol

9. Song For Bob Dylan

10. Queen Bitch

11. The Bewlay Brothers

Tracks 1 to 11 are the album "Hunky Dory" – released 17 December 1971 in the UK on RCA Victor SF 8244 and in the USA on RCA Victor LSP 4623. The CD cover artwork for some reason has a 'Parlophone' logo in the top left corner when it should read RCA on the left with VICTOR on the right. The correct artwork is pictured in the booklet with a rare alternate rear sleeve where Bowie has hand-written all the credits including the musicians. Players included Mick Ronson on Guitars and Rick Wakeman of Yes on Keyboards. The lyric insert that came with all original LP copies is also reproduced and the CD is a new 2015 Remaster.

Disc 4, DBX1-4 - "The Rise And Fall Of Ziggy Stardust And The Spiders From Mars" 2012 REMASTER (38:37 minutes):

1. Five Years

2. Soul Love

3. Moonage Daydream

4. Starman

5. It Ain't Easy

6. Lady Stardust [Side 2]

7. Star

8. Hang On To Yourself

9. Ziggy Stardust

10. Suffragette City

11. Rock 'n' Roll Suicide

Tracks 1 to 11 are the album "The Rise And Fall Of Ziggy Stardust And The Spiders From Mars" – released 16 June 1972 in the UK on RCA Victor SF 8287 and in the USA on RCA Victor LSP 4702. This CD is the 2012 Digital Remaster.

Disc 5, DBX1-5 - "Pinups" 2015 REMASTER (34:01 minutes):

1. Rosalyn [The Pretty Things cover]

2. Here Comes The Night [Them cover]

3. I Wish You Would [Billy Boy Arnold, Yardbirds cover]

4. See Emily Play [Pink Floyd cover]

5. Everything’s Alright [The Mojos cover]

6. I Can't Explain [The Who cover]

7. Friday On My Mind [The Easybeats cover] - [Side 2]

8. Sorrow [The Merseybeats cover]

9. Don’t Bring Me Down [Johnnie Dee, Pretty Things cover]

10. Shapes Of Things [The Yardbirds cover]

11. Anyway, Anyhow, Anywhere [The Who cover]

12. Where Have All The Good Times Gone [The Kinks cover]

Tracks 1 to 12 are the album "Pinups" – an entire LP of cover versions released November 1973 in the UK on RCA RS 1003 and in the USA on RCA Victor APL1-0291. The CD repro has the insert that came with original LPs and the CD is a new 2015 Remaster.

Disc 6, DBX1-6 – "Aladdin Sane" 2013 REMASTER (41:47 minutes):

1. Watch That Man (New York)

2. Aladdin Sane (1913-1938-197?) (R.H.M.S. "Ellinis")

3. Drive-In Saturday (Seattle - Phoenix)

4. Panic In Detroit (Detroit)

5. Cracked Actor (Los Angeles)

6. Time (New Orleans) – [Side 2]

7. The Prettiest Star (Gloucester Road)

8. Let’s Spend The Night Together

9. The Jean Genie (Detroit and New York)

10. Lady Grinning Soul (London)

Tracks 1 to 10 are the studio album "Aladdin Sane" – released 13 April 1973 in the UK on RCA Victor RS 1001 and in the USA on RCA Victor LSP 4852. The card repro has the original gatefold sleeve, inner lyric card and the 'Fan-Club Invite' that came with some original copies of the vinyl LP. The CD is the 40th Anniversary RAY STAFF REMASTER issued in 2013.

Disc 7, DBX1-7 – "Live Santa Monica '72" 2008 REMASTER (74:20 minutes):

1. Introduction

2. Hang On To Yourself

3. Ziggy Stardust

4. Changes

5. The Supermen

6. Life On Mars?

7. Five Years

8. Space Oddity

9. Andy Warhol

10. My Death

11. The Width Of A Circle

12. Queen Bitch

13. Moonage Daydream

14. John, I'm Only Dancing

15. Waiting For The Man

16. The Jean Genie

17. Suffragette City

18. Rock 'n' Roll Suicide

Tracks 1 to 18 were recorded at the Santa Monica Civic Auditorium, Los Angeles, 20 October 1972 – officially released worldwide 30 July 2008 as "Live Santa Monica '72" on EMI BOWLIVE 201702. The Inner sleeve is reproduced and this CD is the 2008 Remaster.

Disc 8, DBX1 - "Ziggy Stardust And The Spiders From Mars – The Motion Picture Soundtrack" 2003 REMASTER

CD1 (40:34 minutes):

1. Introduction

2. Hang On To Yourself

3. Ziggy Stardust

4. Watch That Man

5. Wild Eyed Boy From Freecloud

6. All The Young Dudes

7. Oh! You Pretty Things

8. Moonage Daydream

9. Changes

10. Space Oddity

11. My Death

CD2 (42:57 minutes):

1. Introduction

2. Cracked Actor

3. Time

4. The Width Of A Circle

5. Let’s Spend The Night Together

6. Suffragette City

7. White Light / White Heat

8. Farewell Speech

9. Rock 'n' Roll Suicide

Recorded 3 July 1973 at the Hammersmith Odeon in London - original mix UK released October 1983 as a double-album on RCA Victor PL 84862(2). This version is the 2003 "30th Anniversary" Remaster released 1 April 2003 on EMI ZIGGYRIP 3773.

