"The Singles Volume 7: 1970-1972" by JAMES BROWN [feat Bobby Byrd and Bootsy Collins] (2009 Hip-O Select 2CD Set - Seth Foster Remasters) - A Review by Mark Barry...

"…Feel Like Being A Sex Machine..."

I've been diligently collecting this series of 11 x 2CD sets of JAMES BROWN 'Singles' since they first started being released Stateside in September 2006.

This 7th instalment is one of six volumes to cover his extraordinary Seventies output – a particular favourite period for me. Volumes 6, 8, 9, 10 and 11 are the others - featuring every US 7" single released between 1970 and 1979 including all cancelled 45s and promo variants/remixes in both Mono and Stereo. Volumes 1 to 5 cover everything else prior - starting at 1958 on Federal Records through to his King and Bethlehem output in early 1970.

Volume 7 of "The Singles" picks up where Volume 6 left off (Volume 6 covers March 1969 through to early June 1970). Covering three labels - King, People and Polydor Records – we get pairings of every A&B-side released betwixt late June 1970 through to January 1972. It has the same spectacular Audio and beautifully presented 28-page fact-filled booklet that all volumes have - with a feast of fan-pleasing details and memorabilia provided by a team of experts on all things JB Productions. "The Singles" is a superlative CD series and along with the 'Motown' and 'Chess' Book Set Reissues has gone a long way to emblazoning 'Hip-O Select' as a reissue label dear to collector's hearts. Here are the Superbad details...

USA released 26 May 2009 - "The Singles Volume 7: 1970-1972" by JAMES BROWN on Hip-O Select/Polydor B0012728-02 (Barcode 602527001616) offers 39-tracks Remastered on 2CDs. All catalogue numbers are US 7" singles unless otherwise noted and beneath the discography info are the US R&B and Pop Chart placing (no entry means it didn’t chart). It breaks down as follows...

Disc 1, 18 Tracks, 67:39 minutes:

1. Get Up I Feel Like Being A Sex Machine (Part I & 2)

Track 1 is the Promotional Version of King 6318, released June 1970

2. Get Up I Feel Like Being A Sex Machine (Part I)

3. Get Up I Feel Like Being A Sex Machine (Part 2)

Tracks 2 and 3 are the A&B-sides of King 6318, released June 1970

R&B No. 2 – Pop No. 15

[Note: the version on the 1970 "Sex Machine" vinyl LP is different – re-cut to feature simulated audience applause. The Promotional single is in Mono – the released version in Stereo]

4. Super Bad (Part 1 & Part 2)

Track 4 is the Promotional version of King 6329, released October 1970

5. Super Bad (Part 1 & Part 2)

6. Super Bad (Part 3)

Tracks 6 and 7 are the A&B-sides of King 6329, released October 1970

R&B No. 1 – Pop No. 13

7. Fight Against Drug Abuse

Track 7 is a Public Service Announcement on King PSA-1, released November 1970

8. Hey America (Vocal)

9. Hey America (Sing Along)

Tracks 8 and 9 are the A&B-sides of King 6339, released November 1970

10. Santa Clause Is Definitely Here To Stay (Vocal)

11. Santa Clause Is Definitely Here To Stay (Sing Along)

Tracks 10 and 11 are the A&B-sides of King 6340, released November 1970

12. Get Up, Get Into It, Get Involved Pt. 1

13. Get Up, Get Into It, Get Involved Pt. 2

14. Get Up, Get Into It, Get Involved Pt. 1 (Reverb Version)

15. Get Up, Get Into It, Get Involved Pt. 2 (Reverb Version)

Tracks 12 and 13 are the A&B-sides of King 6437, released December 1970. Brown remixed the track shortly after release and added reverb to both sides – these variants are Tracks 14 and 15.