Disc 9, DBX1-10 – "The Rise And Fall Of Ziggy Stardust And The Spiders From Mars (2003 Mix)" (38:29 minutes):

1. Five Years

2. Soul Love

3. Moonage Daydream

4. Starman

5. It Ain’t Easy

6. Lady Stardust [Side 2]

7. Star

8. Hang On To Yourself

9. Ziggy Stardust

10. Suffragette City

11. Rock 'n' Roll Suicide

Tracks 1 to 11 first released 29 September 2003 in 5.1 on the SACD of "Ziggy Stardust" on EMI 521 9002. A further release followed 4 June 2012 on the EMI 40th Anniversary DVD/LP Edition of "Ziggy Stardust" - this time in Stereo at 48Hz/24bit. This is the first issue of that 2003 Remix on 'CD' outside of those two previous versions.

Disc 10, DBX1-10 – "Re:Call 1" (Non Album Singles, Single Versions & B-Sides)

CD1 (40:09 minutes):

1. Space Oddity (Original UK Mono Single Edit)

A-side of a UK 7" single released 11 July 1969 in Mono on Phillips BF 1801

2. Wild Eyed Boy From Freecloud (Original UK Mono Single Version)

B-side of "Space Oddity" – it's a different earlier version to the one re-recorded for the LP

3. Ragazzo Solo, Ragazza Sola

An Italian Version of "Space Oddity" recorded in the UK in December 1969 (after the release of the album) and released February 1970 in Italy on Philips 704 208. It came in a very rare Picture Sleeve that is reproduced in the hardback book. The title translates into English as "Lonely Boy, Lonely Girl".

4. The Prettiest Star (Original Mono Single Version)

Recorded in London in early January 1970, it was released 6 March 1970 in the UK as the Mono A-side to Philips MF 1135. Tony Visconti plays Bass and Marc Bolan of T.Rex plays second guitar.

5. Conversation Piece

Non-album B-side to "The Prettiest Star" (as per Track 4) - features Mick Wayne on Guitar, John Lodge on Bass and John Cambridge on Drums (all from the band Junior's Eyes)

6. Memory Of A Free Festival Part 1

March 1970 re-recorded 'electric' version of the album track from the "Space Oddity" LP – released 26 June 1970 as the Stereo A-side to a UK 7" single on Mercury 6052 028

7. Memory Of A Free Festival Part 2

Stereo B-side of Track 6. Song features Mick Ronson on Guitar and Solo backing Vocals, Tony Visconti on Bass, Ralph Mace on Piano and John Cambridge of Junior's Eyes on Drums.

8. All The Madmen (Mono Single Edit) –

9. Janine (Mono)

Tracks 8 and 9 were a planned US 45 on Mercury 73173 but was cancelled (demos exist on Mercury DJ-311 with the mono edit of "All The Madmen" on 'both' sides). The A-side (track 8) is a Mono Edit of the longer Stereo cut on the LP and "Janine" is a Mono version of the full Stereo LP cut.

10. Holy Holy (Original Mono Single Version)

Non-album single – the Stereo A-side was recorded November 1970 and UK released 15 January 1971 on Mercury 6052 049. Its flipside was "Black Country Rock" from "The Man Who Sold The World" LP. Alan Parker from Blue Mink, Rumplestiltskin, CCS and Ugly Custard played Guitar, Herbie Flowers (later with Sky) played Bass and Barry Morgan from Blue Mink played Drums.

11. Moonage Daydream (The Arnold Corns Single Version)

12. Hang On To Yourself (The Arnold Corns Single Version)

Tracks 11 and 12 are credited to THE ARNOLD CORNS and are early versions of two tracks that would be on the 1972 "Ziggy Stardust" album. They were recorded February 1971 in London and UK released 7 May 1971 on B&C Records CB 149.

NOTES: Tracks 1, 2, 4, 5, 8, 9, 10, 11 and 12 are MONO while 3, 6 and 7 are STEREO - all 2015 REMASTERS.

CD2 (40:43 minutes):

1. Changes (Mono Single Version)

2. Andy Warhol (Mono Single Version)

Tracks 1 and 2 are a USA 7" single released 7 December 1971 on RCA Victor 74-065 - 7 January 1972 in the UK on RCA Victor RCA 2160.

The B-side "Any Warhol" is in Mono and edits out the studio chatter that's on the "Hunky Dory" LP version

3. Starman (Original Single Mix)

Remixed by he original Producer Ken Scott in London in March 1972 - released 28 April 1972 with the "Ziggy Stardust" album version of "Suffragette City" as its B-side

4. John, I'm Only Dancing (Original Single Version)

Recorded in London with Mick Ronson on Guitar and Mick Woodmansey on Drums on the 26th of June 1972 - it was released 1 September 1972 as a UK (and European) 7" single on RCA Victor RCA 2263 with the "Ziggy Stardust" album version of "Hang On To Yourself" as its B-side. It was considered 'too risqué' for the American market (oh dear)

5. The Jean Genie (Original Single Mix)

Recorded and Mixed in October 1972 in New York and Nashville - it was UK and US released 24 November 1972 on RCA Victor RCA 2302 in the UK and RCA 74-0838 in the USA. Ken Scott later remixed it again for inclusion on the 1973 album "Aladdin Sane"

6. Drive-In Saturday (German Single Edit)

Released 6 April 1973 around the world as a 7" single - however - the German version on RCA Victor 74-16321 was a unique 'edit'

7. Round And Round

A Chuck Berry cover version originally recorded during the "Ziggy Stardust" album sessions - turned up as the non-album B-side to "Drive-In Saturday" released 6 April 1973 in the UK on RCA Victor RCA 2352. Features Mick Ronson on Guitar and Mick Woodmansey on Drums

8. John, I'm Only Dancing (Sax Version)

Recorded in London on the 20th of January 1973 - this 'Saxophone' Version eventually replaced the first pressings of RCA Victor RCA 2263. Ken Fordham plays the Saxophone.

9. Time (U.S. Single Edit)

A unique 'edit' of the longer album version - issued in two territories - 1 June 1973 in the USA on RCA APBO-0001 with "The Prettiest Star" as its flipside - and with "Panic In Detroit" as its B-side in Japan on RCA SS-2299

10. Amsterdam

A Jacque Brel cover version with English translation lyrics by Mort Shuman. It was recorded during the "Ziggy Stardust" album sessions and considered for release on that album - but eventually showed up 12 October 1973 in the UK as a non-album 7" single B-side to "Sorrow" (from the "Pinups" LP)

11. Holy Holy (Spiders Version)

A re-recording of a 1971 single - turned up 14 June 1974 in the UK on RCA Victor APBO 0283 as the non-album 7" single B-side to "Diamond Dogs"

12. Velvet Goldmine

A "Ziggy Stardust" outtake finally released 26 September 1975 on RCA Victor RCA 2593 in the UK along with "Changes" as a B-side on the 3-track 'Maximillion' single for the reissue of the album version of "Space Oddity"

NOTES: Tracks 1 and 2 are MONO while all others are STEREO. All tracks are 2015 REMASTERS except 3, 4, 5 and 8 which are 2014 REMASTERS that first turned up on the 2014 "Nothing Has Changed" 2CD and 3CD sets.

PACKAGING:

I don’t know why they attach a page to the back of these glossy boxes that will obviously fall off the second you remove the shrinkwrap and leave you with no info but the bare sleeve – but once again that's what you get here. On first opening the set I was underwhelmed by its 6-inch Cube size (weighty though) – but once inside the pull out glossy tray reveals a perfectly lined-up set of 5" Card Repro Sleeves nestled beside a chunky Hardback book. Aesthetically – the look is classy.

Each album comes in its own card repro sleeve (most based on the British releases) – all sporting their various original vinyl accompaniments – the inserts for "Hunky Dory" and "Pinups" – the inner sleeves for "Ziggy" and "Aladdin Sane" – the gatefold sleeve for "David Bowie" – the stippled effect on the withdrawn dress sleeve of "The Man Who Sold The World" – the inner bags for the later albums etc. And the (non-numbered) 128-page hardback book is beautiful to look at and dip into – festooned with a lifetime of fan collected items – concert tickets, rare picture sleeves, posters, trade adverts from the USA and UK as well as NME and New Musical Express reviews of the albums, handwritten lyrics, tape boxes galore, photo shoots in black and white and colour etc. There’s a Ray Davies (of The Kinks) Intro and replacing conventional liner notes - each album credit is followed by a detailed recalling of the recording process by the original album Producers KEN SCOTT and TONY VISCONTI. It's a brilliant and genuinely informative way to enlighten each record – words from those who actually made them. Parlophone have even used Mick Rock photos to create the new "Re:Call" compilations (this is '1' - the next will be '2' as the forthcoming box sets ascend in numbers) – it’s all very classy. But...

While there's tasteful attention to detail on the repros and in the hardback book (the CD labels for the Mercury albums are black to reflect the original LP label look, orange for RCA, "Aladdin Sane" has its Fan-club insert and so on) – there's also some dreadful howlers. The card artwork for "Hunky Dory" and both of the "Ziggy Stardust" card sleeves now have very obvious 'PARLOPHONE Records' logos on their sleeves when it should of course read 'RCA Victor'. To a fan that’s grown up with these classics all three repros look stupid and odd. "Hunky Dory" also has a 'gloss cover' when it was always plain matt on British LPs. The "David Bowie" and "The Man Who Sold The World" repro 'spines' suddenly have 'PARLOPHONE' on them as catalogue numbers (none of the others do) as well. So much for 'painstaking original issue detail'. The otherwise beautifully laid out hardback book inside the box lists both "Aladdin Sane" and "Pinups" as being released April 1973 when it should read April 1973 and November 1973 respectively.

There are also sloppy exclusions. Parlophone went to the trouble of repro'ing pointless white inner bags for "Pinups" and "The Man Who Sold The World" – but then didn’t reproduce the foldout poster that came with the 1972 reissue of "Space Oddity" as a tasty foldout addition. The lyrics are reproduced on card sleeves, inner sleeves and so on but because they're small - it’s hard to read them. As they're 'not' included in the hardback book - I would have put a separate booklet inside each card sleeve with the words so you can read them properly - lyrics being such an integral part of Bowie's mystique and allure. That booklet could have featured all three cover-variants of "Space Oddity" for instance (UK, USA and German) as a feature. And as you can see from the list above – the box set's own internal numbering system of DBX1-1 to DBX1-10 is all screwed up with "Ziggy Stardust 2003 Mix" and "Re:Call 1" 'both' having a DBX1-10 catalogue number while the Motion Picture double of "Ziggy Stardust" has no extension number at all (just says DBX1). My gripes may be a bit piddly I know – but when you’re paying close to one hundred quid for this sucker (or one twenty dollars) – someone should really have gotten it right. Those 'Parlophone' logos on the two biggies ("Hunky Dory" and "Ziggy Stardust") just grate and definitely feel like the makers of this set are hijacking history to suit their corporate acquisition...