R&B No. 4 – Pop No. 34

16. I Cried

Track 16 is the A-side of King 6363, released January 1971. The B-side was "World Part 2" which is Track 17 on Disc 1 of Volume 5 (originally the B-side for "World Part 1" on King 6258 in August 1969). James Brown and Bobby Byrd originally wrote the A-side "I Cried" in 1963 for Tammy Montgormery who would later become Motown's Tammi Terrell.

R&B No. 15 – Pop No. 50

17. Soul Power Pt. 1

18. Soul Power Pt. 2 & pt. 3

Tracks 17 and 18 are the A&B-sides of the Promotional Version of King 6368, released February 1971. The Promotional Release only features added-on Reverb – the single proper on Disc 2 does not.

Disc 2, 21 Tracks, 69:56 minutes:

1. Soul Power Pt. 1

2. Soul Power Pt. 2 & pt. 3

Tracks 1 and 2 are stock copy release A&B-sides of King 6368, released February 1971

R&B No. 3 – Pop No. 29

3. Spinning Wheel Pt. 1

4. Spinning Wheel Pt. 2

Tracks 3 and 4 are the A&B-sides of King 6366, released March 1971. "Spinning Wheel" is a cover version of the June 1969 Blood, Sweat & Tears hit single on Columbia Records 44871 – a No. 2 Pop hit written by their lead vocalist David Clayton-Thomas.

5. Escape-Ism (Part 1)

6. Escape-ism (Part 2 & 3)

7. Escape-ism (Part 1) (Second Mix)

8. Escape-ism (Part 1) (Second Mix)

Tracks 3 and 4 are the original issue A&B-sides of People 2500, released May 1971. Tracks 5 and 6 are a 'second mix' on People 2500, released June 1971. The letter of explanation he sent to Radio Stations is reproduced on the inner rear inlay.

R&B No. 6 – Pop No. 35

9. Hot Pants Pt. 1 (She Got To Use What She Got To Get What She Wants)

10. Hot Pants Pt. 2 & 3 (She Got To Use What She Got To Get What She Wants)

Tracks 9 and 10 are the A&B-sides of People 2501, released June 1971

R&B No. 1 – Pop No. 15

11. My Brother Pt. 1

12. My Brother Pt. 2

Tracks 11 and 12 are the A&B-sides of People 2502 (as THE J.B.'s), released June 1971

13. Make It Funky (Part 1)

14. Make It Funky (Part 2)

Tracks 13 and 14 are the A&B-sides of Polydor 14088, released August 1971. It was his first single with Polydor Records.

R&B No. 1 – Pop No. 22

15. My Part/Make It Funky (Part 3)

16. My Part/Make It Funky (Part 4)

Tracks 15 and 16 are the A&B-sides of Polydor 14098, October 1971

17. I'm A Greedy Man-Part I

18. I'm A Greedy Man-Part II

Tracks 17 and 18 are the A&B-sides of Polydor 14100, released November 1971

R&B No. 7 – Pop No. 35

19. Just Won't Do Right

Track 19 is by LYN COLLINS and was scheduled three times but canceled - as King 6373, People 2503 and People 503 (there are promo copies of King 6373 on the white variant of the label with an A&B-side). It was officially released as Polydor 14107 in December 1971. The "Wheel Of Life" B-side is inexplicably absent from this CD set even though it was produced and arranged by JB. It's available on the LYN COLLINS "Mama Feelgood: The Best Of" CD from 2005 on Polydor.

20. Talking Loud And Saying Nothing – Part I

21. Talking Loud And Saying Nothing – Part II

Tracks 20 and 21 are the A&B-sides of Polydor 14109, released January 1972.

R&B No. 1 – Pop No. 27

Like all 11 Volumes in this Hip-O Select 2CD series - the 28-page booklet by noted JB expert and former tour manager ALAN LEEDS and is a joy to look at — a hugely informative read that's packed to the gills with track histories, concert posters, trade adverts, magazine covers and a thoroughly detailed recording Sessionography. Produced with affection and firsthand knowledge by HARRY WEINGER and ALAN LEEDS - the inlay beneath the see-through CD tray has a typed-letter from JB on James Brown Productions headed paper about the 'too loud guitar' on "Escape-ism" and that DJs and Soul Brothers should dig the new remix and make it an even bigger hit than "Pop Corn"! It's this cool and yet smart attention to detail that shows that both compilers know what fans want (Alan Leeds is pictured on Page 19 with JB on the road to yet another gig).

And again, as in previous issues, SETH FOSTER has transferred the first-generation master tapes for the single mixes and he's done a truly superlative job — warm, clear and fabulously alive. The Mono and Stereo music jumps out of the speakers at you — gorgeous sound. The word "Limited Edition" is embossed in gold lettering on the rear inlay – numbers are not stated but presumably it's a worldwide limited edition of 5000 copies like its predecessor. Now to the amazing music - all killer and no filler as they say...

Even now – 46 years after the event – "Get Up I Feel Like Being A Sex Machine" is a monster groove – an utterly amazing groundbreaking piece of wild Funk. A truly clever inclusion is the 'Promotional' version of the song that gives you the full 5:18 minutes instead of the separated 2:57 and 2:31 of Parts 1 & 2. This allows you to hear the full power of the band and the song uninterrupted. Bobby Byrd is the 'Get On Up!' counter vocal – future Parliament wildman Bootsy Collins is the flying Bass player while Phelps "Catfish" Collins plays that deadly flicked guitar. JB anchors and elevates the whole thing with his fabulous piano interludes. Can I take it to the bridge – hit it and quit – legendary stuff baby...

His seasoned band (now known as The J.B.'s) continued their chart-winning steak with the uber-Funk of "Super Bad" - another black consciousness killer with brains and a beat (it went all the way to No. 1 on the US R&B charts - also managing an impressive No. 13 on the Pop charts). Once again the 5:44 minute full version only available on Promo Copies is featured here - and this time it's not just the guitar and bass that feature but the snare drum and slick whacks of 'Jabo' Sharks on Drums and the three horn players - Clayton 'Chicken' Gunnels and Daryl 'Hasaan' Jamison on Trumpets with Robert McCullough on Tenor Saxophone. The 36-second 'Fight Against Drug Abuse' is him advising the youth of America against the dangers of all narcotics rapped over an instrumental version of "Super Bad" (the hard-to-find 'Public Announcement' 45 and its King label bag are pictured in the booklet). You rarely ever hear the excellent "Hey America" where JB gives voice to Nat Jones' anti-war words asking the listeners and those in power to take note of 'a million peace-signs'. Nat Jones also provided "Santa Clause Is Definitely Here To Stay" - a seasonal gospel groove that's not nearly as musically bad or cheesy as its title suggests.

An obvious answer to 'Get On Up' - his "Get Up, Get Into It, Get Involved" single is described by Alan Leeds in the liner notes as a 'stream of consciousness jam' and that's accurate - a raucous driving rhythm featuring JB and Bobby Byrd sparring on vocal shouts. One of the joys of a compilation like this is a discovery and the ballad "I Cried" is one – a heartache lurch both JB and Bobby Byrd wrote for a young Tammi Terrell in 1963. It’s a belter of a tune with strings and crooning ladies swaying as JB gives it some 'I made another mistake baby' tearsome.

Ending Disc 1 and beginning Disc 2 is another fabulous and undeniable winner in "Soul Power" where our Funk Overload assures us that his 'rap is strong' (who are we to argue). A surprising disappointment is his instrumental cover version of Blood, Sweat & Tears’ big 1969 hit "Spinning Wheel" which feels weedy to me compared to the undoubted brilliance of the David Clayton-Thomas original. His instincts were right when he remixed "Escape-ism" - the second version (Tracks 7 and 8 on Disc 2) having that 'groove' that moves (JB was rewarded with a No. 6 R&B slot). But for me this compilation's moment of true mastery is the wonderful "Hot Pants" - a groove so down right enjoyable it may very well be issued on the NHS later this year as an antidote to post-operation recuperation blues (and the Audio is sensational). And on it goes with miniskirts and gettin' down...