SOUND:

But all of that small change stuff goes out the window once you clap ears on the new RAY STAFF Remasters - beautifully clean and full of genuine presence. Ray Staff handled the stunning 40th Anniversary Remaster of "Aladdin Sane" in 2013 (see separate review) – and has clearly made his mark with Bowie because he's been asked back to cover the Transfers and Remasters on this prestigious release (with some Mastering help from JOHN WEBBER). Playing "Hunky Dory" for instance is a revelation – the whimsy of "Kooks" – the ballsy kick out of "Queen Bitch" - the huge Acoustic sound on "The Bewlay Brothers" and so on. Comparing it with the 2003 Mix – you’d have to say that the Bass and Drums now have amazing clarity and sweetness too. I'm probably going to be shot with a shovel for this but I've always thought 1972's "Ziggy Stardust" was a lesser album than 1971's "Hunky Dory" – but personal opinions aside - you can't argue that the 2012 Remaster isn’t anything but a wonder. I cranked his fantastic cover version of Ron Davies "It Ain’t Easy" (covered by Three Dog Night and John Baldry also) and did the same for the sheer hutzpah of "Suffragette City' - and both knocked my Aural earmuffs off. But as ever – for some reason that guitar riff in the "Ziggy Stardust" track itself always still seems to lack any 'real' punch – it's good – just never 'great'.

But if I’m honest I think the best sonic improvement is with the underrated covers album "Pinups" – every track seems hugely improved on this 2015 Version - especially his take on "Rosalyn" by The Pretty Things or The Who's "I Can't Explain" and Johnnie Dee's obscure "Don't Bring Me Down" both thumping way above their previous CD weight. Staff has also done wonders with the 2015 remaster of "The Man Who Sold The World" album which now sounds both utterly amazing and like some forgotten masterpiece everyone's let slip by. The guitars on "The Width Of A Circle" are mindblowingly good - as are David's upfront vocals on "Black Country Rock" - and those layered voices on the title track are so cleverly arranged (I'd honestly forgotten how good this album is). And although its pure speculation on my part and without saying so anywhere on the packaging – I can’t help feel that these gold-layered CDs are actually Japanese-pressed SHMs (Super High Materials) used to get the best Fidelity (they play on all machines) – but I'm open to correction on that...

SUMMARY:

Minor packaging rants aside (and I take on board the high cost issue) – the bottom line is this – these 2015 Ray Staff Remasters are the best that Bowie’s catalogue has ever sounded and I’m certain that as I wade through this set in the next week, months and years that I’ll keep returning to these new Audios with a sense of glee and not weariness. And in its high gloss heavy box - it's also beautiful to look at and classily presented - and 'if' they are SHM-CDs in those individual protective plastics - then that will save fans a ton of money when the inevitable Japanese 5" mini LP repros turn up end of the year or in early 2016.

Fans will have to have it of course – but casual buyers should wait until the individual releases are released (probably in jewel cases rather than repro artwork) and pick off what they really want - disregarding the rest. Me – frankly I’m already lusting after the 1974 to 1980 period stuff and the "Re:Call 2" set when it turns up in the next lavish and expensive Space Captain splurge. Twig the wonder kid indeed...

PS: "...I heard the news today...oh boy..."

Sad and shocking news - David Bowie (surely one of the great heroes of music and British culture) has passed 10 January 2016, aged 69 after a long battle with cancer. He came in on a high and left in 2016 with “Blackstar” on the same. The world is a drabber place. I hope this review (in some tiny way) respects his mighty musical achievements...

PPS: Since his death there's been the inevitable plethora of tributes and assessments but only one has really touched me. In the February 2016 issue of the RECORD COLLECTOR magazine (No. 450 with Black Sabbath on the cover) is a tribute by KRIS NEEDS that gives us 30 reasons as to "What David Did For Us All" (Pages 56 to 61). Articulate, sensitive and heartfelt - the piece eschews the academic and goes straight to the nub of why his death has affected so many and has been felt so deeply. It’s beautifully written, insightful and above all does Bowie’s brilliance the solid it so deserves. If you're a fan or even curious as to what all the fuss is about - you 'must' read it. And as something of a writer and long-time reviewer myself - I humbly nod my cap to Kris for nailing it. We loved this musical and cultural innovator and it hurts way too much that David Bowie is gone leaving us with such a giant-sized hole in our musical lives...

This review is part of my SOUNDS GOOD Music Book Series. One of those titles is CLASSIC 1970s ROCK - an E-Book with over 260 entries and 2450 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 

"Original Album Classics" by SHUGGIE OTIS (2012 Sony/Legacy 3CD Mini Box Set) - A Review by Mark Barry...