By the end of the Seventies, James Brown wasn’t troubling the national charts too much - but at its outset (as evidenced here) he was blazing a trail like no other – a sound that would inspire and influence generations to come.

"...Play as hard as you want..." he shouted to his super tight band during the recording of "Super Bad". And on the evidence presented on Volume 7 – they did – nailing that downbeat sucker to the studio wall. Soul and Funk Genius - and then some...

"Tea For The Tillerman: Deluxe Edition" by CAT STEVENS (2008 Universal/Island 2CD Reissue - Ted Jensen Remasters) - A Review by Mark Barry...

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                                         "...Longer Boats Are Coming To Win Us..."

*** THIS REVIEW IS FOR THE 2008 'DELUXE EDITION' 2CD REMASTER ***

Some artists have a golden period - a stretch of albums that define them for decades to come.

CAT STEVENS had such a spell with Island Records in the Seventies - starting at the lovely and underrated "Mona Bone Jakon" LP in July 1970 - right through to November 1978's "Back To Earth" when the public had long since stopped listening. In-between this eight-year splurge - London's Steven Demetre Georgiou popped out a series of singer-songwriter albums that found their way into every bedsit and bedroom around the world (a girlfriend in collage had remarked that our Steven had eyes like a cat – hence the stage name).

After a pop start with Deram and Decca in the late Sixties - Cat Stevens switched to Island Records in early 1970 - acoustic-folk-souled his songwriting and the handsome troubadour and across the next five years in particular became huge with the public. Albums like 1972's "Catch Bull At Four", 1973's “Foreigner” and 1974's "Buddah And The Chocolate Box" are still remembered with real affection now in 2016 and charted big at the time – part of the James Taylor, Elton John and Carole King singer-songwriter movement sweeping the world in the early part of that fantastic decade. 

But it was the duo of 1970's "Tea For A Tillerman" and the 1971 follow-up "Teaser And The Firecat" (Island Records in the UK and A&M in the USA) that seared him into the hearts of millions. These two beautifully written and well-recorded albums have always been the jewels in his catalogue crown. It's therefore hardly surprising that both have become recipients of a 2CD 'Deluxe Edition' Remaster from Universal - "Tillerman" in November 2008 with "Teaser" following in May 2009. Here are the Longer Boats coming to win us...

UK released November 2008 - "Tea For The Tillerman: Deluxe Edition" by CAT STEVENS on Universal/Island 00602517870888 (Barcode 602517870888) is a 2CD Expanded and Newly Remastered 'Deluxe Edition' with Eleven Bonus Tracks and plays out as follows:

Disc 1 (36:46 minutes):
1. Where Do The Children Play?
2. Hard Headed Woman
3. Wild World
4. Sad Lisa
5. Miles From Nowhere
6. But I Might Die Tonight
7. Longer Boats
8. Into White
9. On The Road To Find Out
10. Father And Son
11. Tea For The Tillerman
Tracks 1 to 11 are his fourth studio album "Tea For The Tillerman" - released November 1970 in the UK on Island Records ILPS 9135 and January 1971 in the USA on A&M Records SP-4280. Produced by PAUL SAMWELL-SMITH - it peaked at No. 20 in the UK and No. 8 in the USA.

Disc 2 (36:49 minutes):
1. Wild World (Demo Version, Recorded 1969)
2. Longer Boats (Live At The Troubadour, Recorded 1970)
3. Into White (Live At The Troubadour, Recorded 1970)
4. Miles From Nowhere (Demo Version, Recorded 1969)
5. Hard Headed Woman (Live in Japan, Recorded 1976)
6. Where Do The Children Play? (From the Majikat Earth Tour, Recorded 1976)
7. Sad Lisa (from the Majikat Earth Tour, Recorded 1976)
8. On The Road To Find Out (Live at KCET-TV, Recorded in Los Angeles, 1971)
9. Father And Son (from Yusef's Cafe, Recorded 2006)
10. Wild World (from Yusef's Cafe, Recorded 2006)
11. Tea For The Tillerman (Live At The BBC, Recorded 1970 for BBC Radio 1's "Sounds Of The Seventies" at the Playhouse Theatre)