This 3CD set contains the album "Here Comes Shuggie Otis" released in 1970

"…Pretty Music I Hear…"

Like most people I came across this superlative American guitarist in a roundabout way – via The Brothers Johnson and their huge Funk/Soul hit of 1977 "Strawberry Letter No. 23" (which Shuggie Otis wrote). That Otis original came off the "Freedom Flight" album from 1971. 

This new 2012 Sony/Epic mini box set is the first time that three of those fabulous (and rare) Seventies LPs have been brought together in one place – and at a more than reasonable price too.

It breaks down as follows – released Monday 9 January 2012 in the UK and Europe (17 January 2012 in the USA) - "Original Album Classics" by SHUGGIE OTIS is a 3CD mini box set on Sony/Epic 88691901782 (Barcode 886919017823) and contains the following three albums in single 5" card repro sleeves:

"Here Comes Shuggie Otis" - released February 1970 on Epic Records BN 26511 in the USA and April 1970 in the UK on CBS Records S 63996 (36:21 minutes)

1. Oxford Gray

2. Jennie Lee

3. Bootie Cooler

4. Knowing (That You Want Him)

5. Funky Thithee

6. Shuggie’s Boogie

7. Hurricane

8. Gospel Groove

9. Baby, I Needed You

"Freedom Flight" - released September 1971 in the USA on Epic Records E 30752 [produced by Johnny Otis – it had no UK release] (38:30 minutes)

1. Ice Cold Daydream

2. Strawberry Letter 23

3. Sweet Thang

4. Me And My Woman

5. Someone Always Singing

6. Purple

7. Freedom Flight

"Inspiration Information" - released March 1975 in the USA on Epic Records KE 33059 [it had no UK release] (32:27 minutes)

1. Inspiration / Information

2. Island Letter

3. Sparkle City

4. Aht Uh Mi Hed

5. Happy House

6. Rainy Day

7. XL-30

8. Pling!

9. Not Available

It doesn’t say who remastered these albums or where, but the sound quality is wonderful (probably the 2001 versions). The debut is a little hissy in places as are the beat boxes used as percussion on the 3rd LP "Inspiration Information" (sounds like the back beat used on the Timmy Thomas classic "Why Can't We Live Together"), but other than that it all sounds so much better than other releases I have of the same material. The bass in particular is so sweet and by the time you get to the improved production qualities of the second and third LPs – the audio quality is great. And as with all of these "Original Classic Albums" 3/5 CD mini box sets, the lyrics and recording details are downloadable from Sony's website www.legacyrecordings.com/originalalbumclassics

The music - releasing his US debut album in late 1969 at only 17 years of age - "Kooper Session – Al Kooper Introduces Shuggie Otis" made everyone sit up and take notice (see separate review). His follow up debut 'solo' album "Here Comes Shuggie Otis" (which is the first disc to be featured here) is the stuff of legend – the very definition of 'lost classic' and 'cool album you must hear before you die'. It opens with two different types of instrumental – "Oxford Gray" is very Sixties Fleetwood Mac with a clavinet thrown in while the fantastic soulful organ shuffle of "Bootie Cooler" regularly brings customers to our counter asking after the 'cool' tune that’s playing. Then it changes again into Mamas & Papas sixties pop with "Knowing (That You Want Him)". Then another fantastically cool and funky instrumental - the not-so-subtly titled "Funky Thithee" which shows his great guitar chops against the backdrop of a chugging beat. He name-checks his blues heroes at the beginning of "Shuggie's Blues" as he just plays around – it then goes into an organ-shuffle and boogie – great stuff. The slow blues of "Gospel Groove" is another that brings the punters up to ask – who the Hell is this! It ends with Albert King type tracks "Baby, I Needed You" and "The Hawks". Listed at £35 for an original copy of the British vinyl (if you can find one) – you can hear why this gem is so sought after. The LP actually troubled the US album charts for 2 weeks in March 1970 at a lowly placing of 199.

His 2nd solo LP "Freedom Flight" is the one that will interest Soul Boys who like their Blues and Rock with a slightly trippy even spacey feel. It has only 7 tracks because its title song is a 13-minute instrumental that sounds like Jazz meets Blues meets Mellow meets Santana – it's 'so' good. "Purple" is a very B.B. King number, while it gets a little Stax funky with the superb "Sweet Thang" which opens the album. "Me And My Woman" is a Gene Barge song once covered by Albert King - and of course there's the brilliant "Strawberry Letter 23" (lyrics above) that still sounds effortlessly cool to this day. In fact "Freedom Flight" was a huge leap forward from the first album and featured high-profile guests included Jazz fusionist George Duke, the drummer Aynsley Dunbar, his dad Johnny Otis and Wilton Felder of The Crusaders.  

His 3rd solo LP "Inspiration Information" saw him take a leap into a Jazz/Soul unknown – and is beloved by rare groove aficionados everywhere (it's name-checked by Prince as a fave). It opens with the jaunty title track that sounds so catchy. "Sparkle City" uses a simple guitar flick as its basis for about half of its duration – it’s a little Boz Scaggs meets the Average White Band - while "Happy House" is Todd Rundgren circa "Something/Anything?" with its spacey feel and layered vocals. The beautiful instrumental "Rainy Day" features a slow drum shuffle and strings – it sounds like some cool film outtake. It ends on "Not Available" - another superb guitar instrumental. Bluntly it's easy to hear why this album was reissued in 2001 on David Byrne's Luaka Bop label and why it still turns up on reissue vinyl all the time in the West End of London – its just so bloody good and chockers with usable funky acid-jazz tunes.