This 'Deluxe Edition' had a plastic wrap (before Universal decided unwisely to ditch them) with 'Classic '70s Album Digitally Remastered...' sticker on the outside and a four-way foldout card digipak within - itself housed a beautifully laid-out 28-page oversized booklet. The inner gatefold photo of the original LP is spread across the flaps of the digipak with sepia photos adorning the other flaps (it's hardly great visually). The booklet is gorgeous. Page 3 has Cat's own ruminations on the album and its life/career changing effect on him - Pages 4 to 6 feature superb in-depth track-by-track explanations by original LP Producer PAUL SAMWELL-SMITH while principal band member and Guitarist ALUN DAVIES gives his eclectic take on the songs (Pages 8 and 9). The rest of the booklet reprints the lyrics alongside live photos and finally track-by-track breakdowns of the Bonus Material. The eleven-track Bonus Disc includes Previously Unreleased - two demos being the real prizes - almost as lovely as the finished articles. Songs from the 'Majikat' Tour have been released on an Eagle Vision DVD and the KCET Concert piece was out on a Weinerworld DVD "Tea For The Tillerman Live" - the rest are Previously Unreleased.

But the big news is a new June 2008 TED JENSEN Remaster done at Sterling Sound Studios in New York from the original two-track analogue master tapes - superseding the version he did on the May 2000 single disc Remaster series. This version is beautiful to listen too - a real Audio treat. Typically the bonus tracks are a mixture of the essential vs. the superfluous. His voice is gone on "Sad Lisa" while the Live At The BBC "Tea For The Tillerman" that ends the disc is less than a minute long and very hissy. The two live 'Yusef's Cafe' tracks are beautifully recorded and feature "Wild World" in both English and a different langue (original album player Alan Davies is part of the band for these sessions). But the real prize here for collectors and uber-fans is the two demos - both sweetly recorded and hugely impressive. There’s a warmth and magic coming off of them and you wish there was a whole album of these. The Troubadour live cuts are good too (just him and Alun Davies on guitars) - very clear and way better than say bootleg quality. As I write this (Thursday, 10 November 2016) - the Sci-Fi movie "Arrival" is opening today about twelve banana-shaped spaceships suddenly turning up on our capitol city lawns itching to communicate in squiggles. I mention this because in his first Troubadour song he announces that "Longer Boats" is about spaceships 'coming to win us' - 46 years before the film event! What a clever boy. But onto to the album...

"...Well I think it's fine building Jumbo planes...switch on Summer from a slot machine...but tell me...where do the children play?" Cat opens the album with an environmental plea and in his May 2008 liner notes he comments that those passionate cries are still falling on 'tone-deaf ears' and unfortunately all present day evidence proves him right. What's not in dispute is the 'Audio'. My 'Pink Island' label 1970 Vinyl LP original and subsequent 1970's  'Pink-Rim Palm Tree Label' reissues always had low audio on "Where Do The Children Play?" - but this CD Remaster has gorgeous clarity and that acoustic bottom end when it kicks in is impressive. The strings on "Hard Headed Woman" are clearer and Harvey Burn's drums are almost 'too' good - a beautiful transfer. That huge piano on "Sad Lisa" fills your room and you forget just how passionate his vocals could be until you re-hear "Miles From Nowhere". Side 2's "Longer Boats" and the anthemic "Father And Son" will leave many tingling - both musically and lyrically.

"...Mary dropped her pants by the sand...and let the parson...come and take her hand...
But the soul of nobody knows...where the parson goes..."
I don’t know where he’s gone either.

"Tea For A Tillerman" is a gorgeous album and the Audio on this 2008 'Deluxe Edition' Remaster has only hammered that home with knobs on. I don't how many times I'll return to Disc 2 in truth - but there are nuggets to be had there as well – period songs that fans will need and enjoy.

If you're not prepared to pay the extra - then simply plum for the May 2000 single CD remaster which has great audio too and can be found for less than three or four pounds in many places.

If however you're after the very best Audio and the fanboy in you wants that tasty presentation and those extras on Disc 2 (some of which are actually worth owning) - then this 2CD 'DE' version of Cat Stevens' "Tea For The Tillerman" is the Father and Son for you...

"Atom Heart Mother" by PINK FLOYD (September 2011 EMI 'Discovery Edition' Remaster AND January 2016 'Pink Floyd Records' CD Reissue) - A Review by Mark Barry...

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"...Funky Dung..."

Emerging from the Syd Barrett-led 60ts phase – PINK FLOYD started the new decade with the frankly bizarre "Atom Heart Mother" – a late 1970 album that signalled the new more Prog sound to come - but in "Alan's Psychedelic Breakfast" held onto the lunacy of old. And you have to give them credit for the name "Atom Heart Mother" and the wacky utterly unforgettable artwork – a lone moo-moo staring out at us from a field wondering what in God’s name is that man doing pointing a camera at my posterior when I’m just trying to graze some grass here? Curiouser and Curiouser...

Always a task trying to find a decent vinyl copy original – the length of the LP at just over 52 minutes did for its fidelity too. But all of that is thankfully part of the past because this 2011 James Guthrie and Joel Plante CD Remaster is a massive improvement on a dog’s ear of a recording (relaunched January 2016 on Pink Floyd Records). Here are the Holy Cows and the Funky Dung...

UK re-released 8 January 2016 – "Atom Heart Mother" by PINK FLOYD on Pink Floyd Records PFR5 (Barcode 5099902894027) is a straightforward 5-track reissue CD using the Remaster from 2011. It's once again housed in a gatefold card digipak, has a stickered sleeve (on the outer shrink-wrap) with the new catalogue number PFR5, a 12-page colour booklet with photos and lyrics and the same barcode as the 2011 issue (52:06 minutes). The original album gatefold is the centre pages of the booklet while the lyrics (never on the original) are now featured over new photographs of shovels and a pair of boots and other useless and pointless images. It looks nice for sure but informs you of nothing – no history – no liner notes – no updates or insights. It’s a damn shame that 2016 wasn’t used as a way to pump up the booklet into something special from their laughable 'discover nothing' from our 'discovery' editions of 2011. In fact you could argue that this 'Pink Floyd Records' 2016 reissue is in itself 'corporate' – the very thing they raged so much against on "Animals" and "The Wall" in 1977 and 1979. 

The original version of this Remaster was released 26 September 2011 as a 'Discovery Edition' single CD on EMI/Harvest 50999 028940 2 7 (Barcode 5099902894027) – this 2016 version on Pink Floyd Records uses that 2011 remaster and the same artwork. The 'Discovery Edition' sticker is gone as is the horrible 'green and blue Ds' reinvented CD artwork that came with the 2011 issue – that's thankfully been replaced on the CD with the front album cover artwork. 

1. Atom Heart Mother (Suite): 

(a) Father's Shout

(b) Breast Milky

(c) Mother Fore

(d) Funky Dung

(e) Mind Your Throats Please

(f) Remergence 

2. If [Side 2]

3. Summer '68

4. Fat Old Sun

5. Alan's Psychedelic Breakfast 

(a) Rise And Shine

(b) Sunny Side Up

(c) Morning Glory 

Tracks 1 to 5 are their 5th album "Atom Heart Mother" – released 10 October 1970 in the UK on Harvest SHVL 781 and in the USA on Harvest SKAO-382. Produced by PINK FLOYD and NORMAN SMITH – Recorded at Abbey Road Studios in London in 1970 – it peaked at No. 1 in the UK and No. 55 in the USA. 