Niggles – as I mentioned above - his first LP was "Kooper Session…" on Epic and combining that with the rare "Cuttin' Up" album by The Johnny Otis Show (which featured Shuggie) – this could have been a gobsmacking 5CD mini box set, but that would probably have been cost prohibitive. Other than that - like the dinky 3CD Fleetwood Mac box in this series – this is a peach of a release and finally makes music available to the masses that should be heard by the same.

To sum up - part Blues, part Soul, Rock, Acid House and Soulful – Shuggie Otis' music has always been hard to pigeonhole and all the better for it. It's even rumoured he has a long-awaited new album due this year (2012).  So - if you haven’t heard his catalogue before, I urge you to take on a chance on this. It’s a genuine voyage of discovery – especially if you like your Blues, R'n'B and Soul poison with a slightly spacey tint.

Fabarooney people. And even though it's only early January 2012 – this is already a 'reissue of the year' for me.

PS: see also separate reviews for two other CDs worth checking out - "Kooper Session: Al Kooper Introduces Shuggie Otis" and "Shuggie's Boogie: Shuggie Otis Plays The Blues"

This review is part of my SOUNDS GOOD Music Book Series. One of those titles is CLASSIC 1970s ROCK - an E-Book with over 260 entries and 2450 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap). 

"Skinhead Moonstomp: Deluxe Edition" by SYMARIP (2008 Universal/Trojan 2CD DELUXE EDITION Remasters) - A Review by Mark Barry...

"...Let's Start Getting Happy Now…Yeah Yeah Yeah…"

Sporting artwork you'd hide from your ailing Auntie Flo and her dodgy ticker, "Skinhead Moonstomp" has always been something of a misunderstood beast. Many people thought the reprobates depicted on the front alleyway cover were Symarip and maybe for that reason, the album never received the attention its deserved outside of the white British working class skinheads who embraced this hugely influential 1970 reggae album with near religious fervour. The group (pictured on the rear) is actually the Jamaican 7-piece THE PYRAMIDS under their nickname. They were also known as SEVEN LETTERS, THE BEES and for touring purposes - SYMARIP and THE SKINHEADS. Hopefully this fabulous and bravely chosen 2008 Deluxe Edition 2CD reissue will change all that...

There's a lot on here - so let's gets to the braces. UK released 29 September 2008 – “Skinhead Moonstomp: Deluxe Edition” by SYMARIP on Trojan 1776718 (Barcode 602517767188) is a 2CD DELUXE EDITION Reissue/Remaster and breaks down as follows:

DISC 1 (63:10 minutes):
Tracks 1 to 12 are the album "Skinhead Moonstomp" by SYMARIP issued April 1970 in the UK on Trojan Records TBL-102
(13 to 23 (with 1 and 2 on Disc 2) are BONUS 7" singles issued in 1969 on the Trojan affiliated "Doctor Bird" Label with the group credited as SEVEN LETTERS.)
Track 13 is "The Fit" [aka "Wish"], Doctor Bird DB-1208 [B]
Tracks 14 and 15 are "Please Stay" and "Special Beat", DB-1194 [A & B]
Tracks 16 and 17 are "Flour Dumpling" and "Equality", DB-1195 [A & B]
Tracks 18 and 19 are "Mama Me Want Girl" and "Sentry, DB-1206 [A & B]
Tracks 20 and 21 are "Soul Crash" and "Throw Me Things", DB-1207 [A & B]
Track 22 is "There Goes My Heart", DB-1208 [A]
Track 23 is "Bam Bam Baji", DB-1209 [A]

DISC 2 (69:16 minutes):

1. Hold Him Joe (UK 7" single on Doctor Bird DB-1209, B)

2. Tomorrow At Sundown (UK 7" single on Doctor Bird DB-1306, B-side to the album track "Fung Shu" - Track 11, Disc 1)

3. Parson's Corner [aka Vindication] 

4. Redeem (Tracks 3 and 4 are the A&B-sides of a UK 7" single on Treasure Isle TI-7054)

5. La Bella Jig

6. Holiday By The Sea (Tracks 5 and 6 are the A&B-sides of a UK 7" single on Treasure Isle TI-7055)

7. I'm A Puppet (UK 7" single on Attack ATT-8013, A - Track 3 above as "Vindication" is its B-side)

8. Feel Alright

9. Telstar (Tracks 8 and 9 are the A&B-sides of a UK 7" single on Trojan TR-7755)

10. Geronimo (UK 7" single on Duke DU-80, A)

11. To Sir With Love

12. Reggae Shuffle (Tracks 11 and 12 are the A&B-sides of a UK 7" single on Trojan TR-7770)

13. All For You (UK 7" single on Trojan TR7803, A)

14. Stingo (UK 7" single on Trojan TR-7814, B)

15. Mosquito Bite

16. Mother's Bath (Tracks 15 and 16 are the A&B-sides of a UK 7" single on Creole CR-1003)

17. Can't Leave Now

18. Teardrops (Tracks 17 and 18 are the A&B-sides of a UK 7" single on Creole CR-1006)

19. Stop The Train

20. Black And White

21. Lasting Treasure

22. That's Nice

23. Funky Broadway

NOTES: 

Tracks 1 to 7 are SYMARIP - 8 to 18 credited as THE PYRAMIDS - 23 is credited to ROY ELLIS & RICO'S BAND 

Tracks 19 to 23 are PREVIOUSLY UNRELEASED

The 20-page detailed booklet has an essay on the band, the album's history and the scene surrounding it by LAURENCE CANE-HONEYSETT co-author of the superb book "Young, Gifted & Black - The Story Of Trojan Records" (see separate review).