PINK FLOYD was:

DAVID GILMOUR – Lead Guitar and Vocals

ROGER WATERS – Bass, Guitar and Vocals

RICHARD WRIGHT – Keyboards and Vocals

NICK MASON – Drums 

Guests: JOHN ALLDIS CHOIR on parts of "Atom Heart Mother"

Mastered by JAMES GUTHRIE and JOEL PLANTE at Das Boot Recording Studios in Tahoe in California in 2011 - the original 1st generation master tapes have been given a thorough going over (Guthrie is a Sound Engineer associated with the band since 1978). In fact - each song feels like these experts have spent a staggering amount of time worrying over every single nuance - because the audio result is truly impressive. That 2011 remaster has been reused for the January 2016 reissues. 

The entirely instrumental Side 1 six-part suite "Atom Heart Mother" runs to 23:42 minutes and typically fades in with mad brass and a droning synth note.  Avant Garde artist RON GEESIN being the fifth accredited writer along with the four boys in the band – gives us a cornucopia of sounds - cars starting up – engines turning over – until it all settles down into a "Meddle" like duo of Richard Wright on Organ and Gilmour on Guitar. The clarity as Gilmour solos over that brass and lone organ is impressive – and as the still unidentified leading lady of the John Aldiss Choir comes sailing in – you can so hear where Mike Oldfield got some of his more orchestral ideas for "Tubular Bells" and "Ommadawn" from. When they fade out and we’re in "Funky Dung" – the Remastered Wright/Gilmour combo of Organ and Guitar is superb and certainly more muscular than I’ve ever heard it - and I still can’t make out what the Kate Bush-mad chanting voices are saying (very cool though). 

After the indulgence of Side 1 - Side 2’s "If" comes as an Acoustic relief – Roger Water's delightfully upbeat "...if I go insane...please don't put your wires in my brain..." lyrics feeling like 1977 and not 1970. The audio on Gilmour's guitar is beautiful and even the background Richard Wright Organ/Piano playing is more evident. Richard Wright then stumps up "Summer '68" which feels like the kind of pretty song that would have not been out of place on 1972's "Obscured By Clouds" or even Kevin Ayers 1971 Harvest Records LP "Whatevershebringswesing". The brass and piano are loud and open for all the right reasons. Gilmour vocals his own "Fat Old Sun" but I've always felt it was not a great song. The album ends on the nutty 13-minutes of "Alan Psychedelic Breakfast" where someone babbles on about liking Marmalade and Porridge as they potter about in a kitchen before keyboards take over. After the musical interlude - it returns to our still unidentified hero warbling this time about 'breakfast in Los Angeles' with 'macrobiotic stuff'. It's fun but that's about all and you can't help thinking that they would have been better just allowing those lovely Acoustic Guitars in the centre passage simply play out the album (music boys - remember).

"Atom Heart Mother" is part genius, part knob and very much an example of an experimental time and a label prepared to let their artists go a bit bonkers for the sake of their art. But at least on this 2011/2016 CD Remaster - you can now hear it. And that faucet tap dripping that looped on the Side 2 run-out groove as your needle went over to the label can now be heard too. Moo moo indeed...

"Runt: Deluxe Edition" by TODD RUNDGREN (September 2014 Edsel 'Deluxe Edition' 2CD Reissue/Remasters) - A Review by Mark Barry...

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"...Post Hanging Days..."

Back in May 2014 - Edsel of the UK began celebrating TODD RUNDGREN albums with 'Deluxe Edition' packaging upgrades - hardback book editions of key albums in his extensive back catalogue. The first three were "Something/Anything?" (a double-album from 1972), "A Wizard A True Star" (a single album from 1973) and "Todd" (another double from 1974). 

So here's the next batch of three for September 2014 - "Initiation" and "Hermit Of Mink Hollow " from 1975 and 1978 (see reviews) - and this - the forgotten "Runt" album - his 1970 solo debut LP for Ampex Records in the States - now extended into a double-CD edition with a bonus. Here are the details...