Front and rear cover are reproduced on the front and back pages in colour, there's pictures of those lovely and rare UK 7" labels that get collectors weak at the knees, unique foreign picture sleeves, industry adverts, a complete singles and album discography from 1969 to 1971 - and even interviews with the band's principal songwriters MONTY NEYSMITH and ROY ELLIS. Both discs reflect the original Trojan label design and there's a collage of photos of the band reproduced beneath the two see-through trays - all of it very nicely done. (It's also not a BOX SET as Amazon says - it's a DELUXE EDITION 2CD set in the now familiar plastic wrap for the series with a four-way foldout digipak beneath.)

The tapes have been mastered by TIM DEBNEY at Fluid Mastering and the sound quality is similar to the "Tighten Up" DELUXE EDITION in August of 2008 - a mixed bag of the fantastic and the cruddy. This is not audiophile territory - it's reggae music - recorded on a shoestring and all the more gritty and wonderful for it. Having heard this LP on battered vinyl for years, I found most tracks a revelation.

Musically, this is party time. The chugging brass and Ska groove of "Phoenix City" is utterly irresistible and you can just `hear' the roots of THE SPECIALS in "Try My Best".

The extras are cleverly chosen too - not only are they very rare 7"s (many making their CD debut) - they're anthems of the time for that scene. Almost all of the singles have the same set up - a sung A-side with an instrumental on the B - both of which are killer. The cover version of the Joe Meek/Tornados 1962 classic "Telstar" on the back of "Feel Alright" is a typically cool example. At 46 tracks, I'll be dipping into this for years.
Summing up - coupled with the 2CD set of "Tighten Up Volume 1" from August of this year (see separate review), someone in Universal is making damn good choices! It's so good to see great Reggae and Ska get the DELUXE EDITION treatment it has always deserved. A highly recommended purchase and a voyage of musical discovery you'll not regret taking.

PS: the title of this review is the spoken intro to the classic floorfiller "Skinhead Moonstomp"

"Genesis 1970-1975" by GENESIS (2008 Virgin 'Hybrid CD, SACD, DVD' Box Set Remasters) - A Review by Mark Barry...

"...It's Been A Long Time...Hasn't It...."

This Box Set contains the album "Trespass" released in 1970 

Here are details for the six saintly shrouded men… UK and Europe released November 2008 - "Genesis 1970-1975" by GENESIS on Virgin CDBOX 14 (Barcode 5099951968328) was the 3rd and last box set in an extensive reissue campaign. Each of the original five vinyl albums from the Peter Gabriel period of the British prog Rock band are pumped up here into double 2CD issues - whilst the 1974 2LP-set "The Lamb Lies Down On Broadway" now becomes a 3-Disc CD set. "The Lamb Lies Down Broadway" is presented in a beautiful Book Pack while the other albums are in 2CD jewel cases.

Disc 1 of each issue is the SACD and CD Remaster of the album with both mixes encoded onto the disc, while Disc 2 is a DVD with 5.1 Surround Sound with extras tagged on at the end of each. The sixth and final double is called "Extra Tracks 1970-1975" and features singles, demos and BBC Sessions - again both in Audio and DVD. "Extras' is housed in a 48-page hardback book with an essay, band contributions, photos and celebrity reviews.

NICK DAVIS prepped the 5.1 Surround Mixes and Stereo CD mixes with the remastering carried out by TONY COUSINS at Metropolis Mastering. Both of these guys handled the preceding box sets to both applause and derision in equal measure. While I admittedly don't have a Surround capability at home, I find the sound quality on the Stereo CD mixes to be GORGEOUS - a revelation. "Trespass" & "Nursery Cryme" are hissy in places, but still so much better sounding than the crap 1994 Virgin remasters we've been lumbered with all these years (which in turn were supposed to replace the dire 80's issues). But the great news is "Foxtrot", "Selling" and "Lamb", each of which now has GORGEOUS SOUND. At 8:15 minutes into "Supper's Ready" on Foxtrot when the acoustic guitars kick in, I was in floods, huge sound filling my room... We've been waiting 35 years to finally hear these great works in DECENT AUDIO.

Here's a detailed breakdown of the sets:

1. Looking For Someone

2. White Mountain

3. Visions of Mountains

4. Stagnation

5. Dusk

6. The Knife

Disc 1 (42:33 minutes) is their 2nd album "Trespass, originally released on LP in November 1970 on Charisma CAS 1020 in the UK and Impulse 9295 in the USA (the original UK issue had the 'Pink Scroll' label design and the CD reflects that). The DVD Audio version also has a 'reissues interview from 2007'.

1. The Musical Box

2. For Absent Friends

3. The Return Of The Giant Hogweed

4. Seven Stones

5. Harold The Barrel

6. Harlequin

7. The Fountain Of Salmacis

Disc 2 (39:36 minutes) is their 3rd album "Nursery Cryme", originally released on LP in November 1971 on Charisma CAS 1052 in the UK and Charisma 7208 552 in the USA (Pink Scroll Label also). The DVD audio version also has the 'reissues interview from 2007'.

1. Watcher Of The Skies

2. Time Table

3. Get 'Em Out By Friday

4. Can-Utility And The Coastliners

5. Horizons

6. Supper’s Ready

Disc 3 (51:20 minutes) is their 4th album "Foxtrot", originally released on LP in October 1972 on Charisma CAS 1058 in the UK and Charisma 7208 553 in the USA (changes now to the `Mad Hatter' label design for 3, 4 and 5 reflecting the original vinyl). The DVD Audio disc has 3 extras - reissues interview 2007, Brussels, Belgium Rock Of The 70's 1972 clip and Rome, Italy, Piper Club 1972 clip.

1. Selling England By The Pound

2. I Know What I Like (In Your Wardrobe)

3. Firth Of Fifth

4. More Fool Me

5. The Battle Of Epping Forest

6. After The Ordeal

7. The Cinema Show

8. Aisle Of Plenty

Disc 4 (53:39 minutes) is their 6th album "Selling England By The Pound", originally released in October 1973 on Charisma CAS 1074 in the UK and Charisma 7208 554 in the USA. (Their 5th album, "Genesis Live", was released in July 1973 on Charisma CLASS 1 in the UK; it was an official release and no explanation is given for its no show in this box set).  The DVD Audio version has 3 extras, reissues Interview 2007, Shepperton Studios, Italian TV, 1973 clip and Batacain, France, 1973 clip.

1. The Lamb Lies Down On Broadway

2. Fly On A Windshield

3. Broadway Melody Of 1974

4. Cuckoo Cocoon

5. In The Cage

6. The Grand Parade Of Lifeless Packaging

7. Back In N.Y.C. [Side 2]

8. Hairless Heart

9. Counting Out Time

10. The Carpet Crawlers

1. Lilywhite Lilith

2. The Waiting Room

3. Anyway

4. Here Comes The Supernatural Anesthetist

5. The Lamia

6. Silent Sorrow In Empty Boats

7. The Colony Of Slippermen

8. Ravine

9. Riding The Scree

10. In The Rapids

11. It

Disc 5 (45:38/48:51 minutes) is their 7th album "The Lamb Lies Down On Broadway", originally released in November 1974 as a 2LP set on Charisma CGS 101 in the UK and on Atco 7599 122 in the USA. The DVD has all of the slide show that accompanied the stage shows offering both Surround and standard stereo versions.

Disc 6 "Extra Tracks" (46:44 minutes):

Track 1 is "Happy The Man", a non-album 7" single issued in the UK on May 1972 on Charisma CB 181 ("Seven Stones" is its B-side - a track off "Nursery Cryme")

Track 2 is "Twilight Alehouse", the non-album B-side to "I Know What I Like (In Your Wardrobe)" issued on 7" single in May 1974 on Charisma CB 224

Track 3 is "Sheppard (BBC Nightride 1970)"

Track 4 is "Pacidy (BBC Nightride 1970)"

Track 5 is "Let Us Now Make Love (BBC Nightride 1970)"

Track 6 is "Going Out To Get You (Demo 1969)"

Tracks 7 to 10 are called Genesis Plays Jackson.  Michael Jackson was a painter who put music to a silent film of "Metropolis" and invited Genesis in to score it. Some tracks were done, but the full project was abandoned. These tapes have only recently come to light and the four tracks are; "Provocation", "Frustration", "Manipulation" and Resignation" - "Frustration" would later turn up as "Anyway" on "Lamb" and "Manipulation" became "The Musical Box" on "Nursery Cryme".

While the DVD and Audio elements are fantastic and the extras fascinating - I find the packaging naff (typical of all things Virgin). The box lid won't close no matter what you do, the individual booklets are simply the original artwork restored, but again they're too small to read and massively underwhelming compared to the beautiful event feel of the original vinyl gatefold sleeves (especially "Lamb"). And with no new essay, no new photos, nor nothing of their history - when they're released as stand-alone CDs, fans are going to feel mightily short-changed – again! And why no "Live" set - nor the 1975 single edit of "Carpet Crawlers" - or its unique B-side, the live in the USA (Evil Jam) version of "The Waiting Room"? Nor is it cheapest of things either…so with the boys now individually credited as Limited Companies on the rear sleeve - the whole thing is beginning to smack a little too much of corporate greed instead of musical celebration.

Wonderful in some respects and yet strangely disappointing in others - this eagerly awaited box is 4-stars really when it should have been six. And yet I love it and them in all their mad, imaginative and sprawling brilliance. Fans will know what I mean when I say - "...something tells me I’d better activate my prayer capsule…"

PS: since its release and subsequent deletion - the Box Set has garnished a horror of a price tag. Cheaper alternatives are the Japanese 2012 SHM-CD mini LP repro reissues for all five albums which can be attained for about £22 to £28 each...

This review is part of my SOUNDS GOOD Music Book Series. One of those titles is CLASSIC 1970s ROCK - an E-Book with over 260 entries and 2450 e-Pages - purchase on Amazon and search any artist or song (click the link below). Huge amounts of info taken directly from the discs (no cut and paste crap).