UK released 9 September 2014 (23 September in the USA) - "Runt: Deluxe Edition" by TODD RUNDGREN on Edsel EDSK 7075 (Barcode 740155707538) is a 2CD reissue of their October 2011 double that combined "Runt" (both versions) with the album that followed it - "The Ballad Of Todd Rundgren". For this 2014 issue you get "Runt" only in its original 10-track album form on Disc 1 - with a 12-track 'Alternate Runt' on Disc 2 that also boasts a further bonus track. Here are the finite details for both versions:

Disc 1 "Runt" - US-only LP released May 1970 on Ampex A 10105 (40:50 minutes):

1. Broke Down And Busted (4:32 minutes)

2. Believe In Me (2:01 minutes)

3. We Gotta Get You A Woman (3:06 minutes)

4. Who's That Man? (2:59 minutes)

5. Once Burned (2:06 minutes)

6. Devil's Bite (3:52 minutes)

7. I'm In The Clique (4:55 minutes)

8. There Are No Words (2:09 minutes)

9. Baby, Let's Swing / The Last Thing You Said / Don't Tie My Hands (5:25 minutes)

10. Birthday Carol (9:12 minutes)

Disc 2 "The Alternate Runt" - November 1970 Version (51:47 minutes):

1. Broke Down And Busted (Intro: There Are No Words) (4:56 minutes)

2. Believe In Me (Alternate Mix) (1:58 minutes)

3. We Gotta Get You A Woman (Alternate Mix) (3:04 minutes)

4. Who's That Man? (Same as on the original version)

5. Once Burned (Same as on the original version)

6. Hope I'm Around (Early Version - different to the one that's on "The Ballad Of Todd Rundgren" album

7. Devil's Bite (Alternate Mix with extended guitar solo)

8. I'm In The Clique (Same as on the original version)

9. There Are No Words (Same as on the original version)

10. Baby Let's swing (Full Length Song)

11. Say No More (Exclusive to this version)

12. Birthday Carol (With some alterations)

13.Broke Down And Busted (Live At Carnegie Hall, June 8, 1972) - a BONUS TRACK. Originally released on the "Something/Anything" 2CD set in 1998

The attached 12-page booklet within has liner notes by Paul Myers from his superb tome "A Wizard, A True Star - Todd Rundgren In The Studio" and is an excellent read. There are black and white photos of a young and shorthaired Rundgren in the studio as well the hand-written album credits. The lovely Bob Zoell cartoon artwork on the rear of the original Ampex Records album is reproduced on the back of the hardback book gatefold. There is no new remaster that I can hear - this is the Edsel February 2012 version - that in itself was a Peter Rynston UK master using the 1993 American Rhino remasters. Don't get me wrong - the sound is superb. The only upgrade here is the cool-looking book packaging - which is a rather lovely thing to behold...

As a debut after NAZZ - "Runt" showed great promise and tracks like the 3-part "Baby Let's Swing" song (about Laura Nyro) were amazingly complicated and accomplished at one and the same time - and yet the whole album to me always lacked some kind of cohesion. I say this because when you hear the `Alternate' version - it hangs together better. Right from the get go there's the beautiful and ethereal vocals of "There Are No Words" as an opening for about 30 seconds - then it goes into the "Broke Down And Busted" we all know and love. The released album version of the delicate and rather lovely "Believe In Me" is better than the remix which gets too busy with instrument flourishes that distract. I love the inclusion of "Hope I'm Around" - it gives the whole album a more mellow feel and somehow makes "Runt" more about feelings rather than studio trickery. And the extended "Devil's Bite" rocks more. The "Laura" song "Baby, Let's Swing" stretches out and is better for it and the brass-meets-rock of "Birthday Carol" amazes me even to this day. With its hooky melody - "We Gotta Get You A Woman" was an obvious single (lyrics from it title this review) and the gorgeous 2-minute spacey vocal piece that is "There Are No Words" is properly amazing.

So there you have it - remastered and remixed - this is a very cool little reissue really - and a timely reminder of his genius...